Donloe's Lowdown

Comedy Series 'Love That Girl!' Returns to TV One

noreply@blogger.com (Darlene Donloe) — Wed, 22 May 2013 02:13:00 +0000

Production on Half-Hour Series Created by Bentley Kyle Evans Begins May 2013

SILVER SPRING, MD, May 21, 2013 – The laughs keep coming to TV One with the return of Love That Girl!, a half-hour comedy series chronicling the life and times of Imunique Jefferson and Delroy Jones, and the crazy, but loving bond that makes them not just colleagues, but family. Production is scheduled to begin May 2013 with an anticipated premiere date in fall 2013.

Created by Bentley Kyle Evans (Martin, The Jamie Foxx Show), the fourth season features an all-star cast including Phil Morris (Hot in Cleveland), Bresha Webb (Weeds), Alphonso McAuley (Breaking In), Peter Oldring (Glenn Martin DDS), Mark Adair-Rios (Off The Map), and Huggy Low Down (Tom Joyner Morning Show).

New to the series, is seasoned sitcom star Reagan Gomez (The Cleveland Show, The Parent’Hood) as Del Jones Realty’s newest employee and Delroy’s niece, Jasmine Russell. Not afraid to use nepotism cards when it suits her, Jasmine discovers making it in LA is tougher than she imagined.

“Our audience has been very vocal about their affinity towards this show,” explained Alfred C. Liggins, III, President and CEO of TV One. “The return of Love That Girl! speaks to the strength of the series – our viewers championed its return, and TV One answered the call.”

“I am delighted to continue my relationship with TV One and revisit these characters that were so dear to the audience,” said series creator Bentley Evans. “I’ve been getting numerous questions about the series and it thrills me to share with everyone that we are back and better than ever!”

ABOUT TV ONE:
Launched in January 2004, TV One (www.tvone.tv) serves more than 57.3 million households, offering a broad range of real-life and entertainment-focused original programming, classic series, movies, and music designed to entertain, inform and inspire a diverse audience of adult Black viewers. In December 2008, the company launched TV One High Def, which now serves 14 million households. TV One is owned by Radio One [NASDAQ: ROIA and ROIAK; www.radio-one.com], the largest radio company that primarily targets Black and urban listeners; and Comcast Corporation [NASDAQ: CMCSA, CMCSK; www.comcast.com], one of the nation's leading providers of entertainment, information and communications products and services.

ICT Invites H.S. Students To See FREE Shows

noreply@blogger.com (Darlene Donloe) — Tue, 21 May 2013 22:41:00 +0000

Long Beach, Calif (May 21), 2013 – In an effort to cultivate the next generation of theatergoers, International City Theatre is offering high school students free tickets to preview performances for the reminder of the 2013 season.

“To ensure that younger audiences are exposed to the theater, we are making it easy and affordable with complimentary tickets to preview performances,” says ICT Artistic Director caryn desai [sic]. “We all know that a well-rounded education includes an appreciation for the arts. But even more important, we want to help kids learn to connect on a human level – not through texting or emails, but people-to-people through theater, the most human art form.”

This special year-round invitation is limited to high school students only, but is not restricted to Long Beach and is open to any high school student with a valid ID. Reservations are required, and students must present their ID at will call. Free tickets are available for high school students on the following dates.

Wed, June 5 and Thurs, June 6 @ 8pm:
Dead Man’s Cell Phone by Sarah Ruhl. A quirky comedy about our need to connect in a technologically obsessed society.
Wed, August 21 and Thurs, August 22 @ 8pm:
Red by John Logan. Tony Award winner for Best Play about radical artist Mark Rothko.
Wed, Oct 9 and Thurs, Oct 10 @ 8pm
Don’t Dress for Dinner by Marc Camoletti, translated by Robin Hawdon. A fast-paced, mischievous comedy in the French tradition.

International City Theatre is Long Beach’s Resident Professional Theater Company and is the recipient of the Los Angeles Drama Circle's prestigious Margaret Harford Award for “Sustained Excellence in Theater.”

All performances take place at International City Theatre in the Long Beach Performing Arts Center, 300 E. Ocean Blvd., Long Beach, 90802.

For more information and to make a reservation, call Erik Garcia at 562-495-4595, ext. 13 or email him at erik@ictlongbeach.org.

'Star Trek Into Darkness' Opens In Theaters Today

noreply@blogger.com (Darlene Donloe) — Fri, 17 May 2013 19:40:00 +0000

By Darlene Donloe

Ok, I’m just going to say it – Star Trek Into Darkness is out of this world!

The franchise has been on the radar since the 60s. But, that doesn’t make it a stale brand.

It’s soooooo good. It has more heart and more laughs than the first one. It’s expected to make about $100 million its opening weekend – which it will undoubtedly hit and probably exceed. Lines started forming on Thursday at some theater with true Trekkies buzzing about the latest 3D addition, which opens today, May 17, nationwide.

Whether you’re a Trekkie or not, you will get your fill from this high-octane, full-speed-ahead blockbuster, which is already considered even better than its predecessor. This film is for everyone. You don’t need to have seen the first film or the series. This one is bigger and better and goes deeper. It goes into new territory.

In the 2009 film, Star Trek, Spock was grappling with his humanity. In this one, he finds it.

ZACHARY QUINTO, BENEDICT CUMBERBATCH and CHRIS PINE

Director/producer J.J. Abrams’ film has all the elements to make it a success. It has suspense, a love story, drama, action, more action, evil, good and even more action.

All the characters are back –with a pleasant cameo by one of the original television series Star Trek cast. Spock (Zachary Quinto), James T. Kirk (Chris Pine), Nyota Uhura (Zoe Saldana), Scotty (Simon Pegg) and Dr. Leonard McCoy (Karl Urban). They are joined by Bruce Greenwood, who plays Captain Pike; Alice Eve, who plays Carol Marcus; Benedict Cumberbatch, who plays John Harrison; Peter Weller, who plays Starfleet Admiral and Anton Yelchin, who plays Pavel Chekov.

ZOE SALDANA and ZACHARY QUINTO

To his credit, Abrams and his crew have maintained the spirit of the original and keep the archetypal characters of Kirk, Spock and the rest of the Enterprise crew intact.

The Enterprise continues its Final Frontier. The film starts off with an action sequence that leaves Spock in an exploding volcano. Does he survive? You’ll have to buy a ticket to find out.

ZACHARY QUINTO as SPOCK

In any event, Kirk does something that it against regulations and, as a result, his command is taken away from him. He blames Spock.

With the Enterprise returning to earth in the wake of a controversial galactic incident, its brash Captain still itching to head back into the stars on a longer mission of peace and exploration. But that’s only the beginning, an act of terror occurs and the Star Fleet is attacked from within. This science fiction drama focuses on the efforts of the Enterprise crew to capture a one-man weapon of mass destruction who has infiltrated their ranks.

BENEDICT CUMBERBATCH

Benedict Cumberbatch as John Harrision is the delicious bad guy, who seeks revenge on the Star Fleet. At times it’s not quite clear whether he is a good guy or a bad guy. Even Kirk asks whether they are helping him or he is helping them.

It doesn’t even matter. Just grab a friend, run to the theater, buy your popcorn and sit down for a wild and satisfying ride! Star Trek Into Darkness is fabulous, out of this world fun!!!

Star Trek Into Darknessis rated PG-13. It runs 2 hr. 9 min.

On the DONLOE SCALE: D (don’t bother), O (oh, no), N (needs work), L (likeable), O (OK) and E (excellent), Star Trek Into Darkness gets an E (excellent).

34th Festival International de Jazz de Montreal

noreply@blogger.com (Darlene Donloe) — Fri, 17 May 2013 19:39:00 +0000

Tickets go on sale this Saturday at noon
Exclusive pre-sale for Spectra Newsletter subscribers: starts tomorrow!

Montreal, Tuesday, April 30, 2013— By all the evidence before us, the indoor program of this 34th editionof the Festival International de Jazz de Montréal, presented for 4 years now by TDin collaboration with Rio Tinto Alcan, trains the brightest possible spotlight on the two principal characteristics of our event: quality and diversity! Jazz fanatics, blues believers, world music devotees or, quite simply, fans of music in all its forms, period will find something to satisfy their deepest musical hunger and most discerning aural appetite. Whether you prefer intimate clubs or the most prestigious venues, adore jazz icons or the newest up-and-comers from near and far, or have a weakness for vocals or a particular instrument, you’re guaranteed to find musical happiness a hundred times over during this intense and elegant musical marathon from June 28 to July 7. In other words, hats off to our programming team! Tickets for these concerts go on sale this Saturday, May 4, at noon… although Spectra Newsletter subscribers can buy them starting tomorrow upon reception of their latest issue of the newsletter, and until Friday at 6 p.m. Everyone can subscribe free of charge by visiting infolettrespectra.ca.

Please note that this the 2013 edition will be dedicated to great American pianist and composer Dave Brubeck, who passed away last December on the eve of his 92nd birthday, 6 months after having delivered his final concert, at the Festival. Mr. Brubeck was a proud partisan, champion and habitué of our event, which he honored with 14 concerts between 1981 and 2011, notably with the Orchestre symphonique de Montréal and Angèle Dubeau and Pietà, and during the 30th edition of the Festival, which coincided with the 50th anniversary of the legendary Time Out, the first jazz album to sell over one million copies.

A pilgrimage across the breadth of Planet Jazz

The Festival transforms Montreal into Planet Jazz for 10 days and nights, creating the perfect musical environment for exploring every facet of your taste to your heart’s content. It’s not just something but everything for everyone—that could be the Festival motto!—and this is just the tip of the iceberg: the Greatest of the Great, among them Aretha Franklin, Wayne Shorter, Chucho Valdés, George Benson, Oliver Jones; the absolutely essential Wynton Marsalis, Joshua Redman, John Abercrombie, Ravi Coltrane, Bill Frisell Holly Cole and Boz Scaggs; landmark groups including The Specials, Belle & Sebastian, The Cat Empire; such hot-hot-hot sensations as Trombone Shorty, Caravan Palace, Serena Ryder and Nicolas Repac; emerging talents on the jazz scene including Jason Moran,Thierry Maillard, Gwilym Simcock, Thomas Enhco, Phronesis and Gregory Porter; stars of the indie scene like Austra, Leif Vollebekk, Mother Mother, Rhye, Thus:Owls, SUUNS, Woodkid, She & Him; ambassadors of exotic rhythms Vieux Farka Touré, Alpha Blondy, Xavier Rudd and Alex Cuba; and because the Festival has always been utterly devoted to promoting homegrown jazz and voices, some of the premier figures in the genre, including Alain Caron, Emilie-Claire Barlow, Vic Vogel, Julie Lamontagne, Elizabeth Shepherd, Michel Donato, Jaques Kuba Séguin, Sienna Dahlen, André Leroux, Yannick Rieu, Nikki Yanofsky, Joel Miller... And that’s not to mention some very intriguing and exciting double bills and special projects—Lyle Lovett and Chris Isaak, Dr. John & The Nite Trippers and Leon Russell, Champion and his G-Strings with I Musici, Katia and Marielle Labèque, and of course, the ever-dazzling Invitation TD series and a pair of three-night runs hosted first by Charles Lloydat the opening of the Festival, followed by Vijay Iyer.

An opening concert with Pink Martini

Summer means it’s time to shake up another serving of Pink Martini, the preeminent suave multicultural, multilingual orchestra renowned for their dexterously blended musical cocktail of swing, jazz, classical, pop and lounge. Under the leadership of the charming Thomas Lauderdale, the group has racked up years of sold-out shows around the world, including numerous gigs at the Festival since 2005. Their most recent stop in Salle Wilfrid-Pelletier, two years ago, already seems like a distant memory… so let’s pour ourselves another musical Happy Hour! It’s the perfect opportunity to discover their new album, and renew acquaintances with the elegant China Forbes! June 28 at 7:30 p.m., Salle Wilfrid-Pelletier, PdA (Événements spéciaux TD series). Presented in collaboration with CBC/Radio-Canada.

Soweto Gospel Choir: closing the Festival on a jubilant note!

Assembling some thirty members, the Soweto Gospel Choir was born 11 years ago in South Africa. Adored for their irresistible repertoire melding gospel, soul, reggae, pop and religious hymns, the vocal ensemble vocal has won an array of international awards—including two Grammys. They’ve collaborated with Céline, Robert Plant and Bono, and in their first Festival visit, they offer us music both poignant and jubilant. July 6, 7 p.m. (also at 3 p.m.), Maison symphonique de Montréal (Le Festival à la Maison symphoniqueseries). Presented in collaboration with CBC/Radio-Canada.

The program, series by series

Événements spéciaux TD series, 7:30 p.m., Salle Wilfrid-Pelletier, PdA
presented in collaboration with CBC/Radio-Canada, La Presse+, Rouge FM, CHOM and Virgin 96

♫ Pink Martini kicks off the party June 27, before the official launch of festivities the following day (June 28). ♫ On June 29, “Queen of Soul” Aretha Franklin returns to Montreal, 5 years after her sole Festival appearance. She offers us the rare privilege of a performance bringing us such immortal titles as Respect, Chain of Fools and (You Make Me Feel Like) A Natural Woman. ♫ The following evening (June 30), Festival fans can expect a formidable program featuring The Hits by George Benson (opening act: Morgan James): two years after his tribute to Nat King Cole, the gifted jazz guitarist and admired R&B singer is back with his smash songbook.♫ On July 3, we welcome Zooey Deschanel, star of TV series New Girl and such films as (500) Days of Summer, and M. Ward, heard on dreamy folk-rock albums, united here as irresistible retro-pop duo She & Him (opening act: Camera Obscura). ♫ They turn over the stage July 4 to a double bill starring two artists making Festival debuts: Texas singer-guitarist Lyle Lovett, legendary cult figure of the alt-country scene, rides through his eclectic repertoire with an acoustic combo. Then, crooner-rocker Chris Isaakand his musicians make us swoon with such unforgettable tracks of oneiric Americana as Blue Hotel and Wicked Game. ♫ On July 5, it’s the very first Festival visit by Scottish cult stars Belle & Sebastian. Their leader, Stuart Murdoch, has spent over 15 years crafting a literate and tuneful songbook, with the added bonus of a melodic sensibility that recalls the pop goldsmiths of the ’60s (opening act:Here We Go Magic). ♫ The following night (July 6), Champion tunes up his G-Strings and invites in I Musicide Montréal conducted by Jean-Marie Zeitouni for the premiere of his new electro-lounge spectacle, °1, featuring arrangements by Jean-Nicolas Trottier.

Grands concerts Rio Tinto Alcan series, 8 p.m., Théâtre Maisonneuve, PdA
presented in collaboration with CBC/Radio-Canada, CJAD 800 AM, CHOM and 98,5 FM

♫ In his first visit in 4 years, Chucho Valdés, a master among masters, hailed as “the most complete pianist in the world” by Jazz Magazine, rolls in June 28 with the album Border Free, with his superb quintet Afro-Cuban Messengers. ♫ Then, get set for a concert-event that promises to make history June 29 with the Wayne Shorter Quartet with Danilo Perez, John Patitucci and Brian Blade and their 80th Birthday Celebration: they’ll herald the 80th birthday of the legendary saxophonist with over 3 hours of music and a stage shared with some illustrious friends—quintet Sound Prints headed by Joe Lovano and Dave Douglas (with Lawrence Field, Linda Oh and Joey Baron) and star trio ACS featuring Geri Allen, Terri Lyne Carrington and Esperanza Spalding. ♫ The following evening (June 30), rock legend Boz Scaggs, the man behind the timeless Silk Degrees and Grammy winner for Lowdown, pulls in with his new album Memphis. ♫ On July 3, an incredible double bill transports us to roots heaven, starring New Orleans singer-pianist Mac Rebennack, alias Dr. John (with The Nite Trippers), armed with a recent supercharged R&B-blues-rock-funk album entitled Locked Down, and then another living legend, singer/multi-instrumentalist Leon Russell, who made his legendary name as a solo artist with his amalgam of blues and southern rock in the ’70s. ♫ On July 4, Martha Wainwright takes on her first headline Festival gig since 2006 to present pieces from her excellent new album, Come Home to Mama, some tracks from the soundtrack to TV show Trauma, and perhaps even a little Piaf! (opening act: Dear Criminals). ♫ Then, July 5, rising Canadian jazz star Emilie-Claire Barlow unveils songs from her charming all-French album Seule ce soir, as well as other tracks from her rich jazz vocal repertoire (opening act: Michael Kaeshammer). ♫ Finally, suave-voiced singer Madeleine Peyroux (July 6) presents her latest, The Blue Room, marrying country and jazz with sensitivity and subtlety (opening act: Kat Edmonson).

Le Festival à la Maison symphoniqueseries, 7 p.m., Maison symphonique de Montréal
presented in collaboration with The Gazette and CJAD 800 AM

♫ The series opens June 28 with the Jazz at Lincoln Center Orchestra, one of the most respected Big Bands on the planet, marrying tradition and modernity under the leadership of supremely gifted American trumpeter and composer Wynton Marsalis and spreading the gospel of jazz since the late ’80s. ♫ The festivities continue June 29 with a 20-year friend of the Festival, charismatic saxophonist Joshua Redman, who dazzles us with every visit. This year, the Joshua Redman Quartet will showcase songs from Walking Shadows (expected in May) accompanied by Aaron Goldberg, Reuben Rogers and Gregory Hutchinson and an 18-piece string orchestra. ♫ On July 4, sister-pianists Katia and Marielle Labèque deliver the magnificent West Side Story + suite based on the Leonard Bernstein masterpiece, in a special arrangement for two pianos and percussion. ♫ The following day, they soar through Minimalist Dream House and a program presenting works by Erik Satie, John Cage, Steve Reich, Terry Riley, William Duckworth, La Monte Young, Arvo Pärt, Brian Eno, Radiohead, Sonic Youth, Suicide, Glenn Branca, Laurie Anderson and many others. ♫ And before presenting the closing Festival concert on July 6 at 7 p.m., the Soweto Gospel Choir deliver an early hallelujah! at 3 p.m.

Tout en voix series, 8 p.m., Théâtre du Nouveau Monde
presented in collaboration with Rouge FM, MusiMax and The Gazette

♫ Two stars of Canadian jazz vocals take turns in the spotlight during this series. Talented Nova Scotia native Holly Cole, passionate purveyor of jazz and pop, returns to us June 27, 28 and 29 with her new album, a genuine masterpiece entitled Nights, in her 25th visit to the Festival. ♫ On July 4, 5 and 6, Quincy Jones presents Nikki Yanofsky, the darling of Montreal jazz, who’s been heralded in the Olympia in Paris, the Blue Note Jazz Club in New York, at the Vancouver Winter Olympic Games and, in her most recent Festival stop, in Place des Arts with the Orchestre Métropolitain. She’ll present a new album due in June.

Rythmes series, 8:30 p.m., Métropolis
presented in collaboration with MusiquePlus, CKOI 96,9 and Virgin 96

♫ In his first Festival concert in 15 years (June 28), Garou gathers special guests to reconnect with his first love, Rhythm and Blues, a song catalogue including Otis Redding, Nina Simone, Gilbert Bécaud, Joe Dassin, the Black Keys and Alicia Keys, and an album that sold over 200,000 copies. ♫ On June 30, duo Rhye—a collaboration of two leading lights on the electro scene, Denmark’s Robin Hannibal and Canadian Mike Milosh, seduce us with the romantic electro-pop of their debut album Woman. ♫ Versatile French artiste Woodkid—all the rage buzz overseas with a video, Iron, that’s been seen over 20 million times on YouTube!—heads in July 1 with the tunes from a debut album, The Golden Age (opening act: Mozart’s Sister). ♫ Sharon Jones, passionate female reincarnation of the immortal James Brown, brings in her loyal Dap-Kings (July 3), an old-style soul-funk-R&B revue combo, with special guests James Hunter and his musicians. ♫ Next comes a female double bill to die for on July 4 starring a grand dame of soul, Bettye LaVette, who celebrated her 50th year as a singer with the extraordinary Thankful N’ Thoughtful, and Wanda Jackson, considered THE first female rock’n’roll singer, inducted into the Rock and Roll Hall of Fame in 2009. ♫ Stage demolishers The Cat Empire, known worldwide as the Party Band to watch, arrive July 5 in better form than ever with a collection of their classics and new ones from their 5th studio album (opening act: Colin Moore). ♫ Canadian-Australian multi-instrumentalist Xavier Rudd comes July 6 with his debut album Spirit Bird (2012), in which the Ohnia:kara Singers and the Perpetual Peace Project invoke traditional Amerindian music and dance (opening act: Jon and Roy) ♫ The spearhead of the ska revival that swept over the UK in the ’70s, The Specials, reformed in 2009, crank out the same energy they cranked in their glory days and roll into the Festival for the first time July 7 (opening act: Little Hurricane).

Couleurs SAQ series, 7 p.m., Club Soda
presented in collaboration with Rouge FM, CJAD 800 AM and CIBL 101,5 Radio-Montréal

♫ The series kicks off in fine fettle June 28 with the super-celebratory musical cocktail shaken up by joyous Parisian troupe Caravan Palace, here to unleash the electro-gypsy jazz-swing of their excellent album Panic. ♫ In Sarah Slean with Strings June 29, the Toronto singer revisits her refined pop repertoire with inventive arrangements, including her latest album, Land & Sea, accompanied by a string quartet. ♫ Charismatic and brilliant young New Orleans trombonist Trombone Shorty takes command June 30, flanked by his explosive combo Orleans Avenue, rolling out his latest For True, a contagious blend of funk, rock, R&B and hip-hop. ♫ The following evening (July 1), welcome the American singer who proudly holds aloft the torch handed down from the great Afro-American singers of the ’60s and ’70s: Gregory Porter. ♫ Next, on July 2, talented Toronto singer Serena Ryder builds on the success of her new album Harmony and hit Stompa, a powerhouse female country-pop-folk-rock blend. ♫ On July 3, the “Hendrix of the Sahara,” Vieux Farka Touré, visits with a new solo album, masterfully collapsing the boundaries between Malian blues, rock, reggae and soul. ♫ Also from Africa, legendarily committed pacifist reggaeman Alpha Blondy and The Solar System stop in on July 4 to unfurl the standard-bearing songs from a new album, Mystic Power, released this past spring. ♫ The party rolls on July 5 with the Montreal premiere of new album Ruido En El Sistema/Noise in the System by Cuban native and adoptive Canadian Alex Cuba, cruising between Latino soul and pop-rock, and nominated for the JUNO for Best World Music Album! ♫ The following night (July 6), actress Molly Ringwald, discovered and beloved by a billion boys in the ’80s for her roles in Pretty in Pink and Breakfast Club, reveals the songs from her debut, Except… Sometimes, including such standards as I’ll Take Romance and I Get Along Without You Very Well ♫ Closing the series out with a burst of energy July 7, Vancouver quintet Mother Mother break out their latest—and catchiest—album, The Sticks.

Jazz Beat Hyatt Regency Montréal series, 9:30 p.m., Théâtre Jean-Duceppe, PdA
presented in collaboration with CBCMusic.ca

♫ Returning after a 5-year absence, brilliant saxophonist and iconic New York jazz figure Ravi Coltraneis back June 28 with his Quartet and a new album hailed by the experts, Spirit Fiction, his first for Blue Note. ♫ Considered one of the most enlightened jazzmen of his generation, pianist-composer Jason Moran returns June 29 with his Fats Waller Dance Party, a tribute to the legend accompanied by exceptional collaborators (including Meshell Ndegeocello). ♫ The following evening (June 30), returning after a 22-year absence, crack British saxman Courtney Pine brings in his virtuosity and a quintet to present House of Legends, an Afro-Caribbean-inflected album shaking up calypso, ska, mento and merengue with passion and imagination. ♫ Then, the lights blaze in an incandescent concert July 1 starring Macy Gray(making her Festival debut), joined by the renowned David Murray Infinity Quartet in a show firing up funk, blues and alternative pop. ♫ High-octane combo the Kurt Rosenwinkel New Quartet with Aaron Parks, Eric Revis and Justin Faulkner take charge July 2 with a program based on the daring young jazz guitarist’s recent album Star of Jupiter.♫ On July 4, Benoît Charest et le Terrible Orchestre de Belleville present the 10th anniversary of Triplettes de Belleville in a show combining jazz, cabaret ambience and diabolically swinging rhythms, with a remarkable array of collaborators (Dan Thouin, Jim and Chet Doxas, Dany Roy, Dave Martin and Simon Meilleur) and a rear projection of the film itself! ♫ In another historic rendezvous July 5, legendary ensemble the Preservation Hall Jazz Band return 25 years after their sole Festival visit to transport us to the deepest roots of jazz. ♫ With their mandate to herald the global jazz repertoire, the Orchestre national de jazz de Montréal make a first Festival appearance July 6 playing pieces by Christine Jensen, Marianne Trudel and Jean-Nicolas Trottier, a tribute to Joni Mitchell with Karen Young, and excerpts from the Africa/Brass Sessionsby John Coltrane, starring André Leroux on tenor saxophone. ♫ Finally, July 7, The Brubeck Brothers Quartet pay homage to a late, lamented legend with their Tribute to Dave Brubeck with guests Lorraine Desmarais, Adrian Vedady and Chet Doxas, celebrating a repertoire that is quite simply the living memory of jazz.

Invitation TD series, 6 p.m., Théâtre Jean-Duceppe, PdA and Gesù — Centre de créativité
presented in collaboration with The Gazette

♫ All genuine, full-blooded music fans, take heart: the Invitation TD series returns with concept-concerts spanning several evenings. In the first series, famed American reedman Charles Lloyd celebrates his 75th birthday starting June 28 in Théâtre Jean-Duceppe in a Quartet with Jason Moran, Reuben Rogers and Eric Harland. ♫ For his second performance, Sangam, Charles Lloyd teams up with Zakir Hussain and Eric Harland to revisit the subtlety and refinement of the major concert presented at the Festival in 2005, inspired by a tribute to drummer Billy Higgins. ♫ To close out his series in perfect form June 30, Charles Lloyddelves into musical conversations in duos and trios with Jason Moran and Bill Frisell, who channel their respectively remarkable improvisational sensibilities. ♫ On July 4, genius-level New York pianist Vijay Iyer settles into the Gesù in a Trio with Justin Brown and Stephan Crump, performing the acclaimed Accelerando, 2012 Jazz Album of the Year according to the International Critics Poll in DownBeat Magazine. ♫ In his second concert July 5, Vijay Iyer shakes up the formula masterfully in a duowith another keyboard magician: Craig Taborn ♫ Finally, piano master Vijay Iyer, universally celebrated for his creativity and named Pianist of the Year at the 2012 Jazz Awards, rewards us with Vijay Iyersolo, a format in which he excels—witness his album Solo, released in 2010. Do not miss this!

Pianissimo series, 7 p.m., Cinquième Salle de la PdA

presented in collaboration with Radio-Classique 99,5

♫ Celebrating the brilliance of the world’s pianists, this series opens with the virtuosity and passion of France’s Thierry Maillard, launching us June 28 in two very promising formats: solo and trio, accompanied by drummer Yoann Schmidt and double bassist Matyas Szandaï, with whom he recorded the dazzling Beyond the Ocean released this past winter. ♫ Montreal’s Alexandra Stréliski follows June 29 with pieces from her album Pianoscope, a combo of melancholy and lighthearted music, accompanied by a string ensemble and projections. ♫ She cedes the spotlight to brilliant English pianist Gwilym Simcock, who showcases the full range of his jazz and classical affinities solo on June 30. ♫ Cuban prodigy Harold López-Nussa takes over July 1 with two versions of his artistry, armed with a new album: solo to open, then in a triofeaturing Felipe Cabrera on double bass and his brother Ruy López-Nussa on drums. ♫ Young French pianist and violinist Thomas Enhco performs in the same format July 2 to present his latest, Fireflies, first solo, then in a trio accompanied by Chris Jennings on double bass and Nicolas Charlier on drums. ♫ A number of solo concerts follow, starting July 4. First, Festival fans can enjoy the brilliance of Italian pianist and composer Enrico Pieranunzi, who has wonderfully interpreted the music of Morricone and Fellini films alongside his own pieces. ♫ The venerable Oliver Jones next takes the stage solo on July5 and 6 with a blend of compositions and standards. ♫ Finally, after over 30 Festival concerts in our history in every configuration imaginable, Montreal pianist, composer, trombonist and bandleader Vic Vogel closes us out solo on July 7.

TD Jazz d’ici La Presse+ series, 6 p.m., L’Astral
presented in collaboration with Espace.mu

♫ Lean into this series June 28 with music oscillating between modernity and tradition, courtesy of the 2012 Radio‑Canada Discovery, versatile trumpeter and composer Jacques Kuba Séguin: ODD LOT, fusing Eastern European music, jazz harmony and electronica. ♫ He hands the baton over on June 29 to the André Leroux Quartet, led by one of our most eminent saxophonists, accompanied by friends Ben Charest, Fred Alarie and Christian Lajoie, and delivering his brilliant debut album as a bandleader, Corpus Callosum. ♫ Then, get ready for a summit meeting of Montreal’s highest-profile musicians, from the indie-rock, jazz and folk scenes (June 30): Muse Hill with Chet Doxas, Brad Barr, Andrew Barr, Joe Grass and Morgan Moore. ♫ Montreal saxophonist and composer Christine Jensen is next on July 1 with guests Ingrid Jensen and Gary Versace, weaving an evening of refined melodies and daring improv. ♫ Next (July 2), welcome two jazz masters, one on double bass, the other on drums, Michel Donato and Pierre Tanguay, as they fuse their talents in a duo for a jazzy exploration of the Bach repertoire: Groove en Bach. ♫ The series powers forth July 3 with Joel Miller (2013 JUNO for Best Jazz Album) and Honeycomb, here to spellbind us with the world-infused jazz of their latest album released this past winter, alongside Kiko Osorio, Rémi-Jean Leblanc and John Roney. ♫ On July 4, enjoy a trio pulsing with life in Trifolia starring the Marianne Trudel Trio, uniting Marianne Trudel on piano, Wurlitzer, accordion and vocals, Étienne Lafrance on double bass and Patrick Graham on percussion; we all dug their album Le refuge in 2013. ♫ Then, July 5, the legendary Guy Nadon, a one-man chapter in the history of this Festival, celebrates 60 years behind the skins and his 30th visit to the event with a Big Band. ♫ Pianist Julie Lamontagne follows July 6 with Opus jazz orchestra, reconnecting with the classical repertoire—Rachmaninov, Debussy, Bach, Ravel, Chopin, Haendel, Brahms, Fauré and André Mathieu—she explored on the album Opus jazz, Album Jazz Création award winner at the 2012 ADISQ Gala. ♫ Closing out the series, three-time Félix winner for Jazz Album of the Year (1996, 2000 and 2006) and 2006 Oscar Peterson Award honoree, saxophonist Yannick Rieu returns July 7 with the new music of Spectrum 4, accompanied by Jean-Sébastien Williams, Samuel Joly and Rémi-Jean Leblanc.

Le Club series, 9 p.m., L’Astral
presented in collaboration with Galaxie and CIBL101,5 Radio-Montréal

♫ Brilliant American saxophonist Tia Fuller kicks off this series June 28 with her first headline performance at the Festival, following the 2012 release of a 4th solo album, Angelic Warriors. ♫ Next (June 29), renowned, exquisite jazz guitarist Bill Frisell makes his 10th Festival visit in a 40+ year career with a solo performance of selections from his vast repertoire. ♫ The grand dame of Korean jazz, Youn Sun Nah (June 30) serenades with her sumptuous voice and takes Festival fans beyond the boundaries of jazz vocal, armed with her dazzling recent album, Lento.♫ Another rising star on the international jazz scene jazz, trio-with-piano Phronesisfeaturing Danish double bassist Jasper Høiby, British pianist Ivo Neame and Swedish drummer Anton Eger, return July 1 after a 2-year absence with their latest, Walking Dark. ♫ The musical voyage continues July 2 with globetrotting Frenchman Titi Robin, making a debut Festival visit in a trio with a musical style that soars beyond borders on guitar, oud and bouzouki, and some 15 albums including Les Rives, released in 2011. ♫ Then, French guitarist Nicolas Repacinvites Festival fans on a trip to the very roots of the blues with The Black Box July 3, melding grooves and electric guitar to recordings of black prisoners’ work songs recorded in the ’30s by Alan Lomax, a shaman’s chants, and the voices of Bo Diddley, a gypsy singer, Haitian storytellers... ♫ In her first Festival stopover, young Brazilian cellist and singer Dom La Nena(July 4) spellbinds in Portuguese and Spanish with songs from her gorgeous, melancholy debut album recorded with Piers Faccini. ♫ Next (July 5), the Lionel Loueke Trio, led by the exquisite Benin guitarist, present a new album released on Blue Note, Heritage, featuring vibrant jazz accented by West African sounds, melodic grooves and daring improv. ♫ Jazz-rooted pianist Laurent de Wilde, who distinguished himself at the Festival a decade ago with electronic adventures, takes over July 6 to unveil Over the Clouds, an all-jazz album recorded with a trio. ♫ The series closes out on July 7 with the Festival baptism of a young singer-guitarist gifted with a retro soul, JD McPherson, captaining a captivating trip through time shaking up old-skool rockabilly and R&B as brilliantly represented on his sizzling debut album, Signs & Signifiers.

Jazz dans la nuit series, 10:30 p.m., Gesù — Centre de créativité
presented in collaboration with Espace.mu and CBCMusic.ca

♫ Two virtuoso guitarists take turns solo on June 28 to lead into this series with an all-guitar double bill, specially scheduled for 7 p.m.: Peppino D’Agostinotakes us on a melodic voyage accented with jazz, flamenco, pop and folk rock, and Martin Taylor unfurls his new album, The Colonel & The Governor. ♫ The following evening (June 29), the Festival is delighted to welcome Larry Goldings, Peter Bernsteinand Bill Stewart, hailed by the New York Times in the ’90s as the best organ trio of the decade, now armed with 8 albums and a peerless creative chemistry. ♫ On June 30, another trio rolls in, this one led by brilliant Franco-American pianist Jacky Terrasson, celebrating a 20-year career with Gouache, combining original compositions with covers of pop and jazz-funk hits. ♫ Maintaining the trio formula, The Bad Plus, Ethan Iverson (piano), Reid Anderson (double bass) and Dave King (drums), with a 10-year history of burning down Festival stages, barrel in July 1 with their latest album, Made Possible. ♫ Next, the Steve Kuhn Trio visit July 2 with material from Wisteria, their solid album released on ECM last year, featuring the wonderful playing of Steve Swallow and Joey Baron. ♫ Legendary bassist and former member of jazz fusion masters UZEB Alain Caron takes over July 3, accompanied by his six-string bass and his latest album, Multiple Faces. ♫ Super American guitarist Charlie Hunter, devotee of blues and soul, thrills us July 4 in aduo with an old compadre, drummer Scott Amendola, who accompanied him on the recent album Not Getting Behind Is the New Getting Ahead. ♫ They’re followed July 5 by American saxophonist Tim Berne, presenting his scintillating Snakeoil, a gem of contemporary jazz unanimously hailed by critics, benefiting from the unbridled creativity of a quartet completed by Oscar Noriega, Matt Mitchell and Ches Smith. ♫ Drummer and composer Antonio Sanchez, leader of solid combo Migration with Dave Binney, John Escreet and Matt Brewer, comes in July 6 to reveal a new album, New Life, fusing tradition and innovation. ♫ And finally, jazz guitar virtuoso John Abercrombie has the last word on July 7, accompanied by a remarkable Quartet featuring Joey Baron, Billy Drewes and Drew Gress.

Musique au MAC series, 8 p.m., Musée d’art contemporain de Montréal
presented in collaboration with CISM 89,3 FM

♫ Chassol opens the series June 28, 29 and 30 with a genuine film/music hybrid: Indiamore, the film of a voyage of discovery in India, in which Chassol replicates images, playing with the montage to create a rhythmic and visual motif. ♫ Swedish singer Erika Angell and Montreal guitarist Simon Angell, united as Thus:Owls, take over July 2, 3 and 4 with the dark, cinematographic folk of their fascinating 2nd album, Harbours. ♫ Finally, July 5, 6 and 7, adoptive Montrealer Leif Vollebekk delivers the piercing ballads and delicate and vibrant blues-laced folk of his new album North Americana, released in March.

Concerts intimes series, 7 p.m., Savoy du Métropolis

♫ In her first Festival visit, Canadian artist Sienna Dahlen, heralded for her spellbinding voice and magnetic presence, comes in June 28 and 29 to present a 5th album, Verglas, delving into the roots of jazz, folk and country. ♫ Toronto’s Elizabeth Shepherd, who pushes jazz vocal beyond its usual boundaries, invites us in June 30 and July 1 to discover Rewind, a remarkable album of standards (Poinciana, Prelude to a Kiss…) featuring her own arrangements and production. ♫ The only man among an array of Canadian female vocalists, Italian composer-guitarist-accordionist Peppe Voltarelli arrives solo July 3 and 4, with customary humour and ironic sensibility and a repertoire of songs crossing traditional Italian music, ska, onomatopoeia and festive rhythms. ♫ On July 5 and 6, Toronto jazz vocalist jazz Daniela Nardibrings in 4 musicians to plunge into pieces from her recent album Espresso Manifesto—The Songs of Paolo Conte, in which she brings her own slant to classics by the Piedmontean master. ♫ Closing the series July 7, supertalented Nova Scotian Mo Kenney, armed with her acoustic guitar, shines with the luminous pop-folk blend of his debut album, released last year.

Nuits Heineken series, 11 p.m., Club Soda
presented in collaboration with CISM 89,3 FM and NIGHTLIFE.CA

♫ An evening of Kannibalen [Live] with Black Tiger Sex Machine, Dabin, Apashe and Snails (June 28) promises decadence and contagious fun, with raw funk-disco-house that may unleash the animal within and transport everyone into a collective trance-state. ♫ The Herbaliser, the Brit group led by Jake Wherry and Ollie Teeba, continue the assault June 29 with a savvy blend of hip-hop, soul and jazz, brilliantly immortalized on albums Very Mercenary and Something Wicked This Way Comes, along with songs from the excellent There Were Seven released last year. ♫ The next evening (June 30), it’s New York group The Virgins, who mine the motherlode of ’70s and ’80s rock on a 2nd album, Strike Gently, five years after they got jiggy and funky on their debut. ♫ Next, we usher in A Tribe Called Red, led by Ottawa Amerindian DJs Shub, Bear Witness and NDN, here to kick off a party July 2 with an “Electric Pow Wow” of pulsing sounds mixing reggae, hip-hop, electronica and dub with First Nations music. ♫ They cede the stage July 3 to the head-turning voice of Torontonian Katie Stelmanis and collaborators Dorian Wolf and Maya Postepski, united as the New Wave group Austra, whose highly-anticipated 2nd album, Olympia, is due in June. ♫ The following day, July 4, party animals Fitz and the Tantrums land with a new album, More Than Just a Dream, fusing electronica, hip-hop and ’80s influences. ♫ On July 5, David Lynch presents his newest muse, Chrysta Bell, in a nocturnal rendezvous with a dream-turned-reality (or vice-versa), courtesy of the 11 tracks of This Train. Take a trip into a spellbinding Twin Peaks ambience guided by an otherworldly, captivating and sexy feminine presence. ♫ The power-party element returns July 6 in the presence of Marseille trio Chinese Man, consisting of DJs Zé Mateo and High Ku and beatmaker Sly, disciples of abstract hip-hop with the most diverse possible influences and samples (heavy rock, soul, funk, electronica, swing and… Chinese pop). ♫ Finally, Montreal band of the moment, SUUNS, zoom in from the zenith of indie rock stardom with a 2nd album, Images du futur, to close the series out with perfect cool and energy July 7.

The Croisière Jazz, 6:30 p.m., Bateau-Mouche,
Jacques-Cartier Quay, Old Port of Montreal

♫ Christine Tassan et les Imposteures have carved out a well-earned niche in gypsy jazz, now ranking among the most respected in the genre. While excelling in the studio, these veteran musicians are particularly comfortable onstage: for proof, look no further than their Festival appearance in 2010, when they reeled out the joyous album Pas manouche, c'est louche. Renowned for their enthusiasm and contagious good vibe, this unstoppable swing quartet takes to the waves to helm the jazz cruise with C’est l’heure de l’apéro. It’s Happy Hour! June 29 and 30, July 2, 3 and 4. Boarding at 6:15 p.m. from Jacques-Cartier Quay in the Old Port of Montréal, returning at 10:30 p.m. Reservations required: 514 849-9952, 1 800 361-9952 or bateaumouche.ca.

Don’t miss the Soirées jazz Upstairs at Upstairs Jazz Bar & Grill (1254 MacKay St.), at 7 p.m. and 9:45 p.m., with The Barry Harris Trio with Ray Drummond and Leroy Williams(June 28 and 29), Bebop Band : Nir Felder, Greg Osby, Orlando le Fleming and Terri Lyne Carrington play Dexter Gordon (June 30), Nir Felder 4 with Aaron Parks, Orlando le Fleming and Mark Guiliana(July 1), Mark Guiliana’s Beat Music (July 2), Helen Merrill (July 3 and 4), Bill Charlap (July 5), Stranahan/Zaleski/Rosato (July 6) and Ranee Lee (July 7).

Finally, the Le Dièse Onze au Festival will be presented at 9:30 p.m. at Dièse Onze (4115-A, St. Denis Street), with Benoît Charest Trio (June 28), Matt Herskowitz Trio (June 29), Kalmunity, Jazz Project (June 30), Trabuco Habanero, Cuban Jazz(July 1), Alex Bellegarde Trio with Al McLean (July 2), Daphne Cattellat Trio (July 3), Paulo Ramos Trio and guests (July 4), Rafael Zaldivar Trio (July 5), Montreal Hard Bop Four (July 6) and Kalmunity, Jazz Project (July 7).

The Festival, 24/7, thanks to Bell

For all true fans, the Festival is a year-round experience, thanks to Bell. With montrealjazzfest.com, everyone can stay constantly connected to the passion of the music, whether before, during or after events. Video excerpts, information on the artists, access to archives from previous editions of the Festival, video channel (montrealjazzfest.TV, etc.—in short, it’s the ideal online destination for every music fan. We remind you that the Festival is on Facebook (facebook.com/montrealjazzfest) and Twitter (@mtljazzfestival) and that you can follow and experience every aspect of it using mobile applications for iPhoneand, new this year, an Android version (montrealjazzfest.com/mobile).

Tickets go on sale this Saturday, May 4 at noon
Exclusive pre-sale for Spectra Newsletter subscribers: starts tomorrow!

· Place des Arts and Maison symphonique de Montréal: 175 Ste. Catherine Street West; 514 842-2112, 1 866 842‑2112 or laplacedesarts.com

· Métropolis and Savoy: 59 Ste. Catherine Street East; ticketmaster.ca, admission.com or 1 855 790-1245 — metropolismontreal.ca

· L’Astral (Maison du Festival Rio Tinto Alcan): 305 Ste. Catherine Street West; ticketmaster.ca, admission.com or 1 855 790-1245 — sallelastral.com

· Club Soda: 1225 St. Lawrence Boulevard;514 286-1010 or clubsoda.ca

· Gesù — Centre de créativité: 1200 De Bleury Street; 514 861-4036; admission.com or 1 855 790-1245 — legesu.com

· Théâtre du Nouveau Monde: 84 Ste. Catherine Street West; 514 866-8668 or tnm.qc.ca

· Bateau-Mouche au Vieux-Port de Montréal: 55 St. Paul Street West; 514 849-9952 or 1 800 361-9952 — bateaumouche.ca

· Musée d’art contemporain de Montréal: 185 Ste. Catherine Street West; ticketmaster.ca, admission.com or 1 855 790-1245 — macm.org

Get the jump on the crowd with the Infolettre Spectra and have the scoop on everything about the Festival emailed right to your inbox. All the latest news, exclusive pre-sales, discounts… and it’s all free when you simply subscribe by visiting infolettrespectra.ca.

Info-Jazz: indispensible information tools

You can pick up the official free brochure Info-Jazz Indoor Concert Schedule right now in concert venues, in most CD and bookstores, in public spaces, major downtown businesses, Montreal tourist information centres, and SAQ locations in Greater Montreal. You can also call the Info-Jazz La Presse+ Line at 514-871-1881 or, toll free, at 1 85JAZZFEST, or visit montrealjazzfest.com.

Complete programming for free outdoor concerts and activities at the 34th editionof the Festival International de Jazz de Montréal will be announced this coming June 4.

Jonathan Butler and the Soul of Summer 2013

noreply@blogger.com (Darlene Donloe) — Tue, 14 May 2013 19:43:00 +0000

Soul of Summer a multicultural affair

U.S. concert tour featuring Jonathan Butler, Sheila E. and Elan Trotman launches May 25^th in San Diego

Los Angeles, CA (14 May 2013): The spirit of spring is followed by the Soul of Summer, which this year will take on an international flair. The third edition of South African singer-songwriter-guitarist Jonathan Butler’s summer concert trek will feature multi-talented Latina Sheila E. and Barbadian saxophonist Elan Trotman. Backed by a 3-piece band and Butler’s daughter Jodie Butler on background vocals, the set list will showcase the artists’ hits along with a few cover tunes. The Soul of Summer 2013 will debut at the San Diego Jazz Festival on May 25^th with dates booked across the U.S. into August.

“I’m excited to get on the road with Soul of Summer 2013. This year, we have the Latin flavor of Sheila E., the Caribbean flavor of Elan Trotman, and with my South African roots, it creates a great world music experience. Music can be a unifying force and unity is the spirit of Soul of Summer,” said Butler after the outfit’s first rehearsal at which they created the 14-song set list.

Butler’s Soul of Summer excursions are collaborative by nature. Each artist will have time during the show to perform individually, but the magic comes from the pairings when Butler, E. and Trotman will share the stage in various combinations to play their chart-toppers, fan favorites and Grammy-nominated singles, including Butler’s “Sara Sara” and “Lies” and E.’s “Glamorous Life.”

A two-time Grammy nominee, Butler became a child star while growing up under Apartheid and was the first black artist to be played on radio stations in South Africa. His 17-deep album catalogue is a study in diversity as Butler refuses to limit the scope of his musical vision that spans contemporary jazz instrumentals, soulful R&B, sophisticated pop and stirring gospel. Blessed with an impassioned voice that cries for justice, romantic pleas for love, and worshipful praise, Butler is dually noted for his nifty guitar-play on both nylon string and electric. Whether in a full band setting or stripped down to his roots as a spellbinding singer-songwriter, Butler pours his heart and soul into his live shows that uplift, enlighten and inspire. His latest recording, the gospel offering “Grace and Mercy,” was released last fall and continues to spread the word at radio. Butler will release a Christmas album this fall.

The daughter of Latin jazz patriarch Pete Escovedo, E. is a dynamic drummer, percussionist and vocalist who had her commercial breakthrough as a protégé of Prince with whom she still occasionally collaborates. Proudly braiding elements of her Hispanic heritage to funk, jazz, soul, fusion and gospel, she captivates with her high-energy performances and rhythmically-astute beats that have enabled her to play with some of the biggest names in popular music while collecting her own #1 Billboard hits and multiple Grammy and American Music Awards nominations along with an MTV Best Video Award win. The stunning beauty, a multimedia star that has graced the silver screen and small screen, released a concert DVD, “Sheila E. Summer Tour 2012 - LIVE in Lugano, Switzerland” last December.

Trotman is a feted newcomer winning fans and plaudits for the good-natured spirit of the Caribbean that he brings to R&B and contemporary jazz grooves. The saxman who attended the Berklee College of Music on a scholarship from the government of Barbados released his sixth album, “Tropicality,” earlier this year, which he wrote and produced with guitar star Peter White. The disc containing performances by an array of accomplished musicians is a celebration of island life that also chronicles Trotman’s journey from Barbados to Boston.

The Soul of Summer 2013 band is comprised of bassist and musical director Dan Lutz, drummer Jay Williams, and keyboardist Dennis Hamm.

The 2013 itinerary for Soul of Summer featuring Butler, E. and Trotman is:

May 25 Carlsbad, CA San Diego Jazz Festival

July 10 Detroit, MI Chene Park

July 17 New York, NY Spirit Cruise Ship

July 20 Norfolk, VA Norfolk Jazz Festival

July 27 Temecula, CA Thornton Winery

August 2 Austin, TX One World Theatre

August 3 Houston, TX Houston International Jazz Festival

August 10 Kettering, OH Festival of the Vine

August 11 Richmond, VA Richmond Jazz Festival

Lauren London Guest Editor At Fearless Magazine

noreply@blogger.com (Darlene Donloe) — Tue, 14 May 2013 15:14:00 +0000

Los Angeles, CA - FEARLESS Magazine is eager to have actress Lauren London featured as the magazine’s next celebrity guest editor. She won our hearts as “New New” in ATL and now she plays Keira Whitaker, an ex-child star and Hollywood Socialite on BET’s THE GAME. America is still and will always remain in love with Ms. Lauren London. Lauren was also a part of FEARLESS’ debut issue, the FEARLESS Class of 2010 featuring young actresses who are women of color. Because we know there are so many sides to Miss London we did 2 different photo shoots to capture her many looks, the photo shoot with the short hair was shot by Steve Kay and the long hair photo shoot by Patrick McKenzie.

FEARLESS Magazine has been putting a unique spin on its popular digital issue. Since the debut of the celebrity guest editor series, readers have been inquiring on who is next, and the series has been a huge hit! These celebrities have spent hours contributing their own personal touch throughout the magazine. Discover their favorite accessories, make-up secrets, fashion picks and other favorite things that define their inner and outer beauty. Lauren’s guest editor issue will be available at www.fearlessmag.com

“We are honored to have Lauren London as our next guest editor,” said FEARLESS Magazine Publisher, Arian Simone. “Lauren has a fearless journey that is inspirational to the world.” We as a publication look forward to bringing you guest editors who exhibit the same positivity and encouragement that FEARLESS Magazine represents to all readers.”

Hallmark Movie Channel June Premieres

noreply@blogger.com (Darlene Donloe) — Tue, 14 May 2013 01:28:00 +0000

‘NORMAN ROCKWELL’S SHUFFLETON’S BARBERSHOP’
Hallmark Movie Channel Original World Premiere
Saturday, June 1 (9pm ET/PT, 8C)
Stars: Danny Glover, Austin Stowell, Kayla Ewell, Dash Pledger-Levine
Inspired by one of 20^th century painter Norman Rockwell’s iconic images depicting American life, the story follows a famous musician who returns to his hometown after abandoning it many years ago, eager to reconnect with the barber who took him under his wing as a young boy. Realizing he is too late, he must learn to make amends with his own estranged dad, while paying tribute to the man who taught him the importance of family.

(Photo: Left: Michael Shanks as Gordie Howe, Right: Gordie Howe)

‘MR. HOCKEY: THE GORDIE HOWE STORY’
Hallmark Movie Channel Premiere
Thursday, June 27 (9pm ET/PT, 8C)
Stars: Michael Shanks, Kathleen Robertson, Andrew Herr and Dylan Playfair

Regarded as one of the greatest hockey players of all time, Gordie Howe was finished playing hockey after his retirement from the National Hockey League. When he is offered a contract – brokered by his wife Colleen – to play alongside his sons in the newly formed World Hockey Association (WHA), the 45-year-old legend prepares for a surprising comeback. Together with sons Mark and Marty and the support of his wife Colleen, Gordie relocates his family and returns to the rink to play professional hockey with the Houston Aeros. Though many skeptics label this as “the biggest publicity stunt in hockey history,” Gordie proves his critics wrong and attempts to accomplish the unthinkable of playing professional hockey and winning a championship with his sons. For one of the most beloved and iconic professional hockey stars of his era, this is Gordie Howe’s second chance to once again become “Mr. Hockey.”

‘EVER AFTER: A CINDERELLA STORY’
Hallmark Movie Channel Premiere
Thursday, June 6 (7PM ET/PT, 6C)
Stars: Drew Barrymore, Anjelica Houston and Dougray Scott
Drew Barrymore stars in this fresh look at the classic fairy tale. Orphaned as a child, Danielle is treated like a servant by her wicked stepmother and two stepsisters. When Danielle accidentally stumbles onto Prince Henry, who is fleeing an arranged marriage, the two inspire each other to find their fairy tale ending.

‘UNDERCOVER BRIDESMAID’
Hallmark Movie Channel Premiere
Thursday, June 13 (9PM ET/PT, 8C)
Stars: Brooke Burns, Nicole Paggi, and Gregory Harrison
An agent, who was once jilted at the altar, goes undercover to protect a mogul’s daughter, a bride-to-be, from death threats. But the agent soon finds herself embroiled with the groom’s questionable, yet charming best friend, and unable to separate her bitter feelings from her past to survive this assignment. Between the aunt who is depleting the family scholarship fund, the playboy cousin with an inheritance at stake, and a very angry business partner, almost every wedding attendee is a legitimate suspect.

‘ALL’S FAIR IN LOVE & ADVERTISING’
Hallmark Movie Channel Premiere
Thursday, June 20 (9PM ET/PT, 8C)
Starring: Steven Weber, Andrew Francis and Michelle Harrison
When Tom Burns loses his job at advertising agency Rage because he isn’t young or “hip” enough, he enlists the help of youthful con-man Dick Sweeney to pose as a copywriter. While Tom does all of the hard work behind the scenes, Dick presents Tom’s ideas and campaigns to Rage with his innate charm and youthful attitude. The scheme works until Tom falls for Dick’s co-worker Harriet and Dick falls for Tom’s daughter Kelly, complicating their personal lives and threatening their working arrangement. As Tom and Dick lie to both women to protect themselves, their lies ultimately take a toll on their relationships and they must decide if their scheme is worth the paycheck.

TV One Announces Premiere Of New Docu-Series

noreply@blogger.com (Darlene Donloe) — Mon, 13 May 2013 14:54:00 +0000

New Original Docu-Series narrated by award-winning actress Lynn Whitfield

SILVER SPRING, MD, May 13, 2013 – TV One adds another entry to its collection of popular docu-series when Fatal Attraction premieres Monday, June 3, 9PM/ET. Narrated by award-winning actress Lynn Whitfield, the series explores the devastating consequences when all-consuming romantic passion erupts with such intensity that ordinary people commit unthinkable and criminal acts in the name of love.

Driven by powerful real-life stories, Fatal Attraction weaves together intimate first person interviews, evocative cinematography, and exclusive interrogation footage. Each episode opens with a shocking crime and then flashes back through reenactments to the beginning of the incident providing viewers a glimpse into the dark heart of a dangerous romance.”

“We’ve enjoyed strong viewer response to our roster of docu-series and we believe Fatal Attraction will continue to captivate that viewer interest,” remarked Tia Smith, executive in charge of production for TV One. “Given the propensity of love-gone-wrong stories in today’s news cycle, the series taps into an unfortunate, but timely trend, illustrating the power of misguided passion.”

From the makers of Snapped, TV One’s newest docu-series Fatal Attraction is produced by Jupiter Entertainment. Credits from Jupiter Entertainment include co-executive producer, Todd Moss and executive in charge of production, Harrison Land. Kaye Zusmann serves as executive producer and executive in charge of production for TV One is Tia Smith.

NBC Unveils Its 2013-14 Primetime Schedule

noreply@blogger.com (Darlene Donloe) — Mon, 13 May 2013 05:15:00 +0000

NBC recently unveiled its 2013-14 primetime schedule. There were some time and day changes to even those shows that have done well in their present timeslot. The schedule follows.

NBC FALL 2013-14 SCHEDULE

MONDAY

8-10 p.m.: The Voice 
10-11 p.m.: The Blacklist

TUESDAY

8-9 p.m.: The Biggest Loser (New Day and Time) 
9-10 p.m.: The Voice (New time) 
10-11 p.m.: Chicago Fire (New Day and Time)

WEDNESDAY

8-9 p.m.: Revolution (New Day and Time) 
9-10 p.m. Law & Order: SVU
10-11 p.m.: Ironside

THURSDAY

8-8:30 p.m.: Parks and Recreation (New time) 
8:30-9 p.m.: Welcome To The Family
9-9:30 p.m.: Sean Saves The World 
9:30-10 p.m.: The Michael J. Fox Show
10-11 p.m.: Parenthood (New Day and Time)

FRIDAY

8-9 p.m.: Dateline NBC
9-10 p.m.: Grimm
10-11 p.m.: Dracula

SATURDAY

Encore programming

SUNDAY

7:00-8:15 p.m.: Football Night in America
8:15-11:30 p.m.: NBC Sunday Night Football

NBC MIDSEASON 2013-14 SCHEDULE

MONDAY

8-10 p.m.: The Voice
10-11 p.m.: The Blacklist

TUESDAY

8-9 p.m.: The Voice
9-9:30 p.m.: About a Boy
9:30-10 p.m.: The Family Guide
10-11 p.m.: Chicago Fire

WEDNESDAY

8-9 p.m.: Revolution
9-10 p.m.: Law & Order: SVU
10-11 p.m.: Ironside

THURSDAY

8-8:30 p.m.: Parks and Recreation
8:30-9 p.m.: Welcome To The Family
9-9:30 p.m.: Sean Saves The World
9:30-10 p.m.: The Michael J. Fox Show
10-11 p.m.: Parenthood

FRIDAY

8-9 p.m.: Dateline NBC
9-10 p.m.: Grimm
10-11 p.m.: Crossbones

SATURDAY

8-10 p.m.: Encore and specials programming
10-11 p.m.: Saturday Night Live(Encore)

SUNDAY

7-8 p.m.: Dateline NBC
8-9 p.m.: American Dream Builders
9-10 p.m.: Believe
10-11 p.m.: Crisis

'The Royale' Packs An Emotional Punch

noreply@blogger.com (Darlene Donloe) — Sun, 12 May 2013 22:37:00 +0000

By Darlene Donloe

Jack Johnson, known as the ‘Galveston Giant,’ was the first black heavyweight champion of the world.

How he achieved it, what it took to get there and the aftermath of his accomplishment is somewhat addressed in The Royale, a loosely-based drama about the behind the scenes machinations that guided Johnson to the top. The play recently had its world premiere at the Kirk Douglas Theatre in Culver City.

In the show the character incarnating Johnson is Jay ‘The Sport’ Jackson, who yearns for the chance to fight a white champion named Bernard "The Champ" Bixby – even though he knows the country is not quite ready to see a black man knock out a white man. He would be in danger as would his family, friends, associates and anyone else who happened to walk around in black skin. Even before the championship fight angry whites were showing up at his fights with guns to threaten, intimidate and throw him off game. Although he grappled with his decision to move forward, it was clearly a move Jackson was willing to make.

David St. Louis ("Parade" at the Mark Taper Forum, "Intimate Apparel" at the Pasadena Playhouse), a former boxer himself, steps into the ring as Jackson. His impressive physique and booming voice make for a fearsome and convincing champ.

Also telling the story are his manager, Wynton (Robert Gossett), his opponent-turned sparring partner, Fish (Desean Terry), a promoter, Max (Keith Szarabajka) and his sister, Nina (Diarra Oni Kilpatrick). All were instrumental in one way or another in shaping Johnson’s journey to the championship.

One of the opening scenes has Johnson in a bout with an opponent he deems unworthy. He taunts the fighter before, of course, knocking him out and sending him on his way. In fact, most of his fights went that way. What Jackson wants, what’s been elusive, is the opportunity to fight for the championship.

Director Daniel Aukin has assembled a first rate cast to complement an impressive boxing ring-like staging. The five actors use a stirring syncopated technique that not only mirrors a crowd affect, but also represents various punches.

All of the elements including costume, lights, choreography, acting and direction come together to shape a pleasing theatrical experience.

The story is engaging, however, one gets the feeling the playwright could have gone deeper in the narrative. The story only skims the surface.

Still, The Royale, is worth the price of admission.

The Royale, directed by Daniel Aukin and written by Marco Ramirez, stars David St. Louis, Keith Szarabajka, Robert Gosset, Diarra Oni Kilpatrick and Desean Terry.

The Royale, Kirk Douglas Theatre, 9820 Washington Blvd., Culver City; 8 p.m. Tues.-Fri., 2 and 8 p.m. Sat., 1 and 6:30 p.m. Sun. Ends June 2; $20 to $50 (subject to change); (213) 628-2772 or http://www.CenterTheatreGroup.org

On the DONLOE SCALE: D (don’t bother), O (oh, no), N (needs work), L (likeable) O (more than OK) and E (excellent), The Royalegets an E (excellent).

Washington and Robinson Star in 'Peeples'

noreply@blogger.com (Darlene Donloe) — Sat, 11 May 2013 06:44:00 +0000

Both Craig Robinson and Kerry Washington are two actors whose careers are on a meteoric course. Robinson, who will appear in five films this year, can boasts a successful stint on The Office, which will have it’s final airing next week. Washington recently appeared in Quentin Tarantino’s ‘Django’ and, of course, is heating up the television airwaves each Thursday night as the lead actress on the ABC hit drama, ‘Scandal.’

Now the two have joined forces in the comedy, ‘Peeples,’ currently in theaters.

Although it’s produced by Tyler Perry under his 34^th Street banner, that’s where his involvement ends. In his latest production Perry doesn’t wear the hat of director, writer or star.

‘Peeples’, written and directed by Tina Gordon Chism, is a comedy about the pros and cons of meeting ones prospective in-laws. The film also stars David Alan Grier, Melvin Van Peebles, Diahann Carroll, Tyler James Williams, Malcolm Barrett, Kali Hawk, Ana Gasteyer and Kimrie Lewis-Davis.

Washington plays Grace Peeples and Robinson plays her fiance’ Wade Walker, who shows up uninvited to Grace’s parent’s home. Peeples, however, failed to tell her family that she was engaged and living with Walker. Comedy, of course, ensues.

I caught up with Washington and Robinson recently to discuss the movie and their individual careers.

(L-R) KERRY WASHINGTON AND CRAIG ROBINSON

Q: What was your attraction to ‘Peeples’?

KW: Well, part of it is you’re looking at him. (referring to Robinson)

CR: That’s also my answer. Also, here was this writer turned first time director who had written great movies, with a great spirit, telling me about the cast. Then, she said something about spanking Kerry Washington, and I said, ‘yes.’ It really felt like we’d be part of something special, something different and uplifting so it was ‘absolutely yes’ for me.

KW: All of what Craig just said as well as, for me, doing a comedy. I love to be able to change it up in what I do and I’m really drawn to comedy. I don’t have a lot of opportunities to do it. I love the character . I love that she’s a successful, powerful, smart woman and I loved the idea of being able to do comedy with people like Craig and David Alan Grier.

(L-R) KERRY WASHINGTON, CRAIG ROBINSON
& DAVID ALAN GRIER

Q: We get to hear you sing in this movie, was that written into the script?

CR: It was not in the original script. My character was just a child therapist, Once I got attached Tina decided to make my character a musician who can teach kids through music or give them therapy through music. It’s happened throughout my career where music is my part in it. I started out playing and singing; doing comedy… it doesn’t surprise me when it comes along in a role.

Q: Speaking of ABC’s Scandal, much has been said about your portrayal and the character’s on camera affair with President of the US. Would you clarify and/or elaborate?

KW: I’ve been misquoted and misinterpreted a lot. What I said was, I probably would not have done the show if the President had been written as black; not because I think that it would have been bad to have a black president do the things he’s doing (on Scandal) but I think the show would have been great no matter what color the character was. But for me, personally, because I support the administration I would not have wanted to give an idea that what I was doing on a TV show was mirroring my actual work in the White House.

Q: Have you been surprised by the enormous success of Scandal?

KW: I’m always surprised that anything is a hit. You never know when you’re making a movie or a TV show or anything whether it’s going to resonate. You just try to do a good job and have fun with it and hope that people like it as much as you liked making it.

‘Peeples,” rated PG-13 (for violence, sexuality and drug content) is currently in theaters.

'Broken City', Starring Mark Wahlberg, Out on DVD

noreply@blogger.com (Darlene Donloe) — Fri, 10 May 2013 17:55:00 +0000

Mark Wahlberg is on a roll as both a comedic and a dramatic actor. In Broken City he once again shows his mettle in this gripping crime thriller.

In the film, which also stars Russell Crowe, Catherine Zeta-Jones and Jeffrey Wright, everyone has a motive and no one can be trusted. The plot goes something like this: Seven years after being forced to resign as a New York police officer, private detective Billy Taggart (Wahlberg) takes on his toughest case yet: following the wife (Zeta-Jones) of the city’s hard-nosed mayor (Crowe), who’s convinced she’s cheating on him. But by the time the mayor reveals his true intentions, Billy is already in too deep. Now, with his freedom -- and quite possibly his life -- on the line, Billy will risk it all in a desperate bid to expose the truth, and seek redemption in a city where second chances don't come cheap.

(l-r) RUSSELL CROWE and MARK WAHLBERG

The film, released on DVD April 30, is directed by Allen Hughes and written by Brian Tucker.

Some of the Blu-ray special features include an alternate ending, five deleted/extended scenes, plus a Putting It All Together Documentary – A Behind the Scenes look including cast profiles, anatomy of a thriller and a ‘black list’ script.

Blu-ray Total Run Time: 159 minutes

Total Run Time: 129 minutes

About Twentieth Century Fox Home Entertainment

Twentieth Century Fox Home Entertainment, LLC (TCFHE) is a recognized global industry leader and a subsidiary of Twentieth Century Fox Film, a News Corporation company. Representing over 75 years of innovative and award-winning filmmaking from Twentieth Century Fox, TCFHE is the worldwide marketing, sales and distribution company for all Fox film and television programming, acquisitions and original productions as well as all third party distribution partners on DVD, Blu-ray™, Digital Copy, Digital HD™, and VOD (video-on-demand). Each year TCFHE introduces hundreds of new and newly enhanced products, which it services to retail outlets from mass merchants and warehouse clubs to specialty stores and e-commerce throughout the world.

VENUS and SERENA GO BACK AND FORTH

noreply@blogger.com (Darlene Donloe) — Fri, 10 May 2013 08:20:00 +0000

By Darlene Donloe

Venus and Serena Williams have already made an indelible mark. They’ve made history as the most successful sisters in athletic history – having dominated the field for more than a decade.

Now there is a new documentary, aptly called VENUS and SERENA, that chronicles their meteoric journey to the top of a field where they weren’t welcomed. It’s a remarkable look at how two sisters, under the tutelage of a father who knew nothing about the sport, went on to dominate the tennis world. The documentary is out today (May 10) in Manhattan, Los Angeles and Washington.

The documentary has footage from when the girls first took the courts in Compton, Calif. as youngsters, as well as footage from their numerous Wimbledon championships. There is a remarkable look at how much of an influence their father, Richard Williams, was on their success. He had a fierce work ethic that he instilled in the girls that seems to have endured.

(l-r both pictures) VENUS and SERENA

Their father revealed how, even before his daughters were born, had written a manifesto strategizing how they would make their way to the top.

The cameras roll on the good, the bad and the ugly. It shows the pain, commitment, doubt, heartbreak and fatigue of training their daily training. It’s much more than just practicing tennis. It’s a physical and mental regimen that would make any elite athlete cringe. There is a look at Serena as she prepares to go into the operating room, how she lost her cool on the court disputing calls and being accused of threatening a line judge, how Venus deals (not so well) with losing match, how the sisters dealt with the murder of one of their sisters and how the two deal with a great deal of criticism from critics and some of their competitors.

SERENA WILLIAMS

Both Venus and Serena, 15 months apart, have had to deal with life and career-threatening problems. Serena suffered a pulmonary embolishm, while Venus was diagnosed with Sjogren’s syndrome.

But, what stands out the most is the love the two sisters, both in their early 30s, have between themselves and with their family members.

It truly is a fascinating look behind the scenes at the two sisters, which isn’t always flattering.

VENUS WILLIAMS

The doc also shows how the women let down their hair. They love karaoke, although both should not leave their day jobs.

This is a really interesting documentary with a fascination subject matter. It’s attention-grabbing to see how championships live their lives both on and off the court.

The film includes interviews with Bill Clinton, Billie Jean King, John McEnroe, Arnon Milchan, Gay Telese, Anna Wintour among others.

Produced by Maiken Baird and Michelle Major, edited by Sam Pollard, executive produced by Alex Gibney, music by Wyclef Jean, directed by Maiken Baird and Michelle Major.
VENUS and SERENA: Running Time: 99 minutes; the film is not rated.

On the DONLOE SCALE: D (don’t bother), O (oh, no), N (needs work), L (likeable), O (OK) and E (excellent), VENUS and SERENA gets an E (excellent).

Diahann Carroll Loves Her Role In 'Peeples'

noreply@blogger.com (Darlene Donloe) — Fri, 10 May 2013 06:27:00 +0000

DIAHANN CARROLL
By Darlene Donloe

Diahann Carroll is a living legend.

She paved the way for African American actors back in the 60s when she starred in the television series, ‘Julia’ and became the first Black actress to have a lead role on her own show.

Her career has been quite diverse. A Tony Award® winner, an Emmy® and Grammy® nominee, a Golden Globe® winner and a Best Actress Oscar® nominee, Carroll has appeared in nightclubs, on Broadway, as a Las Vegas headliner, in films as well as television, including a successful stint on Dynasty. She can currently be seen in a recurring role on the USA Network series ‘White Collar.’ She also recently filmed her stage show ‘The Lady-The Music-The Legend,’ for PBS.

Her film work includes ‘Claudine’, ‘Carmen Jones’, ‘Paris Blues’, ‘Porgy & Bess’, ‘Hurry Sundown’, ‘I Know Why the Caged Bird Sings’ and ‘Eve’s Bayou’.

This weekend she stars in ‘Peeples,’ a comedy set for release nationwide May 10. Although it’s produced by Tyler Perry under his 34^th Street banner, that’s where his involvement ends. In his latest production Perry doesn’t wear the hat of director, writer or star.

‘Peeples’ is a comedy about the pros and cons of meeting ones prospective in-laws. The film stars Kerry Washington, Craig Robinson, David Alan Grier, Melvin Van Peebles, Tyler James Williams, Malcolm Barrett, Kali Hawk, Ana Gasteyer and Kimrie Lewis-Davis.

In the film, Carroll's first in 16 years, she plays Nana Peeples, the wife of Melvin Van Peebles’ character and the mother of Virgil Peeples (David Alan Grier’s character).

I caught up with Carroll at the Four Seasons Hotel in Beverly Hills. She was stylishly dressed, donning overly large, black-rimmed glasses; a black, cropped sweater and black pants. She’s here to discuss her career and her role in the movie.

DIAHANN CARROLL and MALCOLM BARRETT in 'PEEPLES'

DD: After six decades in this business – what is the most important lesson you learned?

DC: To be quiet and listen. We have to learn to listen.

DD: What are you most proud of in your career?

DC: In terms of work, I would say the movie, ‘Claudine’ and the Broadway play, ‘Agnes of God’.

DD: What would you tell any budding actress getting started?

DC: I would advise them to talk to someone. But, um, I can only tell you what I did. I found the best teacher I could find on both coasts. When I had time. Very often I would go to a play and find out who was part of it and why. Whenever I could, I would find Beah Richardsand she would tell me what was going on in the world of theater in LA. She was a caring, sharing, bright woman, who was very intelligent. It’s hard to tell them what to do until you’ve known them for a while. You have to choose wisely your company and the image mentor that you’re going to embrace.

DD: So many of us put you on a pedestal as a trailblazer. Is the crown heavy?

DC: Sometimes.

DD: Why?

DC: There are young people who expect me to know everything about the creation of Julia and how it got there and got developed. They want to know how do I feel about how I handled it. I handled it as best I could. I only had limited information at that time, too. Sometime it’s not so clear. I don’t have the kind of power that they think I have. I try to avoid confrontations. Confrontations don’t work. It’s good to go home and think about it and write a note about it. It Having a confrontation doesn’t get you any place. Always work if you can. Go in and test the waters.

DD: Your co-stars all speak very highly of you. They also told me about a talk you gave on the bus.

DC: On the bus, it was time for me to break the bubble. I’m not what people think I am. Sure, I like pretty clothes. I’m talking about the shallow end of the personality. I don’t mind talking about anything. I’ll tell you if I’m not knowledgable about anything. To learn about people is about making contact. I think on the bus they didn’t know what it meant to me to be on a project with black actors, a black producer, black writer and director. It brought tears to my eyes. These people were definitely all paying it forward - beautifully. They were friendly and sharing. I came from a secretive period. The jobs were so few. We really didn’t talk much. I love how even in the music business there is some sharing. We didn’t have that. I don’t hear thing like ‘you should have gotten so on and so forth, not Dorothy Dandridge.’ I thought when I heard it when I was a girl, I thought it was so stupid. Take the part. Lets move on and find another part. I think that has diminished greatly amongst my race.

DD: Are you optimistic or pessimistic about where African Americans are in this business?

DC: It’s a double-edged sword. We need writers, producers and directors. The actors have done wonderfully well. We have some really fine actors today. We don’t have the jealousy anymore. I’m thrilled about that. It’s good to see Halle [Berry] and Kerry [Washington] in the same era.

S. Epatha Merkerson Shows Out In 'Peeples'

noreply@blogger.com (Darlene Donloe) — Wed, 08 May 2013 15:36:00 +0000

By Darlene Donloe

S. Epatha Merkerson is best known for playing the no-nonsense Lieutenant Anita Van Burenin ‘Law & Order’. It’s a role she played for 16 years. So audiences will be in total shock when they see her in the comedy, ‘Peeples,’ set for release nationwide May 10. She is drop-dead hilarious! Who knew she could do comedy?

Although the film is produced by Tyler Perry under his 34^thStreet banner, that’s where his involvement ends. In his latest production Perry doesn’t wear the hat of director, writer or star.

‘Peeples’ is a comedy about the pros and cons of meeting ones perspective in-laws. The film stars Kerry Washington, Craig Robinson, David Alan Grier, Diahann Carroll, Melvin Van Peebles, Tyler James Williams, Malcolm Barrett, Kali Hawk, Ana Gasteyer and Kimrie Lewis-Davis.

S. Epatha Merkerson, who is originally from Detroit, can currently be seen hosting TVOne’s ‘Find Our Missing,’ which draws attention to missing Black Americans whose stories are largely ignored in national media coverage. She also has a recurring role on NBC’s ‘Deception’ opposite Meagan Good.

Having gotten her start on ‘Pee Wee’s Playhouse,’ Merkerson has had a diverse career. She recently made her directing debut with her documentary, The Contradictionsof Fair Hope, and also serves as executive producer. The film explores the benevolent societies that formed in the South after the Civil War and helped emancipated slaves adapt to their newfound freedom. The film recently won four awards at the San Diego Black Film Festival, including the ‘Filmmakers Choice Award,’ ‘Best Documentary,’ ‘Best Film’ and ‘Best Director’ for Merkerson and her co-director, Rockell Metcalf. She is currently directing, 'The Great Ladies of Apollo' for a May 11 event at the Apollo Theater in New York.

I caught up with S. Epatha Merkerson to talk about her role in the film and what she has next up her sleeve. She plays Daphne Peeples, the wife of Virgil Peeples, played by David Alan Grier. Daphne, who has a problem with alcohol was, at one time, a successful singer who set her career aside to take care of her husband and raise her children.

S. EPATHA MERKERSON

DD: Tell me about Daphne Peeples. Who is she?

SEM: It’s pretty much in the script who this person was. Tina [writer/director Tina Gordon Chism] did a good job being clear who this woman was. I asked her a few questions. Here is a woman who had her own career. She made choices that moved her husband’s career forward. She is still a free spirit. That’s how she goes through life. Although it’s through a slight bit of a haze. There are people in everyone’s family where they partake a little bit. The essence of Daphne is a woman who has a real zest for life. She has made the life they planned.

DD: It is refreshing to see you let down your hair and play a role for laughs.

SEM: I was nervous initially. But, I'm a risk taker. I can only take the risk if they give me the job. The question always comes to my management - Is she funny?

DD: Your character struggled with alcohol. How were you able to relate to her.

SEM: Everyone has someone in the family who partakes. And they are functional. When it gets out of hand you deal with it. The essence of Daphne is she has a zest for life. She has made the home that they planned. Now her children are all doing well. They are bright, functioning kids.

DD: She seems to have done a good job raising her children despite her limitations.

SEM: Whatever way she has allowed them not to follow her path is important to her. She has an urge to go back to when she was singing. That’s what I like about them, you can tell they still love each other, that’s what I like about this story. They started out young and had children, but in the midst of their perfectness is dysfunction. So many people will come to this with the same experiences.

S. EPATHA MERKERSON & DAVID ALAN GRIER

DD: Talk about working on a set with people who look like you.

SEM: I can only be specific about this set. I don’t think I’ve been on a set where the film was directed by a female. I have been with a black male director before (George Wolfe). But it’s all about Tina this time. Tina is extraordinarily bright. But she also has this playfulness that is really infectious. She has her own type of vocabulary. If it was ‘delicious’ we were moving on. It all has to do with the people who want to work with her and came together with her that allowed the set to be so much fun. It was great fun. Every moment was great fun. We can produce the product that we have, which I’m proud of - in the midst of enjoying the company and knowing that it is something rare. These are people you want to stay connected to. It doesn’t happen a lot.

DD: What kinds of projects get you excited about working in your profession

SEM: It’s always about the character. Someone asked me about a changing career as I get older. The one thing I’ve had as a constant is that I’ve always been considered a character actor. Never the ingénue. The idea is to find something that is different from the character I just played. Sixteen years I played Van Buren. In the midst of that I have played other characters. I did a play, ‘Come Back Little Sheba’, playing a character who had no control in her life. I had the opportunity to play Nannie, but she was a woman of authority in a different time period. I try to find something different from what people know. I did three episodes of ‘Deception.’

DD: Are you optimistic or pessimistic about the business and the role of African Americans in it.

SEM: I’m hopeful. I’m not pessimistic. I think it’s possible for us to make our own films because of technology. My hopes are that young folks will get the education that’s needed to write the script.

S. EPATHA MERKERSON & TYLER JAMES WILLIAMS

DD: You look like you had a ball doing this film.

SEM: I love laughter. I have no qualms about laughing at myself. I love singing and did quite a bit of it when I started in New York in musicals. It’s been so long since I’ve done that. No one remembers that I sing. It was great playing Daphne knowing she’s going to sing a song. I said to Stephen Bray (the movie’s executive music producer), I want to sing the song. Let me learn the song and present it to you. My favorite part of doing this is the opportunity to show people this very different side of me that my friends know.

DD: You have been in film, on stage and television. You’ve won a Golden Globe, an Emmy Award, a Screen Actors Guild Award, an Obie Award and four NAACP Image Awards. You have received two Tony Award nominations. Which medium do you prefer?

SEM: Stage is where I started. I like to get back every time I can. When you do live productions it shows your mettle. There is no cutting in live performances. No do-overs. I appreciate that for the sheer gratification of getting a story succinctly in that time period. Television I love because it’s fast. I love TV because it’s fast. You have to think on your feet. When it comes to film there is luxury to me in doing film. I’m a little awkward still with a lot of waiting. I’m still learning how to adjust to making film. I enjoy them all for those different reasons.

‘Peeples’ (Lionsgate) is rated PG-13 for some violence, sexuality and drug content. Running time is 95 minutes.

BAFTA Los Angeles To Host Student Film Awards

noreply@blogger.com (Darlene Donloe) — Tue, 07 May 2013 01:25:00 +0000

Los Angeles, May 6, 2013 – The British Academy of Film and Television Arts Los Angeles® (BAFTA Los Angeles) has announced that it will host its 10^th Annual Student Film Awards on June 20^th, 2013 at the Los Angeles Film School in Hollywood, California.

BAFTA Los Angeles has invited 22 of the most elite film schools from across Southern California to submit 3 of their best films for consideration by May 13th. A selection panel of academy members will choose the most outstanding films, and the finalists presented at the Student Film Awards. The winner of the BAFTA Los Angeles Student Film Award will be selected by an audience of BAFTA members at the event, and a separate special Jury Prize will be awarded by an invited panel of Hollywood luminaries. In addition to the award recognition, winners will receive a year access to BAFTA Los Angeles’ educational and professional development events and classes.

"Many of our own Members received their start in the industry through the education that film schools provide, and so supporting filmmakers during this stage of their career is very important to BAFTA Los Angeles,” said BAFTA Los Angeles Chairman Gary Dartnall. “We aim to provide not only award recognition, but also a meaningful level of professional support and access to mentorship, events and seminars to help this next generation of talent."

The list of schools invited to participate include the American Film Institute, University of California Los Angeles, Chapman University, Inner City Filmmakers, Idyllwild Arts Academy, University of California San Diego, University of California Santa Barbara, University of California Irvine, Claremont Colleges (Pitzer, Claremont, Pomona, Scripps, Harvey Mudd), California State University Long Beach, California Institute of the Arts, Pepperdine University, Whittier College, California State University Northridge, Columbia College Hollywood, Loyola Marymount University, Santa Monica College, University of Southern California, Occidental College, California State University Los Angeles, Los Angeles Film School, and Los Angeles City College. The deadline to apply is May 13^th; please contact BAFTA Los Angeles at (323) 658-6590 for more information.

BAFTA Los Angeles

The British Academy of Film and Television Arts Los Angeles is the only Anglo-American professional organization founded to promote and advance original work in film, television and interactive media. BAFTA Los Angeles serves as the bridge between the Hollywood and British production and entertainment business communities, and provides exclusive access to screenings, Q&As with creative talent, produces seminars with leading UK film and television executives and the Heritage Archive, featuring broadcast-quality interviews with distinguished British members of the film and television industries, giving life to the preservation of the UK film industry for future generations.

Maintaining a long tradition of recognizing the finest filmmaking and television talent, BAFTA Los Angeles hosts a series of events, including the prestigious Britannia Awards, the Awards Season Film and Television Tea Parties in January and September and the annual Garden Party.

A commitment to professional and community education is at the heart of the Academy’s charitable remit. BAFTA Los Angeles hosts the Student Film Awards and has an active Scholarship Program offering financial support and mentorship to UK students studying in the U.S. The Academy created The Inner City Cinema, a screening program providing free screenings of theatrical films to inner city areas not served by theatres. The success of Inner City Cinema has led to further free screening programs extended to multiple inner city parks through the Academy’s work with both the County of Los Angeles Department of Parks and Recreation (Parks After Dark) and The City of Los Angeles Department of Recreation and Parks (Teen Summer Camps).

For more information on the British Academy of Film and Television Arts Los Angeles, visit www.baftala.org.

Chris Kelly's Mother and So So Def Release Statement On Death of Kris Kross Member

noreply@blogger.com (Darlene Donloe) — Thu, 02 May 2013 05:22:00 +0000

CHRIS KELLY

pic by Thaddaeus McAdams/Exclusive Access

“It is with deep sadness that we announce that our beloved Chris Kelly has passed away on May 1. To millions of fans worldwide, he was the trendsetting, backwards pants-wearing one-half of Kris Kross who loved making music. But to us, he was just Chris – the kind, generous and fun-loving life of the party. Though he was only with us a short time, we feel blessed to have been able to share some incredible moments with him. His legacy will live on through his music, and we will forever love him.”----- Donna Kelly Pratte (mother) & The So So Def Family

(l-r) CHRIS KELLY & CHRIS SMITH of KRIS KROSS

pic by Chris Mitchell/135^th Street Agency

(l-r) CHRIS KELLY and CHRIS SMITH

pic by Thaddaeus McAdams/Exclusive Access

'Fraternity' Returns To Ebony Repertory Theatre

noreply@blogger.com (Darlene Donloe) — Wed, 01 May 2013 16:43:00 +0000

Fela! Makes Triumphant Return To Ahmanson

noreply@blogger.com (Darlene Donloe) — Mon, 29 Apr 2013 18:09:00 +0000

By Darlene Donloe

The music is infectious, the rhythm inhabits your sole (pun intended) and in an instant you are transported to a concert at the Shrine in Lagos, Nigeria, circa 1978.

This is the musical Fela!, currently playing at the Ahmanson Theatre in Los Angeles.

Audience members should come prepared to strap themselves in for a high-octane experience that takes them on a musical and historical ride that is inspiring, informative and completely entertaining.

“Fela!” is the true story of the legendary Nigerian musician FelaAnikulapo-Kuti, whose affecting Afrobeat rhythms is said to have sparked and reenergized a generation. Afrobeat is a mix of jazz, funk, highlife (a popular West African horn-based style) and traditional Yoruba music.

Determined and undeterred, Fela followed in the steps of his mother, FunmilayoRansome-Kuti, herself a civil rights defender. Through his pulsating music he challenged a military government he deemed tyrannical and dishonest and garnered a loyal following in the process.

Inspired by his mother, Fela defied a corrupt and oppressive military government and devoted his life and music to freeing his people and restoring their human dignity.

Fela’s story is both provocative and controversial.

It’s the ’70s and Fela, arguably one of the hottest and most popular musicians in Africa at the time, has a club called The Shrine. Club attendees were privy to a new sound Fela dubbed Afrobeat, which was a pounding eclectic rhythm that was clearly infectious. It was mixed with what some called incendiary lyrics about the repressive military dictatorship that ruled Nigeria at the time. His music eventually found its way around the world, not surprisingly igniting a rather contentious relationship between the musician and the government.

Fearless of government reprisals, the iconic composer and performer wasn’t afraid to die for what he believed. He urged others to fight repression as he amassed a small army of his own and even surrounded his compound with electric wire.

An endearing, feared, reviled (by the government) and revered political and musical figure in African history, Fela’s story is not only told through music, but also some incredible dancing – choreographed by Tony-Award winner Bill T. Jones. Jones also conceived, directed and co-authored the book to the biographical musical.

Not an easy story to turn into a musical, the producers, directors and cast have essentially hit a home run.

This is a tough (in every sense of the word) show with an emotional subject matter, but the pay off is worth every drop of sweat and tears the actors exude.

The show moves from explaining Fela’s musical influences, to how he went about creating his unique sound. Honing his craft in New York, London and Los Angeles, Fela inhaled and digested the Black Power movement in America through a woman named Sandra Isadore who opened his mind to the writings of civil rights icons Martin Luther King, Jr. and Malcolm X.

This year Michelle Williams (Destiny’s Child) plays Isadore. Her voice was a bit squeaky and she was a bit stiff opening night, but with her stage and performing experience, it’s a bet she’ll loosen up.

Fela’s spiritual and philosophical transformation was palatable.

The show, produced by Shawn “Jay-Z” Carter and Will & Jada Pinkett Smith, is driven not only by the music and the choreography, but also by some powerful performances.

Adesola Osakalumi commands the stage in the role of Fela. He draws the audience in with his wit and his authentic presence. He fills the stage and the theater with his magnetic personality, paired with his robust performance, both of which effectively carry the show from beginning to end.

Melanie Marshall returns to the Ahmanson and remains a force to be reckoned with. She is impressive, portraying Fela’s fearless and unwavering mother, Funmilayo. She gives a bold, yet subtle performance that is affecting and gut-wrenching.

There is no weak link in this show, making Fela! a satisfying theatrical experience.

The dancers, with their enviable firm and beautifully cut bodies, are full of inexhaustible energy. Like free spirited gazelles they move about the stage with their technically precise, yet free-styled gyrations.

The efficient and splendid set design (Marina Draghici), mood lighting (Robert Wierzel) and costumes (Marina Draghici) assist in making this show a full package.

And, the music, of course, is exceptional!

“Fela!” is more than a play. It’s more than a musical. It’s an experience!

Kudos to everyone involved.

The musical opened on Broadway at the Eugene O’Neill Theatre, Nov. 23, 2009, after an acclaimed run Off-Broadway in 2008.

“Fela!” stars Adesola Osakalumi, Duain Richmond, Michelle Williams, Rsaan-Elijah “Talu” Green, Ismael Kouyate, Gelan Lambert, Lauren De Veaux, Shawn Alynda Fisher, Jason Herbert, Shakira Marshall, India McGee, Oneika Phillips, Kafi Pierre, Malaiyka Reid, Daniel Soto, Tricia M. Taitt, Ade Chike Torbert, Uyoata Udi, Jill Marie Vallery and Melanie Marshall.

Fela!, directed and choreographed by Bill T. Jones with a book by Jim Lewis and Bill T. Jones, and music and lyrics by Fela Anikulapo-Kuti. Maija Garcia is also a choreographer.

Fela!, Ahmanson Theatre, 135 N. Grand Avenue, Los Angeles; Tues.-Fri. 8 p.m.; Sat. 2 and 8 p.m., Sun. 1 and 6:30 p.m., no performance on Mondays, through May 5, 2013, $20-$85; www.centertheatregroup.org.

On the Donloe Scale, D (don’t bother), O (oh, no), N (needs work), L (likable), O (OK) and E (excellent), “Fela!” gets an E (Excellent).

Soweto Gospel Choir's 10th Anniversary Tour

noreply@blogger.com (Darlene Donloe) — Mon, 29 Apr 2013 07:12:00 +0000

South Africa's Grammy Award Winning Soweto Gospel Choir returns to Canada, as part of their 10th Anniversary Celebrations. The tour starts on June 15, 2013 in Thunder Bay, Ontario including a performance at the Montreal International Jazz Festival on July 6.

The Soweto Gospel Choir have been uplifting hearts with their voices since 2003. Over the last 10 years Soweto Gospel Choir has brought joy into the lives of audiences all over the world. They have collaborated, recorded and performed with artists including Bono and U2, Aretha Franklin, Stevie Wonder, Robert Plant, Celine Dion, Red Hot Chilli Peppers, Peter Gabriel, Josh Grobin as well as Andre Rieu. They have performed in front of President Bill Clinton, Oprah Winfrey and of course their spiritual fathers, Nelson Mandela and Archbishop Desmond Tutu. Their provocative, spiritual and uplifting voices have placed them on the world stage. The choir holds the honor of being the first South African artists to perform at the Academy Awards as well as the recipients of many awards, including, two Grammy's, Billboard Music Awards and an Emmy. With all their travels and sold out performances, the Soweto Gospel Choir remain dedicated to their beginnings. In 2003, the Choir adopted the Aids Orphans Foundation, Nkosi’s Haven Vukani. The Choir has raised 1.4 million dollars to date, supporting the foundation's work with children affected by aids in South Africa. Don't miss what the world applauds. Spend an evening with the truly engaging spirits and remarkable voices of the Soweto Gospel Choir.

A Message from Soweto Gospel Choir:

"The Soweto Gospel Choir is excited to be touring Canada again as part of our 10th Anniversary celebration. On this tour we will be performing in many new cities giving us the chance to introduce the Choir's unique African spirit to new audiences."

'PAIN & GAIN' Is An Unbelievable True Story

noreply@blogger.com (Darlene Donloe) — Fri, 26 Apr 2013 07:56:00 +0000

By Darlene Donloe

If the film, Pain & Gain, was not a true story, no one would believe it.

In theaters nationwide today, this movie is so unbelievable that one can’t fathom this movie having any amount of truth.

Michael Bay’s latest high-energy, action-comedy, set in 1990’s Miami, stars Mark Wahlberg as Daniel Lugo, Dwayne Johnson as Paul Doyle and Anthony Mackie as Adrian Doorbal, all steroid abusing bodybuilders who, in longing for the American dream, launch a kidnapping scheme and extortion ring that involves stealing Victor Kershaw’s (Tony Shaloub) entire wealth.

(l-r) ANTHONY MACKIE, DWAYNE JOHNSON

and MARK WAHLBERG

However, this bumbling trio is so inept they stumble at every turn. It’s not quite clear if the trio’s antics are hilarious or downright sad.

Lugo is a trainer at a gym, who has grown impatient with achieving the American dream. After attending a wealth seminar led by Ken Jeong’s character Johnny Wu, and listening to one of his wealthy clients go on and on about his wealth and finances, Lugo decides to steal the man’s life and wealth. Wu insists all of his followers feel like ‘doers’ not ‘don’t-ers’. Once he’s fully indoctrinated, he enlists the help of Doyle and Doorbal.

ANTHONY MACKIE, MARK WAHLBERG

and DWAYNE JOHNSON

This trio is so Keystone-Cops-acting that they think they can simply kidnap Kershaw and force him to sign over all of his assets and not have anyone, including the bankers, his employees or even his family tip off the police.

Well, they were pretty much right. But, what they didn’t count on was Kershaw being a tough cookie.

(l-r) DWAYNE JOHNSON, TONY SHALOUB

and MARK WAHLBERG

WARNING: There is a lot of violence and brutality that is hard to stomach at times.

There are some exceptional performances in this film, including Wahlberg, Johnson, Mackie and Shaloub. Rebel Wilson, who plays Robin Peck, who eventually marries Doorbal, Ed Harris, who plays former detective Ed DuBois and Rob Corddry, who plays gym owner John Mese, also provide fabulous performances.

ANTHONY MACKIE

Johnson really showcases his acting chops as a former criminal, now hilarious born again Christian.

Wahlberg has solidified the fact that he’s joined the ranks as one of the best action/comedy stars working today.

Shaloub is spectacularly despicable as Kershaw, a filthy rich restaurant owner.

REBEL WILSON

Rebel Wilson couldn’t be funnier.

Mackie holds up his end.

Pain & Gain (Paramount Pictures) is written by Christopher Markus and Stephen McFeely and directed by Michael Bay.

Pain & Gain, directed by Michael Bay, stars Mark Wahlberg, Dwayne Johnson, Anthony Mackie, Tony Shaloub, Rob Corddry, Rebel Wilson, Ed Harris and Ken Jeong.

On the DONLOE SCALE: D (don’t bother), O (oh, no), N (needs work), L (likeable) O (OK) and E (excellent), Pain & Gaingets an O (OK).

MPAA rating: R for bloody violence, crude sexual content, nudity, rough language throughout and drug use. Running time: 2 hr. 9 min.

JAVEN Is Making His Mark In Entertainment

noreply@blogger.com (Darlene Donloe) — Tue, 23 Apr 2013 22:55:00 +0000

JAVEN

As an Award-winning Recording Artist, JAVEN has the dynamic talents of singer, songwriter, actor, speaker, and producer. With more than 10 years in the music industry, he has won multiple awards for his outstanding work and gained notable recognition across the country and around the world.

JAVEN's impeccable stage presence led him to star in numerous productions. He was a lead in the theatrical production of "A Raisin in the Sun" and he starred in the Off-Broadway musical "The Rock and the Rabbi." JAVEN continued to earn parts in feature films like "One Night with the King" starring opposite Omar Sharif; the feature film "Abandoned" starring Britney Murphy; and the feature film "Preacher's Kid" starring Clifton Powell. As a songwriter, JAVEN wrote and recorded the hit single "One Step" which was featured in the 2010 feature film, "The Cross."

While balancing an acting career, JAVEN actively produced and delivered attention garnering music that his fans could enjoy and appreciate. His first single, "Never Give Up on Love" from the self-titled CD "Javen," soared to the top 10 CCM charts. In 2003, he released his first independent CD, "Change," on his production label jRock Entertainment which was nominated for several awards topping the charts. In 2009, JAVEN released the "Keeping the Faith" CD, which included duets with Israel Houghton and Deitrick Haddon as well as the hit single, "None Like You." In 2010, JAVEN released the power-packed CD "Free" which included the hit single, "One Step," which was featured in the movie, "The Cross." As a songwriter JAVEN has several top music videos, hit singles, and awards.

JAVEN has also served his community as a full-time worship leader at a mega-church for many years. He now travels doing over 130 dates per year singing and speaking across the country and around the world in locales as varied as Africa, Indonesia, Europe, Canada, Brazil, the Caribbean, and more.

He is a spokesperson for World Vision, a Christian humanitarian organization dedicated to working with children, families, and their communities worldwide; he is a consistent donor and supporter of Hope for Haiti, an incredible missions program that houses, feeds, educates and trains over 300 children in Haiti; and participates in several domestic mission programs that deal with homelessness, hunger, and poverty in the Los Angeles, CA area.

JAVEN launched the Worship in the Now Conference, a powerful two-day seminar featuring great speakers, leaders and pastors on successful living, spiritual growth, and more which has toured major cities such as San Diego, CA; Atlanta, GA; and Tampa, FL. Carrying this vision forward, JAVEN has launched the Worship in the Now Ministries in South Florida to bring hope and encouragement to those in need. His much anticipated and long awaited Live CD Recording entitled "Worship in the Now" will be released on May 21, 2013. Also being released in 2013 is JAVEN's short book, "100 Things You Need to Know in Life," a gift to all of profound statements that have revolutionized his life. Through his message of both love and faith, JAVEN desires to see lives changed wherever he goes. You can keep up with this dynamic talent by logging on to www.javenonline.com, www.twitter.com/javenonline or www.facebook.com/MeetJaven.

Gil Robertson Asks 'Where Did Our Love Go?'

noreply@blogger.com (Darlene Donloe) — Tue, 23 Apr 2013 21:56:00 +0000

By Darlene C. Donloe

Gil Robertson has long been a fixture in the entertainment community. He’s not only a seasoned publicist and entertainment and travel journalist, he is also the founder of the African American Film Critics Association (AAFCA), a professional association that promotes African American film productions and provides cinema critique. For nearly two decades he has written his syndicated lifestyle column the Robertson Treatment, which is carried in 30 markets across the country. His work has appeared in Essence, Billboard, Black Enterprise, the Source, Los Angeles Times and the Atlanta Journal Constitution.

Several years ago Robertson, who is originally from Los Angeles, but currently lives in Atlanta, threw his hat into the literary world and edited the books, Not in My Family: AIDS In the African American Community (2006) and Family Affair: What It Means To Be African-American Today (2009).

Now, he’s in the midst of a media blitz to publicize his latest tome, Where Did Our Love Go: Love and Relationships in the African American Community, which, through various essays and personal reflections, examines critical issues like love, marriage and relationships that affect the quality of African American life.

Starting this May, in support of the book, Robertson will set out on a Black Love Is Forever Tour, a series of community-based, Town Hall forums designed to address the relationship gap in the African American Community. The Black Love Is Forever Tour will hit eight markets beginning at Hammond House in Atlanta on May 14^th and completing its run in Los Angeles on June 29^th.

“The time is certainly long overdue for an organized and constructive dialogue on the key issues impacting love and relationships in the African American community,” says Robertson about the tour. “This tour will explore the substantive issues related to our love status and identify strategies on how we can keep black love alive.”

I caught up with the always vocal, always opinionated Robertson recently to talk about his latest venture.

GIL L. ROBERTSON, IV

DD: Where Did Our Love Go: Love and Relationships in the African American Community. Tell me about the title.

GR: The inspiration and impetus for the book is when I look at the world I grew up in and the family I grew up in and the love my parents had for each other and especially for their children, I just wasn’t seeing a lot of that in today’s world. I think the question is appropriate for today. I’m asking where did the love go in the black community in terms of how we treat each other and in terms of how we’re not coming together in loving, healthy relationships.

DD: Why is that?

GR: We have some severe mental health issues. I think that black men and women are angry with each other. We have allowed messages in pop culture to dilute our heads and who we are and should be to one another. I’m not suggesting it’s by design. I think we’ve been duped into not understanding the long-term benefits of long, healthy relationships. We bought into the hype that we can do it ourselves. It’s easier to go through this journey with a partner instead of not having one.

DD: You have asked the question, Where Did Our Love Go? What’s the answer and what kind of love are you talking about.

GR: For the purpose of this book it’s addressing how two people, be it a man and woman or same sex, can come together with mutual respect and understanding and build a life together. What’s key to the realization of that idea is that you have to start with self love. If not, you can’t be of value to anyone else.

DD: Why is this topic important? You could have done any number of projects. Why did you edit this book?

GR: Family is the root of society and of the community. Family and the institution of marriage are both important. Both are something our ancestors died for. At the close of slavery you had them entering into marriage because they recognized the benefits. It’s about building a healthy environment around them. It radiates around the world. Marriage and coupling is important.

DD: Are we to believe Black love is different from any other kind of love?

GR: Ain’t nothing in the world like black love. I think that’s why so many of us have held on much longer than we should have. That’s why people are falling over themselves trying to get with us. There is nothing like black love. It’s nothing like love in a black man and in a black woman. There is something so powerful about the expression of what we do together. It’s so beautiful. I wish so many more of us could see it. It’s so rich.

DD: In the book you wrote a section called The Clock Is Still Ticking. It sounded like you have a five year plan.

GR: Because of my own shit I haven’t made myself available to being in a long-term relationship or marriage. My desire to not grow old alone is more important to me than my vanity. I will be married in five years.

DD: What did you find out about love and African American relationships that you didn’t know?

GR: I don’t think I learned anything new. I’ve always known that Black people strive to have love in their lives and that it’s important. I never thought love was something we didn’t place a priority on. I walked away with a profound sense of sadness that wonderful people have been unable to find a life partner. You ask yourself why? When you look at our counterparts, be they white, Latino or Asian, whenever you go out, the black person is the only single person up in the room. I learned that black people want love and are willing to make the sacrifices in their lives. I already knew this but it was validated.

DD: Lets talk about the essays. How were the essays chosen? What was the criteria?

GR: Like my earlier projects I invited people to be a part of it. I went from there. I must say there were some specific things I wanted to hit upon. There were some people that I deliberately targeted. With the nature of publishing you need a sprinkling of celebrities in order for it to sell. The majority of the contributors are journalists. I’m proud to quarterback. I’m proud to provide a space where my talented colleagues can share their thoughtful ideas about love and relationships.

DD: So, what was your process in deciding who to include in the book?

GR: That’s a good question. Ultimately your goal for the book is for it to sell. You want people who bring value and can help you promote it and sell it. You want people with influences within their communities and people who are able to write stories that are constructed well. Ultimately, those are the two things you consider in making a final selection.

DD: A series of Town Hall forums have been scheduled. Where are you going and why?

GR: The majority of the destinations are major population centers for black folks. The first one is May 14 at the Hammond House in Atlanta. We are also going to Dallas, the Book Expo in New York, we’re doing a signing in Leimert Park in June. We will also be involved with the Urban League in Chicago and General Motors in Detroit.

DD: What is the purpose of the forums? Are you looking for a specific result?

GR: I want to get a conversation started. Folks can join us on Facebook and Twitter. We did a good job of representing the community. However, I want other voices. I want folks to feel like they are part of the conversation. We will be filming selected Town Halls for a documentary. I’m moving into the realm of being a producer. I’m excited about it.

DD: Will there be a fourth book?

GR: The next book is on loss. It will focus on losing someone you love that is important to you. In last decade I’ve lost my parents. The loss of my mother had a profound effect on me. There were times I was in it and would ask myself if anyone could relate to what I’m going through. Of course, I knew there were millions of people. In the middle of the storm it’s like you’re there all alone. I want to do a book that helps people. We’re probably going to expand it to people who have loss children and those who have loss husbands who have gone to war or are imprisoned. It’s worth exploring that whole deal. My loss is concrete. What does it mean when you lose a father to the nation, someone like a John H. Johnson, Martin Luther King Jr., Tom Bradley and Coleman Young.

DD: What is the current status of African American relationships?

GR: It’s at a critical point. It’s on life support. We need to take active action, not passive action. We need to actively engage to turn this tide around. A black man can have no better partner than a black woman. A black woman will stick with you ‘til the ends of the earth. If a black man loves you, you are the sun in his universe. When you have to lead your man to do too many different things, you have a problem.

DD: It’s very clear you like black people. Besides the obvious, why?

GR: I guess I learned it from my parents who loved black people. When I grew up we had two sets of encyclopedias in our library. They invested in the encyclopedias. A lot of it had to do with when I was born at the height of the civil rights movement. We had a full set of African American encyclopedias. All during my formative years we were infused with that knowledge. We loved ourselves. I just loved everything about us. I grew up in a black neighborhood and I felt safe – always. In the media you would hear them say something about south central as if something was wrong with that. I always felt safe and protected in my neighborhood. My parents were smart. I never had a problem with black folks. As a journalist I’ve been about positive aspects of blackness. I’m a product of my parents. Sure I could live in the valley. I could live a lot of places, but when I drive pass [Chef] Marilyn’s, I’m in my element. I can also do Four Seasons with the best of them. But, let me walk up in Marilyn’s and I’m on fire.

For more information on the book visit: wheredidrlovego.com. Twitter: @wheredidrlovego and Facebook – blackloveisforever

MOCA, LA Continues Fundraising Success

noreply@blogger.com (Darlene Donloe) — Mon, 22 Apr 2013 22:27:00 +0000

RAISES $2.5 MILLION

YESSSSS!

2013 MOCA GALA

CELEBRATING THE OPENING OF THE EXHIBITION URS FISCHER

CREATIVE DIRECTION BY ROB PRUITT

Los Angeles– Patrons of the Museum of Contemporary Art, Los Angeles turned out in droves this Saturday to support the museum at its annual star-studded gala, which grossed $2.5 million. The gala's success comes on the heels of the Board of Trustees’ announcement that it has received commitments that raise the value of the endowment to $75 million toward the goal of boosting the museum's endowment to an initial $100 million.

The museum gala celebrated the opening of the first major U.S. museum retrospective of works by internationally acclaimed Swiss-born artist Urs Fischer, and is the first time an exhibition by a living artist has been presented at both MOCA Grand Avenue and The Geffen Contemporary at MOCA.

MOCA’s gala drew hundreds of international guests from the worlds of art, design, architecture, fashion, film, politics and music. In attendance were Gala Chairs Maria Arena Bell and Eli Broad, Honorary Gala Chairs Stephanie & Peter Brant, Ariel & Sarah Emanuel, Larry Gagosian, Eugenio Lopez, Maurice Marciano and Peter Morton, Dinner Chairs NancyJane & Mark Goldston, Carolyn Powers and Lilly Tartikoff Karatz & Bruce Karatz, Honorary Co-Chairs Dan Aloni, Jim Berkus, Irving & Jackie Blum, Eva & Michael Chow, Mandy & Cliff Einstein, Suzanne & David Johnson, Amalia Dayan & Adam Lindemann, Margaret and Dan Loeb, Rosette Delug, Dallas Price-Van Breda & Bob van Breda, Steven Roth & Kaayla Cevan, Carla & Fred Sands, Catharine Soros, Elham and Tony Salamé, Darren Star, Maria Seferian, Benjamin and Jennifer Silverman, Pamela Skaist-Levy and Jefery Levy, Lauren Taschen together with MOCA Trustees Chip Conlan, Laurent Degryse, Susan and David Gersh, Michael Harrison, Audrey Irmas, Steven Mnuchin, Sutton Stracke, Mayor Antonio Villaraigosa, Councilman Herb Wesson, and Orna Amir Wolens. Red carpet arrivals of Hollywood celebrities, prominent figures in the art and entertainment fields, fashion icons, and renowned international and Los Angeles artists and art luminaries included: Doug Aitken, Edgar Arcenaux, Harry Brant, Tim Blum, Lizzi Bougatsos of Gang Gang Dance, Mark Bradford, Gavin Brown, Christine & Gabriel Chiu, China Chow, Dan Colen, Sadie Coles, Jeff Curry, Kyle DeWoody, Brendan Dugan, Jesse Dylan, Lisa Edelstein, Lisa Eisner, Ant Genn, Shepard Fairey, Urs Fischer, Danny Fuller, Cyprien Gaillard, Suzanne Geiss, Aileen Getty, Liz Goldwyn, Brian Grazer, Alan Hergott & Curt Shephard, Jennifer Herrema, Lady Victoria Hervey, Victoria Duffy Hopper, Thomas Houseago, Elliott Hundley, Alex Israel, Chris Johanson & Jo Jackson, Ben Jones, Miranda July, Miriam Katz, Bettina Korek, George Kotsiopoulos, Giada De Laurentiis, Malerie Marder, Nancy & Howard Marks, Barry McGee & Clare Rojas, Tobias Meyer, Jarl & Pam Mohn Anita and Mark Mothersbaugh, Laura Mulleavy, Vivi Nevo, Stavros Niarchos, Timothy Olyphant, Laura Owens, Ellen Pompeo, Paige Powell, Rob Pruitt, Wolfgang Puck & Gelilia Assefa, Charlotte Rampling, Shaun Caley Regen, Retna, Terry Richardson, Amanda Ross-Ho, Scott Rothkopf, David Salle, André Saraiva, , Julian Schnabel, Tony Shafrazi, Eckhard Schneider, Rick Ruben, Sumner Redstone, Lara Schnitger, Cameron Silver, Hedi Slimane, Josh Smith, Dean Spunt & Randy Randall of No Age, Craig Stecyk, Tara Subkoff, Jennifer Tilly, Steve Tisch, Gus Van Sant, Owen Wilson and Neville Wakefield.

"The success of this year’s gala demonstrates the extraordinary and growing support for the museum from around the world and in Los Angeles ”said MOCA board co-chair and gala chair Maria Arena Bell, “MOCA has set a standard among museum galas for once in a lifetime artist-directed experiences. To coincide with the opening of Urs Fischer’s major retrospective at MOCA, artist Rob Pruitt brilliantly conceived a cultural mash up of various things we expect at parties to create a truly unexpected, and entertaining celebration of Fischer’s work at MOCA.”

In mid-March, the museum's board of trustees launched a new fundraising campaign to boost the endowment to at least $100 million. Co-chaired by Board President Jeffrey Soros and long-time trustee Eugenio Lopez, the campaign boosted the value of the endowment from $22 million to more than $75 million in just four weeks through commitments ranging from $1 million to $10 million from more than 20 current and former trustees and MOCA patrons.

Entitled YESSSSS!, the gala was envisioned with creative direction by artist Rob Pruitt as a “culture” or “power” clash of mismatched ideas, complementing Urs Fischer’s propensity to bridge the banal and the fantastical through unexpected combinations. The collage-style evening mash up, where nothing worked with anything and everything had its place, began at Grand Avenue with a private preview of the exhibition Urs Fischer, a reception with cocktails provided by Russian Standard Vodka and a special performance by Los Angeles band No Age. After previewing the exhibition at Grand Avenue, guests boarded shuttles presenting a video by artist Cheech Marin giving an impromptu pottery lesson filmed while he was making clay sculptures for the exhibition, as they headed to The Geffen Contemporary at MOCA for dinner and performances and a continuing preview of Fischer’s expansive sculpture installation presenting thousands of clay works made by the artist with the help of 1,500 people in L.A.

The Geffen building was transformed by a variety of incongruous, fantastical and absurd images. More than 650 gala guests were seated, donning Hawaiian leis, at Italian trattoria style tables covered in red and white checked table cloths with Chianti bottle drip candles. Centerpieces included bong vases with hemp, Rob Pruitt napkins covered in seemingly drug-induced doodles and waiters wearing t-shirts with phrases from a poem by artist Marc Hundley, that when taken together said “Amazing things/Are happening/In this world.” Burly men dressed as angels floated above the dinner guests, suspended from scissor lifts usually reserved for the installation of artwork and lights, while the music that filtered through the room included bird calls, whale songs, and the sounds of thunder and rain. The ambiance was occasionally punctuated by the flurry of dollar bills that exploded from a nearby money cannon. In keeping with the pomp of the evening, a special Ferrari valet area was available at both locations to accommodate guests arriving via Ferrari.

Video projections streamed across the walls over the course of the evening, alternating between images of the latest YouTube sensations, Internet cat memes, how-to videos, deep sea creatures, wild life documentaries, and a “Wolfgang-Puck-making-dinner” video. The outdoor lounge area, awash in underwater projections, was located conveniently close to the smoking area and a “4/20 buffet,” which included stoner favorites like hot dogs, mac and cheese, pizza, Chinese food, and a never-ending supply of junk food. The marijuana leaf logo featured prominently on the menus and on glittery pillows and throw blankets that adorned the beds and lounge chairs for guests to recline on during the night.

Festivities continued with Renaissance Fair characters in costume, a goat petting zoo, and a giant panda directing the way to the restrooms. Guests had their pick between the taffy making area, the goat milk creamery, and an old-fashioned cotton candy machine spinning candy onto glowsticks. Smokey the Bear welcomed smokers to the smoking section and guests lined up to make their own digital flip books, many of whom donned the outlandish costumes and props that were on hand for them to have their fun. Guests sipped on fresh juice bar cocktails and wheatgrass shots while watching a bevy of hula dancers perform.

A Parisian Style Bistro dinner courtesy of Wolfgang Puck Catering, included a first course of a frisee salad with julienne of bacon, poached egg, brioche croutons and sherry mustard vinaigrette, along with an assortment of Wolfgang Puck breads, rolls and lavosh with sweet butter. The first course had barely finished when the entire USC Trojans Marching Band took over the hall. Led by their baton twirler, and book-ended by tireless cheerleaders, the entire band in sunglasses marched between the many tables. By the time they filtered out of the hall, all of the guests were clapping and cheering. Accompanying the main course of a duo of roasted chicken with jus, grilled New York steak, roasted asparagus, frites and lyonnaise potatoes complimented by Wolfgang Puck Private Label wine, were musical performances by Mark Mothersbaugh, one of the most unique, subversive, and prolific composers and artists of the era who played the organ and synthesizer, and stand up and comedy appearances by Nick Kroll, Kumail Nanjiani and soap star and patch-clad Steven Nichols. The highlight of the evening came as legendary American sweethearts and pop superstars The Go-Go’s took the stage with a barefoot Belinda Carlisle, and brought all guests to their feet. Artists, trustees, politicians, and celebrities rubbed shoulders as the dancing began to hit song “We Got the Beat.”

A vast spread of desserts, including an Ice Cream Sundae Bar, Spring Inspired French Macaroons, Mini Coffee Eclairs, Raspberry Creme Brulee Tarts, and Apple Tarte Tatin were devoured outside under the Geffen canopy strung with disco balls. The after-party with performances by Jennifer Herrema and Black Bananas, and comedian Rory Scovel did in fact bring the guests to their feet once again dancing and chatting until late into the evening. Guests seemed loath to go home, avoiding the valet and shuttle services until the very last moment.

IMAGES: YESSSS! MOCA Gala 2013 in celebration of the opening of Urs Fischer—with creative direction by Rob Pruitt, Saturday, April 20, 2013, photos by Billy Farrell Agency.

ABOUT URS FISCHER

One of today’s most important contemporary artists, Fischer is known for using a range of media to express the transience of art and, concomitantly, the human condition. Jessica Morgan, Curator, International Art, at Tate Modern in London, is curating the exhibition, which will occupy both MOCA Grand Avenue and The Geffen Contemporary at MOCA, from April 21, 2013, to August 19, 2013. Presenting his work of the last decade, the show will bring together for the first time Fischer’s many iconic works from leading international collections as well as recent productions and a special installation made by the artist with the help of 1500 people in LA. Each MOCA location will have a distinct character and approach responding and adapting to the unique spaces of the museum. Fischer will weave together the storyline of his work: skeletons will meet movie stars, toys will greet grave-like holes, and our accustomed sense of disinterested distance will be simultaneously embraced and destroyed.

ABOUT THE MUSEUM OF CONTEMPORARY ART, LOS ANGELES (MOCA)

Founded in 1979, MOCA’s mission is to be the defining museum of contemporary art. The institution has achieved astonishing growth in its brief history—with three Los Angeles locations of architectural renown; more than 10,000 members; a world-class permanent collection of nearly 6,700 works international in scope and among the finest in the nation; hallmark education programs that are widely emulated; award-winning publications that present original scholarship; and groundbreaking monographic, touring, and thematic exhibitions of international repute that survey the art of our time. MOCA is a private not-for-profit institution supported by its members, corporate and foundation support, government grants, and retail and admission revenues. For 24-hour information on current exhibitions, education programs, and special events, call 213/626-6222 or access MOCA online at moca.org.

ABOUT ROB PRUITT

Since he emerged on the New York art scene in the late ‘80s, Rob Pruitt’s risk-taking investigations into American popular culture have taken many forms. From his notorious Cocaine Buffet (1998) and glitter portraits of pandas to such events as his ongoing Flea Market and Annual Art Awards, and a silvered Andy Warhol monument on public view, Pruitt has employed a post-Pop sensibility to playfully satirize the art world and its ambivalent relation to celebrity and popular culture. Pruitt’s diverse oeuvre made with his particular brand of iconoclastic humor and visual exuberance stays true to the spirit of disruption that has long been central to his practice. His first American survey, Rob Pruitt: An American Folk Artist, will be presented at the

Aspen Art Museum May 3 – July 14, 2013.

ABOUT THE GO-GO’s

Formed in Los Angeles in 1978, The Go-Go’s made history as the first all-female band that both wrote their own songs and played their own instruments to top the Billboard album charts.

From their halcyon days as America’s sweethearts, to their current status as superstars who pioneered a genre, the internationally-loved pop hit-makers including classic line up of lead singer and 80’s pop icon Belinda Carlisle, Charlotte Caffey, Gina Schock and Jane Wiedlin, helped cement the foundation of the early 80′s pop-rock sound without the aid of outside composers, session players or creative compromise, and soared to become a pop phenomenon, while having a lot of fun and blazing a brand-new trail for the DIY ethic in general, and women in music in particular.

The band rose to fame during the early 1980s with a debut album, Beauty and the Beat, considered as one of the cornerstone albums of US new wave, breaking barriers and paving the way for a host of other new American acts. The album reached number one in the Billboard 200 chart, and reached triple platinum status, making it one of the most successful debut albums ever. Three decades later, The Go-Go’s continue to deliver every bit of the raw energy of their now-legendary punk beginnings.

ABOUT MARK MOTHERSBAUGH

Mark Mothersbaugh is one of this era’s most unique and prolific composers and artists. His subversive nature is present within both his music and artwork. Deeply aware of the ability of precise, multi-faceted artistic expression to deliver vital social commentary, he has perpetually challenged and redefined musical and visual boundaries.

With DEVO, his most successful music project, Mark was able to showcase his artistic abilities on a larger scale, and to millions of people. Through their films, videos, costumes, LP covers, stage shows, and printed materials, Mark and DEVO forever altered commonly held preconceptions of how a rock band should function in popular culture.

As an award winning composer and prolific artist, Mark Mothersbaugh is one of this generations biggest pop culture figures.

ABOUT NO AGE

Formed in 2005 and based in Los Angeles, No Age is a two-person experimental punk group consisting of guitarist Randy Randall and drummer/vocalist Dean Allen Spunt. They played their first show at the New Image Art gallery and continue to have strong ties to the art world.

In 2010, No Age performed a live score at the RedCat Theatre in Los Angeles for the film Aanteni, directed by Todd Cole for the fashion designers Rodarte. In 2011 the band accompanied video artist Doug Aitken and actress Chloë Sevigny to Greece to perform the multimedia installation piece Black Mirror, supported by the DESTE Foundation and the Greek Festival. They also made a zine called Reality Problems, that was commissioned by the Los Angeles art book and clothing store Ooga Booga for their booth at the New York Art Book Fair; and made a soundtrack and installation piece for MOCAʼs exhibition Hedi Slimane California Song presented at MOCA Pacific Design Center.

Last year No Age released the Collage Culture 12" on Post Present Medium, A soundtrack to readings of excerpts from the book Collage Culture, written by Aaron Rose, Mandy Kahn and designed by Brian Roettinger published by JRP-Ringier. No Age are currently working on their fourth album for Sub Pop Records.

ABOUT BLACK BANANAS

Jennifer Herrema has been helping to define the underground rock scene since her teen years in the late 1980's constantly pushing forward both her music and her style. Herrema is a singer, song writer, record producer, artist and model best known for her work as one half of the influential rock band Royal Trux, which she constantly reinvented before releasing three albums under the name RTX. She is a pioneer of comprehensive non-exclusive opposition rock and Black Bananas, performing with Brian Mckinley and Kurt Midness, is the latest addition to her oeuvre.

ABOUT MIRIAM KATZ

Miriam Katz has organized exhibitions and performances for MoMA PS1, The Kitchen, Art21, and Columbia University. Her curatorial work has been reviewed in publications such as The New Yorker, The Village Voice, and Bomb. She has written for publications including Artforum, Bookforum, and Flash Art, and has been a visiting critic at Columbia University, New York University, and Bard CCS. Katz currently works as a writer and researcher for Artforum and is pursuing a Master’s Degree in Art History from Hunter College. Her podcast, “Breakdown,” features interviews with both comedians and visual artists (breakdownshow.com).

ABOUT NICK KROLL
Comedian Nick Kroll created and currently stars in the Comedy Central series Kroll Show. He can also be seen on FX’s The League. In 2011, Kroll recorded an hour-long special for Comedy Central, “Thank You Very Cool.” The comedian has also appeared in the films Get Him to the Greek, Dinner for Schmucks, Date Night, and I Love You Man. He has written for Chappelle’s Show, and Human Giant, and is the author of the best-selling book Bar Mitzvah Disco. Kroll was featured on Comedy Central's "Hot List of '09” and was voted one of Variety’s “Ten Comics to Watch.”

ABOUT KUMAIL NANJIANI
Kumail Nanjiani is a stand-up comedian and writer who has appeared on Conan, Late Night with Jimmy Fallon, The Late Show with David Letterman, and Jimmy Kimmel. He has been featured in Variety 's "Ten Comics to Watch,” Hollywood Reporter's "Ten Rising Comedy Talents" and New York Magazine s "Ten Comedians that Funny People Find Funny." Nanjiani currently stars on TNT’s Franklin & Bash, appears as a recurring character on IFC’s Portlandia, and will appear on the upcoming season of HBO’s VEEP. The comedian recently filmed a one-hour Comedy Central Special set to air this May.

ABOUT RORY SCOVEL

Stand-up Comedian Rory Scovel has been featured at the Just For Laughs festival in Montreal, the Bridgetown Comedy Festival, Bumbershoot, and Bonnaroo. His Comedy Central Half Hour premiered last May. Scovel has appeared on Late Night with Jimmy Fallon, the Late Late Show with Craig Ferguson, and Conan. He can also be seen on episodes of MTV’s Zach Stone Is Gonna Be Famous. He stand-up album, Dilation, was released in 2011. Scovel is currently starring in the upcoming TBS sitcom The Ground Floor.

ABOUT RUSSIAN STANDARD VODKA
Russian Standard Vodka is the world's #1 premium Russian vodka. The Russian Standard Vodka portfolio leads the premium segment in Russia with a 50 percent market share and sales of over 2.9 million cases worldwide in 2012. Roustam Tariko, the founder of Russian Standard, introduced Russian Standard Vodka in 1998 as the first authentic Russian premium vodka. A mere two years after Russian Standard Vodka launched in Russia, the brand's sales surpassed all imported premium vodkas, leading to broad international expansion as well as the launches of Russian Standard Platinum in 2001, Imperia Vodka in 2004, and Russian Standard Gold in 2008. Now the Russian Standard Vodka portfolio has grown to reach more than 75 markets across Europe, the Americas, Asia and Africa. All Russian Standard Vodka products are kosher. Most recently, Russian Standard Vodka was awarded the IMPACT "2012 Hot Brand" and Beverage Dynamics "2013 Growth Brands" awards for its 2012 US performance. http://www.russianstandardvodka.com

Bassist Anthony Crawford Fuses Musical Genres

noreply@blogger.com (Darlene Donloe) — Mon, 22 Apr 2013 18:15:00 +0000

Los Angeles - One might easily contend that bassist Anthony Crawford has music flowing through his veins instead of blood. When you take into consideration that his dad is the noted funk and rock drummer Hubert "H bomb" Crawford, who has played with greats like James Brown, Cyndi Lauper and Mother's Finest, and his uncle is the legendary jazz saxophonist Hank Crawford, the evidence becomes even more convincing. Now factor in the knowledge that he picked up his first instrument at age two, began visualizing his musical destiny at age 6, started teaching himself the bass at age 12, and was performing on stage with Bette Midler at 14, the evidence is enough to make you really wonder.

One listen to his latest release however, and one just might be totally convinced. With his new effort, Crawford amazingly mixes, meshes and mingles musical genres in a lusciously seductive terrain he calls "Urban Jazz / My Story." "Urban Jazz / My Story," on Hydro 6 Records, sweeps across the textures of jazz, funk, R&B, pop and hip hop and morphs into a musical collage of enchanting innovation and interpretation.

Crawford's intricate bass styling grounds and centers the listener through 14 tracks of mellow melodious adventure. With contributions from a variety of artists, including Eric Darius, Frank McComb and Dave Weckl; song, harmony and rhythm wondrously whirl together in artistic free flight. "Only You," the single release from the project, features McComb on vocals and is a determined declaration that rocks with commitment. "Bass Guitar" another track from the project, singularly swirls and twirls the flavors of hip hop, pop and contemporary jazz into one delicious treat.

"Baby" is another ear pleaser. The R&B bass tinged ode soars with sentiment highlighted with vocals from Valencia Robinson. Crawford's "Jazz vs. Hip Hop" takes it up a funk notch with an engaging interplay so wound up, that the notion of jazz vs. hip hop becomes an improbable feat with no winner. "For My Mother," Crawford's stirring solo effort, is pure bass that touches the heart strings with every timbre.

A true prodigy in his own right, Anthony Crawford has been honing his own musical legacy over the years, working with artists such as Erykah Badu, Justin Timberlake and Jeff Lorber. The Memphis, TN native is one of four featured bassists on the upcoming release "Bass Sessions Vol. 2" from GospelChops.com and he tours internationally to wide acclaim.

His dedication to his art is highlighted throughout "Urban Jazz / My Story" with his thoughts on perseverance. "I am a true believer in what the mind can see will be made real. My musical journey has always been about me seeing something first and then it manifesting later. I have been blessed to work with many of my music heroes, including bassist Stanley Clarke and legendary guitarist Allan Holdsworth, in just this fashion. 'Urban Jazz / My Story' is about pushing beyond borders, not just with music but also in life. We have the power to make things happen and hopefully 'Urban Jazz/ My Story' inspires that modus operandi in others."

Move beyond limits with Anthony Crawford at www.AnthonyCrawfordBand.com. Check him out on iTunes at https://itunes.apple.com/us/album/urban-jazz-my-story/id634947997 and see him in action at https://www.youtube.com/watch?v=P4BsWD8TlOM&list=UU2OTZJHTYYUWWEi6MwOJ8Bw&index=1 .

Anthony Crawford - Urban Jazz - Promo Video