Friday, January 18, 2013

Previews Begin This Sun., Jan. 20 For "Backbeat"

 
“BACKBEAT” THE BIRTH OF THE BEATLES
AT THE CENTER THEATRE GROUP/AHMANSON THEATRE
Opening is Jan. 30 and Performances Continue Through March 1, 2013

Previews begin this Sunday, January 20, for the U.S. premiere of “Backbeat,” the dramatic new play with music about the birth of one of the greatest rock ‘n’ roll bands in history, the Beatles.  “Backbeat” begins performances January 20 and continues through March 1, 2013. The opening is set for January 30.
Featuring the all-time rock ‘n’ roll classics that the Beatles cut their teeth on – “Money,” “Long Tall Sally,” “Twist and Shout,” “Good Golly Miss Molly,” “Please Mr. Postman,” “Rock ‘n’ Roll Music” and more, “Backbeat” is set in 1960 when John Lennon, Paul McCartney, George Harrison, Pete Best (the drummer before Ringo Starr joined the group) and Stuart Sutcliffe (the band’s original bassist) embarked on their journey from the docks of Liverpool to the red light district of Hamburg. There they worked in the clubs of the tawdry Reeperbahn, performing rock ‘n’ roll covers night after night, all the while honing what would become the Beatles’ sound. 
“Backbeat” is also the compelling story of Sutcliffe, who falls in love with the striking German photographer Astrid Kirchherr, and must choose between being with her and resuming his painting, or staying with his best friend, John Lennon, and playing in the band.  This triangular relationship became an intrinsic part of the Beatles story, and the decisions made and the music played put them on an unstoppable trajectory onto the world stage.
The cast will feature Nick Blood (as Stuart Sutcliffe), Leanne Best (Astrid Kirchherr), Andrew Knott (John Lennon), Oliver Bennett (Pete Best), Daniel Healy (Paul McCartney) and Daniel Westwick (George Harrison).  Rounding out the rest of the cast are ensemble members Edward Clarke, Josie Dunn, Sam Ford, Mark Hammersley, Perry Ojeda, Charlotte Palmer, Phil Pritchard, Dominic Rouse, Louise Shuttleworth, Adam Sopp, Charles Swift, James Wallace and Miranda Wilford.
 “Backbeat” is co-written by Iain Softley and Stephen Jeffreys, based on the 1994 Universal Pictures film by Softley, Michael Thomas and Stephen Ward. “Backbeat” is directed by five-time Tony Award nominee David Leveaux.
Design for “Backbeat” is by Andrew D. Edwards from an original concept by Christopher Oram, lighting design is by Howard Harrison and David Holmes, and sound design is by Richard Brooker.  
            “‘Backbeat’ is a backstory to cherish,” said Fiona Mountford of The Evening Standard. Michael Coveney of Whatsonstage.com called “Backbeat” a “. . . beautifully wrought . . .  evocation of an era, and a particular place, as the Beatles found their inimitable voice through the grit and virility of the pounding music they loved still to play even as their own more lyrical, musically complex compositions poured forth over the next decade.  For once, you really do feel like dancing in the aisles at the end.”
            “Backbeat” is presented by Karl Sydow in association with Glasgow Citizens Theatre, where it first opened in February 2010.  “Backbeat” made its West End debut in London in October 2011.  It will open in Toronto in July 2012.  Following the presentation at the Ahmanson in early 2013, “Backbeat” will move to Broadway.
Tickets for “Backbeat” are available by calling (213) 972-4400, visiting online at www.CenterTheatreGroup.org, or in person at the Center Theatre Group box office at the Ahmanson Theatre. Tickets range from $20 - $110 (ticket prices are subject to change). The Ahmanson Theatre is located at the Music Center, 135 N. Grand Avenue in Downtown L.A. 90012.

Wednesday, January 16, 2013

Ford Motor Company Fund Set To Award Grants


Ford Motor Company Fund Grants Drive The Expansion of 

Musical Education Programs in Spokane, Tucson & Los Angeles.

Inline image 4
JUANES

LOS ANGELES, CA (January 16, 2013) – Ford Motor Company Fund, a committed and long time supporter of innovative educational programs across the country, will once again award grants to the GRAMMY Foundation®. This year’s grants will support the expansion of the GRAMMY In The Schools® program into target cities of Spokane, Wash., Tucson, Ariz. and Los Angeles.

Sponsorship from Ford Motor Company will include the 4th Annual GRAMMY In The Schools® Live! – A Celebration Of Music & Education; a concert featuring members of the GRAMMY Camp - Jazz Session, along with student alumni from GRAMMY Camp® and GRAMMY Signature Schools, with a special guest performance by GRAMMY® and 17-time LATIN GRAMMY® Award winning artist Juanes. Taking place Feb. 6, 2013 at the University of Southern California’s Grand Ballroom in Los Angeles, CA.

Support from Ford Motor Company will benefit three GRAMMY in the Schools® programs; GRAMMY Signature Schools®, a program that helps financially-challenged schools offer music programs for its students; GRAMMY Camp – Basic Training, a program that provides high school students with insight into careers within the music industry; and GRAMMY In The Schools® Live – A Celebration of Music and Education during GRAMMY week.

In its continued support of GRAMMY Foundation programs, Ford Motor Company Fund is awarding $5,500 to schools in Spokane, Wash.; Tucson, Ariz.; and Los Angeles, that win needs-based "Enterprise" awards under the GRAMMY Signature Schools’ program.  Since launching the partnership, in 2008, Ford and the GRAMMY Foundation have awarded Enterprise awards to 15 schools throughout the country in addition to Ford’s support of the national GRAMMY In The Schools program.

"Ford Motor Company Fund is proud to partner with the Grammy Foundation to continue our decades-long commitment to education", said Jim Vella, president, Ford Motor Company Fund and Community Services.  "Schools with music programs have higher test scores and graduation rates.  Supporting music programs in schools is just another way Ford seeks to enhance and expand opportunities for young people throughout the U.S."

"Our GRAMMY Signature Schools program is making a real difference in the lives of young people in public high school music programs across the country," said Neil Portnow, president and CEO of The Recording Academy and the GRAMMY Foundation. "With the generous support of our partners, we've been able to grow this program's reach, and further the GRAMMY Foundation's commitment to fostering excellence in music education. That’s why we are proud to work with an organization that is committed to music like the Ford Fund."

For more information on the Ford Motor Company Fund and the GRAMMY Foundation visit

ABOUT FORD MOTOR COMPANY FUND AND COMMUNITY SERVICES
Ford Motor Company Fund and Community Services works with community partners to advance driving safety, education and community life. For more than 60 years, Ford Motor Company Fund has operated with ongoing funding from Ford Motor Company. The award-winning Ford Driving Skills for Life program teaches new drivers through a variety of hands-on and interactive methods. Innovation in education is encouraged through programs that enhance high school learning and provide college scholarships and university grants. Through the Ford Volunteer Corps, more than 25,000 Ford employees and dealers work on projects each year that better their communities in more than 20 countries. For more information, visit www.community.ford.com.

ABOUT THE GRAMMY FOUNDATION
The GRAMMY Foundation® was established in 1989 to cultivate the understanding, appreciation and advancement of the contribution of recorded music to American culture — from the artistic and technical legends of the past to the still unimagined musical breakthroughs of future generations of music professionals. The Foundation accomplishes this mission through programs and activities that engage the music industry and cultural community as well as the general public. The Foundation works in partnership year-round with its founder, The Recording Academy®, to bring national attention to important issues such as the value and impact of music and arts education and the urgency of preserving our rich cultural heritage. Campbell's Labels For Education program is proud to be the official education partner of the GRAMMY In The Schools programs. For more information, please visit www.grammyfoundation.com. For breaking news and exclusive content, please like "GRAMMY in the Schools" on Facebook at www.facebook.com/grammyintheschools and follow @GRAMMYFdn on Twitter at www.twitter.com/GRAMMYFdn.

Monday, January 14, 2013

AFFRM Launches Multi-Platform Label, ARRAY

 BETTER MUS' COME

First Acquisition is Storm Saulter’s Jamaican Epic
“Better Mus’ Come”

Los Angeles, CA, January 14, 2013 – African-American Film Festival Releasing Movement (AFFRM) today announced the launch of its new label, ARRAY, dedicated to multi-platform distribution of black independent film.  The label’s first acquisition is the award-winning drama, Better Mus’ Come, the debut feature from writer/director Storm Saulter. ARRAY has acquired all U.S. distribution rights. The announcement was made by AFFRM Founder Ava DuVernay.

A landmark in Caribbean filmmaking, Better Mus’ Come is a stunning love story unfolding at one of the most violent moments in Jamaican history, when rival gangs were enlisted by warring political factions to disrupt the democratic process - and bloodshed was unleashed on the streets. Winner of Best Feature Awards at Trinidad & Tobago Film Festival and Bahamas Intl Film Festival, Best Director Award at Pan-African Film Festival and Best Actor Award at American Black Film Festival, the film has screened at Toronto International Film Festival, Film Society of Lincoln Center and British Film Institute. The producer is Paul Bucknor, with executive producers Joshua Bratter and Samantha Bratter.

“AFFRM’s new label ARRAY is build to serve the tremendous burst of black cinematic talent across the globe, filmmakers who are embracing new technologies to tell their stories by any means necessary.  The goal is to expand the brand cultivated over our first four theatrical releases by reaching new audiences via both digital and traditional platforms,” explained DuVernay. “Storm’s work on Better Mus’ Come as director, writer and cinematographer is wildly impressive, incredibly important and deserves to be seen by as many filmlovers as possible. We’re proud that his gem will launch ARRAY.”

The deal was negotiated by Gordon Bobb of Del, Shaw, Moonves, Tanaka Finkelstein & Lezcano on behalf of AFFRM with the producers.

About AFFRM
Founded in 2011, AFFRM is the African-American Film Festival Releasing Movement, a distribution collective of black film organizations dedicated to quality black independent films. AFFRM’s founding organizations include Urbanworld (NYC), Imagenation (NYC), Reelblack (Philadelphia), Langston Hughes Film Festival (Seattle), BronzeLens (Atlanta) and DVA (Los Angeles). AFFRM's theatrical releases to date include: 2012 Sundance Best Director Award Winner MIDDLE OF NOWHERE; 2011 Sundance World Cinema Audience Award Winner KINYARWANDA, 2011 Sundance Film Festival Official “Next” Selection RESTLESS CITY; and 2011 NAACP Image Award nominee for Best Independent Picture, I WILL FOLLOW.

Thursday, January 10, 2013

85th Academy Awards Nominations Announced

 Actor in a Leading Role

  • Bradley Cooper in "Silver Linings Playbook"
  • Daniel Day-Lewis in "Lincoln"
  • Hugh Jackman in "Les Misérables"
  • Joaquin Phoenix in "The Master"
  • Denzel Washington in "Flight"

Actor in a Supporting Role

  • Alan Arkin in "Argo"
  • Robert De Niro in "Silver Linings Playbook"
  • Philip Seymour Hoffman in "The Master"
  • Tommy Lee Jones in "Lincoln"
  • Christoph Waltz in "Django Unchained"

Actress in a Leading Role

  • Jessica Chastain in "Zero Dark Thirty"
  • Jennifer Lawrence in "Silver Linings Playbook"
  • Emmanuelle Riva in "Amour"
  • Quvenzhané Wallis in "Beasts of the Southern Wild"
  • Naomi Watts in "The Impossible"

Actress in a Supporting Role

  • Amy Adams in "The Master"
  • Sally Field in "Lincoln"
  • Anne Hathaway in "Les Misérables"
  • Helen Hunt in "The Sessions"
  • Jacki Weaver in "Silver Linings Playbook"

Animated Feature Film

  • "Brave" Mark Andrews and Brenda Chapman
  • "Frankenweenie" Tim Burton
  • "ParaNorman" Sam Fell and Chris Butler
  • "The Pirates! Band of Misfits" Peter Lord
  • "Wreck-It Ralph" Rich Moore

Cinematography

  • "Anna Karenina" Seamus McGarvey
  • "Django Unchained" Robert Richardson
  • "Life of Pi" Claudio Miranda
  • "Lincoln" Janusz Kaminski
  • "Skyfall" Roger Deakins

Costume Design

  • "Anna Karenina" Jacqueline Durran
  • "Les Misérables" Paco Delgado
  • "Lincoln" Joanna Johnston
  • "Mirror Mirror" Eiko Ishioka
  • "Snow White and the Huntsman" Colleen Atwood

Directing

  • "Amour" Michael Haneke
  • "Beasts of the Southern Wild" Benh Zeitlin
  • "Life of Pi" Ang Lee
  • "Lincoln" Steven Spielberg
  • "Silver Linings Playbook" David O. Russell

Documentary Feature

  • "5 Broken Cameras"
    Emad Burnat and Guy Davidi
  • "The Gatekeepers"
    Nominees to be determined
  • "How to Survive a Plague"
    Nominees to be determined
  • "The Invisible War"
    Nominees to be determined
  • "Searching for Sugar Man"
    Nominees to be determined

Documentary Short Subject

  • "Inocente"
    Sean Fine and Andrea Nix Fine
  • "Kings Point"
    Sari Gilman and Jedd Wider
  • "Mondays at Racine"
    Cynthia Wade and Robin Honan
  • "Open Heart"
    Kief Davidson and Cori Shepherd Stern
  • "Redemption"
    Jon Alpert and Matthew O'Neill

Film Editing

  • "Argo" William Goldenberg
  • "Life of Pi" Tim Squyres
  • "Lincoln" Michael Kahn
  • "Silver Linings Playbook" Jay Cassidy and Crispin Struthers
  • "Zero Dark Thirty" Dylan Tichenor and William Goldenberg

Foreign Language Film

  • "Amour" Austria
  • "Kon-Tiki" Norway
  • "No" Chile
  • "A Royal Affair" Denmark
  • "War Witch" Canada

Makeup and Hairstyling

  • "Hitchcock"
    Howard Berger, Peter Montagna and Martin Samuel
  • "The Hobbit: An Unexpected Journey"
    Peter Swords King, Rick Findlater and Tami Lane
  • "Les Misérables"
    Lisa Westcott and Julie Dartnell

Music (Original Score)

  • "Anna Karenina" Dario Marianelli
  • "Argo" Alexandre Desplat
  • "Life of Pi" Mychael Danna
  • "Lincoln" John Williams
  • "Skyfall" Thomas Newman

Music (Original Song)

  • "Before My Time" from "Chasing Ice"
    Music and Lyric by J. Ralph
  • "Everybody Needs A Best Friend" from "Ted"
    Music by Walter Murphy; Lyric by Seth MacFarlane
  • "Pi's Lullaby" from "Life of Pi"
    Music by Mychael Danna; Lyric by Bombay Jayashri
  • "Skyfall" from "Skyfall"
    Music and Lyric by Adele Adkins and Paul Epworth
  • "Suddenly" from "Les Misérables"
    Music by Claude-Michel Schönberg; Lyric by Herbert Kretzmer and Alain Boublil

Best Picture

  • "Amour" Nominees to be determined
  • "Argo" Grant Heslov, Ben Affleck and George Clooney, Producers
  • "Beasts of the Southern Wild" Dan Janvey, Josh Penn and Michael Gottwald, Producers
  • "Django Unchained" Stacey Sher, Reginald Hudlin and Pilar Savone, Producers
  • "Les Misérables" Tim Bevan, Eric Fellner, Debra Hayward and Cameron Mackintosh, Producers
  • "Life of Pi" Gil Netter, Ang Lee and David Womark, Producers
  • "Lincoln" Steven Spielberg and Kathleen Kennedy, Producers
  • "Silver Linings Playbook" Donna Gigliotti, Bruce Cohen and Jonathan Gordon, Producers
  • "Zero Dark Thirty" Mark Boal, Kathryn Bigelow and Megan Ellison, Producers

Production Design

  • "Anna Karenina"
    Production Design: Sarah Greenwood; Set Decoration: Katie Spencer
  • "The Hobbit: An Unexpected Journey"
    Production Design: Dan Hennah; Set Decoration: Ra Vincent and Simon Bright
  • "Les Misérables"
    Production Design: Eve Stewart; Set Decoration: Anna Lynch-Robinson
  • "Life of Pi"
    Production Design: David Gropman; Set Decoration: Anna Pinnock
  • "Lincoln"
    Production Design: Rick Carter; Set Decoration: Jim Erickson

Short Film (Animated)

  • "Adam and Dog" Minkyu Lee
  • "Fresh Guacamole" PES
  • "Head over Heels" Timothy Reckart and Fodhla Cronin O'Reilly
  • "Maggie Simpson in "The Longest Daycare"" David Silverman
  • "Paperman" John Kahrs

Short Film (Live Action)

  • "Asad" Bryan Buckley and Mino Jarjoura
  • "Buzkashi Boys" Sam French and Ariel Nasr
  • "Curfew" Shawn Christensen
  • "Death of a Shadow (Dood van een Schaduw)" Tom Van Avermaet and Ellen De Waele
  • "Henry" Yan England

Sound Editing

  • "Argo" Erik Aadahl and Ethan Van der Ryn
  • "Django Unchained" Wylie Stateman
  • "Life of Pi" Eugene Gearty and Philip Stockton
  • "Skyfall" Per Hallberg and Karen Baker Landers
  • "Zero Dark Thirty" Paul N.J. Ottosson

Sound Mixing

  • "Argo"
    John Reitz, Gregg Rudloff and Jose Antonio Garcia
  • "Les Misérables"
    Andy Nelson, Mark Paterson and Simon Hayes
  • "Life of Pi"
    Ron Bartlett, D.M. Hemphill and Drew Kunin
  • "Lincoln"
    Andy Nelson, Gary Rydstrom and Ronald Judkins
  • "Skyfall"
    Scott Millan, Greg P. Russell and Stuart Wilson

Visual Effects

  • "The Hobbit: An Unexpected Journey"
    Joe Letteri, Eric Saindon, David Clayton and R. Christopher White
  • "Life of Pi"
    Bill Westenhofer, Guillaume Rocheron, Erik-Jan De Boer and Donald R. Elliott
  • "Marvel's The Avengers"
    Janek Sirrs, Jeff White, Guy Williams and Dan Sudick
  • "Prometheus"
    Richard Stammers, Trevor Wood, Charley Henley and Martin Hill
  • "Snow White and the Huntsman"
    Cedric Nicolas-Troyan, Philip Brennan, Neil Corbould and Michael Dawson

Writing (Adapted Screenplay)

  • "Argo" Screenplay by Chris Terrio
  • "Beasts of the Southern Wild" Screenplay by Lucy Alibar & Benh Zeitlin
  • "Life of Pi" Screenplay by David Magee
  • "Lincoln" Screenplay by Tony Kushner
  • "Silver Linings Playbook" Screenplay by David O. Russell

Writing (Original Screenplay)

  • "Amour" Written by Michael Haneke
  • "Django Unchained" Written by Quentin Tarantino
  • "Flight" Written by John Gatins
  • "Moonrise Kingdom" Written by Wes Anderson & Roman Coppola
  • "Zero Dark Thirty" Written by Mark Boal

Wednesday, January 9, 2013

CTG Event To Honor Legendary Carl Reiner


CENTER THEATRE GROUP EVENT HONORING CARL REINER
AND HIS 75 YEARS IN SHOW BUSINESS BRINGS IN $250,000
FOR SOLD-OUT ONE NIGHT ONLY ENGAGEMENT
TO BE HELD AT THE MARK TAPER FORUM ON JANUARY 28, 2013

Special Event Includes Staged Reading of
“ENTER LAUGHING, THE MUSICAL”
Based on Carl Reiner’s First Book
Pre-Show Cocktail Tribute Hosted by Mel Brooks, Billy Crystal,
Richard Lewis, Rob Reiner & Dick Van Dyke

Profits Will Go To CTG Programs That Support Emerging Artists

In honor of comedy legend Carl Reiner’s 75 years in the business, Center Theatre Group is presenting a staged reading of “Enter Laughing, The Musical,” which is inspired by Reiner’s experiences as a young man struggling to break into theatre in New York.  The one night only event directed by Stuart Ross (“Forever Plaid”), Mark Taper Forum on Monday, January 28, 2013, at 7:30 p.m. is already sold out.
Box office receipts are approximately $250,000 and proceeds from this special event benefit CTG programs that support emerging artists.
There is a pre-show cocktail tribute hosted by Mel Brooks, Billy Crystal, Richard Lewis, Rob Reiner and Dick Van Dyke, and an exclusive cast party following the performance.
            Adapted from Carl Reiner’s first book, a semi-autobiographical work of the same name, “Enter Laughing” features book by Joseph Stein (“Fiddler on the Roof” and “Zorba the Greek”), music and lyrics by Stan Daniels (“Taxi,” “The Mary Tyler Moore Show”) and orchestrations by Matt Castle. It is presented by special arrangement with Dan Whitten and Tiger Theatricals in association with Carl Reiner.  The cast has not been announced.
CTG board member Dante Di Loreto, president of Ryan Murphy Television, is the chair of the event. The event’s committee includes (in alphabetical order) Rich Appel, Billy Crystal, Robert Greenblatt, Brad Hall, Larry Karaszewski, Julia Louis-Dreyfus, Jane Lynch, Aimee Mann, Steve Martin, Michael Penn, Lily Tomlin and Betty White, along with CTG board members – Debra and Norris Bishton, Frances and Terry Flanagan, Barbara and Peter Fodor, Brindell Roberts Gottlieb, and Eva and Marc Stern.
Enter Laughing, The Musical,” set in the 1930s, follows a young, hapless shop boy from the Bronx as he pursues his dream of becoming a leading man on stage while facing mounting pressures from his despondent girlfriend, dismissive boss, distracted best friend, disgusted acting coach and disapproving though loving parents. “Enter Laughing,” the stage play, written by Joseph Stein the same year he wrote “Fiddler on the Roof,” won a Tony Award for Alan Arkin in 1964.  Under Stuart Ross’s direction, “Enter Laughing, The Musical” broke box office records at the Bay Street Theatre in Sag Harbor, N.Y., and New York City's York Theatre Company.
Carl Reiner’s long career in show business includes co-starring in the legendary television show “Your Show of Shows,” creating and co-starring in “The Dick Van Dyke Show,” winning a Grammy Award with Mel Brooks for the comedy album “The Two Thousand Year Old Man In The Year Two Thousand,” directing more than a dozen feature films including “The Jerk,” “All of Me,” “Oh, God!” and “Where’s Poppa?” and appearing in many films and television shows. He has a total of 12 Emmy Awards, and was inducted into the Television Academy Hall of Fame in 1999, and received the Kennedy Center Mark Twain Prize for American Humor in 2001. Reiner is also the author of more than 10 books; the latest, “I Remember Me,” will be published in mid-January.
The Mark Taper Forum is located at the Music Center at 135 North Grand Avenue in downtown Los Angeles. 
Center Theatre Group, a non-profit organization, is one of the largest and most active theatre companies in the nation, programming subscription seasons year-round at the 736-seat Mark Taper Forum and the 1,600 to 2,000-seat Ahmanson Theatre at the Music Center of Los Angeles, and the 317-seat Kirk Douglas Theatre in Culver City. In addition to providing theatre of the highest caliber to the rich, diverse communities of Southern California and beyond, CTG supports a significant number of play development and arts education initiatives.
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Tuesday, January 8, 2013

TV ONE ADDS TO LINEUP, 'UNSUNG' RETURNS


S. Epatha Merkerson helms Find Our Missing

As all of the networks roll out their upcoming shows for the current television season, TV One recently announced that its successful docu-series, Unsung, will return at 10 p.m.  on Jan. 23.  The show, Belle's will premiere on Fri., Feb. 1.

A couple of changes were made in TV One's lineup.  Season two of  Find Our Missing will debut at 9 p.m. on Jan. 9, but will then move to Monday nights beginning Jan. 14.  

The show is helmed by S. Epatha Merkerson,  best known for her long-running role on Law & Order. The actress has won critical acclaim for her work in theatre, television and film. She received Golden Globe, Emmy, Screen Actors Guild, NAACP Image and Gracie Allen Awards and an IFP Spirit nomination for her leading role in the HBO film, Lackawanna Blues. She is also a two-time Tony Award nominee. She currently appears in Steven Spielberg's film, Lincoln and recently wrapped production on Tyler Perry's We The Peeples. 

CAST OF BELLE'S

“TV One strives to provide our audience with diverse content and we are confident that these changes will allow us to best spotlight our new and returning series,” said Maureen Guthman, TV One senior vp, program strategy & acquisitions. “As we seek to grow our content base, we will continue to identify and present the most compelling viewing options providing a robust slate of programming for our viewers each night of the week.”

Gary Lennon's 'A Family Thing' Opens At Stage 52


LOS ANGELES, CA – January 8, 2013 – Three estranged brothers reunite to settle unfinished business in the world premiere of A Family Thing, a darkly funny new drama about the meaning of family by Gary Lennon (The Interlopers). The Echo Theater Company presents a five-week run at Stage 52, February 16March 17, directed by Chris Fields.

A Family Thing is a violent, comic and heartbreaking exploration of the way family binds us together—and can tear us apart. Starring as three brothers raised in New York’s rough and tumble Hell’s Kitchen—an addict, a felon and a writer—are Saverio Guerra (CBS’s Becker), Johnny Messner (Tears of the Sun, Hostage, The Whole Ten Yards) and Sean Wing (American Idiot on Broadway, the title role in Bunbury at the Road Theatre).

Also in the cast are Darryl Stephens (Noah’s Arc), Elizabeth Regen (recurring roles on Lifetime’s Sherri and HBOs’ Entourage), Maria Cina (A Distant Shore at the Kirk Douglas, Oedipus El Rey at Theatre @ Boston Court), Andrea Grano (Echo Theater Company productions of David Ives' The Other Woman and Kate Robin's ANON), and Paul Caramagno (Echo Theater Company’s God’s Ear).

“These three guys were raised by wolves,” explains Fields. “Life is a struggle for them. But in the end it’s a love story. A story about just how difficult it can be for people to love one another. It’s a gritty, grainy and brutally funny play about love.”

Peabody Award-winning playwright Gary Lennon knows first-hand what it’s like to grow up in a dysfunctional family in a tough neighborhood.

“I’ve enjoyed a successful career partly because I’m able to mine my own life.” he laughs.

Lennon’s play Blackout, which premiered at the Samuel Beckett Theatre in New York and starred Joe Mantegna in the L.A. production, was adapted into the feature film Drunks, starring Faye Dunaway, Diane Wiest, Amanda Plummer and Parker Posey. The film version of his play 45, which premiered at the London’s Hampstead Theatre with Natalie Dormer, starred Milla Jovovich and Stephen Dorf. Dates and Nuts was produced at New York’s Theater Off Park, then optioned by Edward R. Pressman. The Interlopers, which enjoyed a critically acclaimed run at L.A.’s Bootleg Theater last season, is currently in development as a film. Lennon has written and produced extensively for television, including on shows such as The Unusuals, The Shield, The Black Donnellys and Justified, for which he received Peabody and AFI awards and a Writers Guild nomination. Last year, Lennon wrote a pilot for Showtime, Free Roll, which he co-created with Penn Julette, and he is currently writing and producing on Jenji Kohan’s new show Orange is the New Black for Netflix. Lennon is also currently writing a mini series on STUDIO 54 for producers Crag Zadan and Neil Meon.

A Family Thing is very different from anything we’ve done previously at The Echo,” notes Fields, who founded the company in 1996 and serves as its artistic director. “It’s incredibly violent, raw, savage, theatrically dangerous—and very, very funny.”

Under Fields’ leadership, The Echo has produced over 30 premieres and is the company that introduced Los Angeles to playwrights David Lindsay-Abaire, Adam Rapp and Sarah Ruhl. As a director, Fields recently helmed the world premiere of Kate Robin’s What They Have at South Coast Repertory, the Ovation-nominated Los Angeles premiere of Jessica Goldberg’s Body Politic, Kate Robin’s Anon, Sarah Ruhl’s Melancholy Play, the world premiere of Paul Zimmerman’s Pigs and Bugs, and the world premiere of Eat Me by Jacqueline Wright, which was nominated for six LA Weekly Awards including Best Director. He produced the Echo production of Bryan Davidson’s War Music at the Los Angeles Theater Center, which won three Ovation Awards, including Best Premiere Play and Best Ensemble, before transferring to the Geffen Playhouse—a first for a 99 seat theater production. His work in film includes his adaptation of Neal Bell’s Out the Window, which he produced and directed, and his recent short Sunnyslope, which was awarded Best New York Film at the New York Film and Video Festival and nominated for Best in Fest at the Great Lakes Film Festival. Chris founded and was artistic director of the Ojai Playwrights Conference from 1996 to 2000.

Scenic design for A Family Thing is by Stephen Gifford; lighting design is by Matt Richter; sound design is by Drew Dalzell; and costume design is by Kathryn Poppen. Lauren Bass and Chris Fields produce for The Echo Theater Company.

A Family Thing opens on Saturday, February 16, with performances on Fridays and Saturdays @ 8 pm and Sundays @ 7 pm through March 17. Tickets are $30. Stage 52 is located at 5299 West Washington Blvd., Los Angeles, CA 90019 (2-1/2 blocks east of Hauser). For reservations and information, call (877) 369-9112 or go to www.EchoTheaterCompany.com.