Odyssey Theatre Announces The Death of Founding Artistic Director Ron Sossi

Ron Sossi

The Odyssey Theatre Ensemble recently announced that founding artistic director Ron Sossi died on Wednesday, March 19, at 85.

Born on November 22, 1939, in Detroit, Ron graduated from the University of Michigan with a degree in writing for theater and television before moving to L.A. to attend UCLA film school. He supported himself as a wedding photographer and water filter salesman there while earning his M.F.A. In addition to writing, Ron was an actor and a singer. He traveled to Korea, Japan, and Guam, courtesy of the USO, with a college production of Carousel, where he met fellow student and co-star Bonnie Franklin, and the two were briefly married from 1967 until 1970. After winning the Samuel Goldwyn Award for screenwriting at UCLA, Ron was hired as a program executive at ABC, where he oversaw productions of shows including Bewitched, The Flying Nun, and Love American Style, among others.

In 1969, frustrated and bored by his work in the television industry, Ron founded the Odyssey Theatre in a former storefront church on the seedy end of Hollywood Boulevard. With the raucous sounds of the porn theater next door seeping through, the Odyssey opened its inaugural productions of A Man’s A Man by Bertolt Brecht, The Serpent by Jean Claude van Italie, The Threepenny Opera by Brecht and Kurt Weill, and The Bacchae by Euripides. Long runs of these four plays sealed Ron’s reputation as a maverick with critics and audiences alike. In 1973, he moved the Odyssey to a larger venue in West Los Angeles on the corner of Bundy and Ohio. Starting out with one 99-seat performance space, he gradually expanded it into a three-theater complex. Critically acclaimed, award-winning productions included Peer Gynt, Woyzeck, White Marriage, The Adolf Hitler Show, The Chicago Conspiracy Trial, Nightclub Cantana, Tracers, Mary Barnes, Master Class, Edmond, Rapmaster Ronnie, McCarthy, Idioglossia (later to become the Oscar-nominated movie Nell), and Steven Berkoff’s Kvetch—the Odyssey’s longest running show at eight years. During the company’s 16-year tenure in that space, Ron produced and directed two-thirds of the Bertolt Brecht canon, including Baal (in which he also starred in the title role), The Caucasian Chalk Circle, Mother Courage, and Brechtfest 1 and 2. When the building was sold in 1989, Ron moved the Odyssey to its current home on Sepulveda Boulevard, a city-owned warehouse formerly used to manufacture gas tanks. The new Odyssey opened its doors in 1990 with his production of Faith Healer.

Throughout the theater’s 56-year history, Ron remained dedicated to presenting edgy, risk-taking live theater experiences, including an eclectic mix of new work and boldly re-envisioned classics. He was always particularly drawn to work by German and Eastern European playwrights, as well as to play exploring metaphysical and spiritual subject matter — part of a lifelong devotion that included studying and practicing Siddha Yoga, Hinduism, Sufism, Tibetian Buddhism, The Gurdjieff Work and, most recently, Bhakti Yoga and Advaita Vedanta. In 2001, Ron created KOAN, a resident ensemble dedicated to the regular creation of unique, devised works. (In Zen Buddhism, a Koan is a paradoxical anecdote or riddle used to demonstrate logical reasoning inadequacy and provoke enlightenment.) Ron’s KOAN productions included The Faust Projekt, Kafka Thing, and Buddha’s Big Nite!, as well as Sliding Into Hades, which received the LA Weekly Award for “Best Production of the Year” and Theater in the Dark, an LA Weekly “Best Production” award nominee. More recent productions included a revival of The Serpent for the Odyssey’s 50th anniversary; Wakings, an evening of short “mind excursions” exploring some of the many states of human awareness; and Elephant Shavings, subtitled “a lazy person’s guide to enlightenment,” which he also wrote.

At the helm of the Odyssey for 56 years, Ron received numerous awards, including the LA Weekly Career Achievement Award. He was twice honored with the Los Angeles Drama Critics Circle's prestigious Margaret Harford Award for “demonstrating a continual willingness to experiment provocatively in the process of theater” and with the circle’s Ron Link Award for “consistent quality of direction.” According to a 1982 Los Angeles Times article by Lawrence Christon, “When the Los Angeles Drama Critics Circle debated Ron’s merit as this year’s recipient of the Margaret Harford Award—they decided he deserved it—two adjectives that cropped up in discussion were ‘exasperating’ and ‘incorrigible.’” Christon went on to note that Ron “wished they had put ‘incorrigible’ on the award.”

Ron is survived by his wife, Séverine Larue, and his sister, Nancy Foley.

Following his instructions, no service or ceremony will be held. Ron wished that the ongoing vibrancy of the theater he built would serve as his only memorial. The Odyssey’s curtain will continue to rise, and every future performance will be a testament to Ron Sossi’s enduring legacy.

Better Brothers Los Angeles Celebrates LGBTQ+ Community At Truth Awards

Lee Daniels 

 By Darlene Donloe

The Better Brothers LA Truth Awards, co-founded by Scott Hamilton and Vincent Holmes, is a prestigious event celebrating Black LGBTQ+ excellence. 

This year's Better Brothers Los Angeles (BBLA) ceremony, presented in partnership with Emmy Award-winning actress Sheryl Lee Ralph's DIVA Foundation, will be celebrated over two days, March 14-15, in two acts.

Act 1, the ‘Passing the Torch’ awards ceremony, which recognizes rising talent in the Black LGBTQ+ community, will occur at 7 p.m. on Friday, March 14, 2025, at The Aster in Hollywood. 

The event will pay homage to the next generation by celebrating four emerging leaders - James Bland, Preston Mitchum, Amber Whittington, and Terell Grice, who Hamilton and Holmes say exemplify excellence in their respective fields. 

Act II, the celebration of excellence, continues from 5:30 p.m. to 11 p.m. on Saturday, March 15, with the 11th Annual Truth Awards at the Beverly Hilton Hotel in Beverly Hills.

The Truth Award is a tribute to resilience, authenticity, and community spirit. It has a decade-long history of honoring trailblazers and providing scholarships to Black LGBTQ+ students pursuing higher education.

Over the years, the event has recognized over 60 individuals and awarded over $300,000 in scholarships. Scholarships from $3,000 to $5,000 will be awarded during the event. 

Wendy Raquel Robinson

This year's honorees include Emmy Award-winning actress Wendy Raquel Robinson (‘The Steve Harvey Show,’ ‘The Game,’ ‘Poppa’s House’), who will receive the Ally Award; Larry Sims (style innovator) will receive the Business Leadership Award; Gil Robertson (founder/president, African American Film Critics Association) will be awarded the Media & Arts Award; Brittani Nichols (co-EP, Abbott Elementary) will receive the Breakout Star award; Dr. Kimberly Smith (ViiV Healthcare) will be awarded the History Maker Award; Dr. Leo Moore (Clinic Services, Los Angeles County) will receive the Rustin Advocacy Award; Wayman + Micah (Hollywood stylists) will be awarded the Andre Leon Talley Style Purveyor Award; and Academy Award® nominated filmmaker Lee Daniels (‘Precious,’ ‘Empire,’ and ‘Star’) who will receive the Lifetime Achievement Award for his contributions to entertainment and storytelling. 

“Lee Daniels is an out and proud Black man who creates stories,” Hamilton said.  “He puts the community at the forefront and creates roles that shine a lot on talent. He shows that we’re all human. Wendy has been an advocate for our community for a while. Her Amazing Grace Conservatory allows kids to be themselves.” 

Wendy Raquel Robinson, who hosted the Truth Awards in 2024, will receive the Ally Award this year for her steadfast commitment to advocating for LGBTQ+ rights.

“It’s a heavy room of dynamic people,” said Robinson, co-founder of the Amazing Grace Conservatory. “What’s interesting is that at Amazing Grace and throughout my life, not knowing that people were LGBTQ+, I’ve just been seeing people for who they are and loving them regardless. Be who you are without apologies and without condemnations.” 

Robinson, a two-time Emmy Award-winning producer, actress, philanthropist, and recipient of the NAACP Image Award, who calls the Truth Awards ‘Black excellence,’ said, “It was the room you need to be in. It’s warm, colorful, and a room full of lots of energy. I encourage everyone to talk in your truth. I’ve been a supporter. I feel seen.” 

"The narratives we choose to elevate shape how society perceives reality," said Hamilton, co-founder and program director of BBLA. "The Truth Awards are not just a ceremony; they are a manifestation of our commitment to recognizing those who bravely refuse to conform, instead choosing to redefine excellence by living their truths without apology.”

"In honoring these extraordinary visionaries, we're not merely acknowledging their achievements; we are celebrating the essence of courage in its most authentic form," said Sheryl Lee Ralph, founder of The DIVA Foundation. "Their groundbreaking work transcends limitations and invites all of us to envision a world where inclusivity reigns supreme." 

The Truth Awards has become a signature event in the Black LGBTQ+ community, providing a platform for celebration, empowerment, and recognition.

Hamilton and Holmes said that as the event grows, it remains committed to promoting excellence and supporting the next generation of leaders.

The mission of Better Brothers Los Angeles is to create safe and inviting spaces for members of the Black Queer community. 

“The goal of Truth is to create a visible public acknowledgment of Black Queer individuals and their accomplishments,” said Holmes.

“I look at the mission statement and the organization's history and what it stands for,” Robinson said. “Better Brothers puts their money where their mouth is.” 

The Truth Awards has grown since its initial launch. Hamilton and Holmes met 20 years ago and said the event came to fruition out of “a need.”

“Vincent [Holmes] reached out to me after our initial meeting about an idea he had of going on a trip out of the country with a group of guys,” Hamilton said. “Since no one knew us, we decided to do something locally to establish trust and consistency.”

Hamilton and Holmes hosted monthly happy hours at McCormick and Schmick’s in downtown Los Angeles for a while.

“The attendees started asking for other stuff,” Hamilton said. “We did hikes, went to The Bowl, did seminars on estate planning, etc. One day, while watching the People’s Choice Awards, there was an actor who was LGBTQ+ who didn’t acknowledge his partner. That’s when we came up with the Truth Awards. That was in 2014. During that time, people still weren’t comfortable being out.”

The first Truth Awards was held at the Wilshire Ebell Theatre.

“During the first event, it told us that people appreciate being recognized,” said Holmes. “It meant something to them. We realized we had created something bigger than us. We can sense that it’s making an impact. Half of the attendees come from out of town – places like Atlanta, New York, Chicago, D.C., and Houston. This event moves a lot of people. Sheryl Lee Ralph helped us move it forward.”

Better Brothers Los Angeles and The DIVA Foundation present the 11th Annual Truth Awards powered by ViiV.

Gilead, Atlantic Health Systems, The Kettering Foundation, LeadersUp, and Sony Pictures Entertainment support the event.

 

Keyboardist Charles A. Kelly Enters 'Phase II'

 

R&B/Jazz keyboardist Charles A. Kelly is focused on transformation, evidenced in his sophomore album, “Phase II,” released on February 21, 2025. An album of transition and spirituality that is the second in a trilogy, Kelly wrote, produced, and arranged ten new songs for the Innervision Records release. The third single from the project, a deep cut titled “Raindrops Under Glass” that imaginatively mixes classical orchestrations, African rhythms, and movie score melodies, was also released on Friday.

 

Kelly created his 2022 debut album, “You’re Not Alone,” to be the first in a trilogy. The album was to be like an establishing shot in a movie that captures the present moment – or sounds, in this case. His muse was the present state of contemporary jazz. Kelly conceived “Phase II” to serve as a bridge album, with the collection pushing the boundaries of the music genre, experimenting, and testing the limits and the definition of contemporary jazz – offering a thesis of what it could become. The third in the series will be a double album, an evolutionary realization, a visionary outing futurizing contemporary jazz.

 

“My mission for this album is to stretch the current boundaries of what is considered contemporary jazz. This genre has a rich history, but it has gotten a bit formulaic. For the music to grow, artists must have the courage to reach deep inside and create music boldly while building true connections to a wider audience. As a songwriter, I want to reach as many people as possible for the purpose of engaging in a real and genuine connection with listeners. I believe the only way to do this is to create songs openly and honestly, without restrictions. Listeners love authenticity and I want to be right there with them,” said Kelly, a Philadelphia native who has long called the Los Angeles area home.  

 

“Phase II” opens with the snappy, horn powered “That Groove,” anchored by the taut rhythm section consisting of bassist Jerome Randall and drummer Billy “Shoes” Johnson. Trumpeter Michael Stever captains (and arranges) the four-piece horn section alongside Andrew Neu (tenor and alto saxophone), Nick Lane (trombone), and Kelly’s son, Jason Kelly, on soprano sax. Kelly’s piano dances, radiating a joyous spirit.

 

“This funky and catchy song symbolizes the essence of confidence in oneself. In life when our mind, body, and spirit are in sync, there is a confidence we have, a radiant glow that shines through when others are around. People may not know personal situations or circumstances, but they see a glow and excitement they may want in their lives. When we can be free from worry and we focus on those things that make us better, we grow. From growth comes confidence,” explains Kelly.

 

Kelly’s piano remains radiant and ebullient on “SunSeeker,” the first single. A travel-inspired song, it peaked at No. 4 and spent eight months on the chart. 

 

Another invigorating joint, this one recalling his formative years performing in Philly nightclubs, “‘City Night” was the second single to preview “Phase II.” While writing the song, Kelly turned to Philadelphia music legends for inspiration.

 

“‘City Night’ captures the spirit of the Philadelphia nightlife from that period in my life, the time I spent playing in the nightclubs by Penn’s Landing on the Delaware River. Those nights are where I had a chance to feel the excitement of playing in front of crowds of people every night. That’s when I got a chance to feel that energy for the first time, the thrill of being on stage and performing. It was then that I knew I wanted to make music my career. I started looking at old videos of The Spinners, Blue Magic, Delfonics, and other legendary Philly International Records groups. Since I used to play with Blue Magic, it was fun and exciting to think about that time in my life,” recalled Kelly.

 

Incorporating fusion into the mix, “Bring It to Compliance” has a tension, focus, and intensity. Again, the horn section packs a punch to which Kelly adds electric guitar to his piano and keyboards, playing alongside electric guitarists Miles Jenson and Billy “Meech” Chase.

 

“For us to walk in happiness, love, and success, there is work to be done, which is accomplished by becoming compliant to discipline, consistency, ambitious standards, and focus on the goal at hand. Each step we take in life can take us either forward or backward. We must learn from each step and build from it. As we successfully accomplish small steps, we will develop a love for what we do. That love will generate the energy and spirit required to be victorious in life. However, for this to occur we must bring ourselves into compliance with God’s laws that will transform us from the inside out,” said Kelly providing insight.

 

Another tune tinged with fusion, “Feathers In Flight” was inspired by an unforgettable scene in the Academy Award-winning film “American Beauty,” in which a plastic bag was tossed around in the wind. Kelly explains, “The image of a plastic bag blowing in the wind shows precisely the freedom that comes from finding happiness and beauty in the simplest things, regardless of life’s difficulties. We must not get caught up in those things that damage us spiritually but focus on the things that edify our souls. That is how to overcome our difficulties. Our spirits must float and rise above the things that attempt to bring us down.”

 

Bold and daring reflecting the song’s namesake, “Amanirenas” was named after the queen regnant of the Kingdom of Kush known for invading Roman occupied Egypt and negotiating the end of the Roman retaliation. Kelly’s song is offered as a testament to all women, reflecting Queen Amanirenas’s beauty, strength, leadership, and courage.

 

The soothing and placid Africano melodies and rhythms on “I Only Want You” gives way to a mid-tune spoken word rap delivered by Robert Washington along with a vocal caress from Quiahna.

 

“The song ‘I Only Want You’ is about understanding our protection in life is rooted in a love for God. With the world in so much upheaval, unhealthy political actions, violence, and hatred we must turn to God for strength, protection, and guidance. The lyrics written by Robert Washington say it all,” said Kelly about the song spawned from Ephesians 6:10-14, “The Armor of God.”

 

Slated to be the album’s fourth single, released on April 15, “When We Are One” bobs to a hip-hop loop crafted by Kelly that runs through the song about agape love.

 

“‘When We Are One’ explores the endless opportunities when two people are totally connected by agape love for each other. After the initial infatuation period, exploration and discovery period, adaptive period, the commitment phase, we finally experience the acceptance phase, which is the deepest part of any relationship. This is also where the real blessings happen with couples that can endure and embrace this special period in life. Selfless love, characterized by a deep care for another person without any sexual implications, particularly when it is spiritual in nature, can be considered an ideal form of affection,” offered Kelly.

 

Kelly gets deeply personal on the closing composition, an intimate solo piano piece titled “Song For Charlie,” written for his late daughter.

 

“The final song on the album is about reconnecting in the spiritual world with my daughter, Sharlise, who passed away quite a few years ago. The music represents a living being going into the spiritual world to tell her how much she is loved by my wife and myself. I tell her that although there was much pain when she passed away and how the family dynamics changed with her passing, we were made stronger, and she will never be forgotten. ‘Song For Sharlise’ also represents a reconciliation rooted in the acceptance of her death. I think any parent who loses a child thinks about what they could have done differently to prevent something tragic from happening. Finally, the end of the song represents that our entire family will be united again. The synths at the end represent Sharlise going back to her spiritual home and me returning to the physical world. This song focuses on loss, love, hope, healing, reconnection, and reconciliation,” revealed Kelly.

 

Other musicians who contributed to “Phase II” are four-time GRAMMY®-winning percussionist Munyungo Jackson, drummers Tony Moore and Land Richards, and guitarist James Greene.

 

Kelly is a musician, songwriter, producer, arranger, and band leader who has collaborated with a galaxy of luminaries including Stevie Wonder, Neil Diamond, Elton John, Nile Rodgers, Sister Sledge, The Pointer Sisters, and Nathan East. He’s also flourished in the contemporary Christian space, playing with CeCe Winans, Mary Mary, Jeremy Camp, and Israel Houghton. As an actor, Kelly was in the cast of the “Fame” television series. “You’re Not Alone” launched four singles onto the charts, including the title track, "Endangered Species,” “I Know You,” and “I’m Good.” For more information, visit https://www.charlesakelly.com.

 

Kelly’s “Phase II” album contains the following songs:

 

“That Walk”

“SunSeeker”

“City Night”

“Bring It to Compliance”

“Raindrop Under Glass”

“Feathers In Flight”

“Amanirenas”

“I Only Want You”

“When We Are One”

“Song For Sharlise”      

 

Topdog/Underdog at Pasadena Playhouse: A REVIEW

By Darlene Donloe 

It doesn’t do it justice to call Suzan-Lori Parks' Pulitzer Prize-winning play, Topdog/Underdog, a masterpiece. 

While it is a masterpiece, it’s so much more. There is so much to unpack in this commanding two-act play. 

It explores the complexities of brotherly love, family identity, and the struggles of being Black in America. 

TopDog/Underdog, currently playing at the Pasadena Playhouse through March 23, is directed by the inimitable Gregg T. Daniel, who, once again, delivers a creative, effective production that is both engaging and emotional. 

Gregg T. Daniel

The play, told in a dark, dank basement apartment, tells the story of two brothers, Lincoln (Brandon Micheal Hall) and Booth (Brandon Gill), whose father gave them their names as a joke. This foreshadows a lifetime of sibling rivalry and resentment. 

The play, appropriately described as a darkly comic fable that is poetic, gripping, and unforgettable, is about how the brothers are in freefall as they struggle to find their footing as they hustle their way through life. Haunted by the past and their obsession with streets, coins, and cards, the brothers come to learn the true nature of their fate. 

(l-r) Brandon Gill and Brandon Micheal Hall

Daniel, who never wastes the chance to move a story forward, fills the stage with necessary, effectual movements from the two stars, Brandon Micheal Hall and Brandon Gill. They are mesmerizing to watch as they rhythmically deliver Parks’ forever-in-motion lines. Daniel’s give-and-take direction brings intensity when needed before yielding to more comical moments. Daniel's even flow allows Hall and Gill to freely tell the story through various means, including dialogue, their physicality, and distinct subtle, inherited idiosyncrasies. 

Brandon Gill

For instance, Booth’s anxiety-laden body is constantly moving on stage, as if he’s hyped up on something. Lincoln, the elder of the two brothers, is more laid back and controlled in his body.

It’s clear that Booth, who can’t hold down a job, is dealing with some mental issues. He wants desperately to master the slick three-card Monte his brother, Lincoln, used to command – but can’t quite get there.  Lincoln is trying to stay away from his past, while his brother, Booth, wants him to teach him everything so that he can become the king of the three-card Monte hustle. 

Brandon Micheal Hall

Lincoln has his issues. First, his gig is playing Abraham Lincoln at an arcade, which is, admittedly, “a stretch” since he is Black.  He was also dumped by his wife, who either did or didn’t sleep with his brother.  The two brothers laboring to be free in a confined space leads to disharmony between the two. Sometimes, the tension is high, sometimes not high enough given their circumstances. After all, Lincoln is crashing at Booth’s place, which is already too small for one person, let alone two. 

Through the characters' experiences, Parks delves into themes of toxic masculinity, manhood, and violence, offering a powerful commentary on the societal expectations placed on Black men. 

(l-r) Brandon Gill and Brandon Micheal Hall in Topdog/Underdog

The play's use of language is poetic and evocative, with Parks' unique voice shining through in the dialogue. 

The play has received widespread critical acclaim, with many praising its innovative storytelling, complex characters, and thought-provoking themes. 

The original production, directed by George C. Wolfe, starred Don Cheadle and Jeffrey Wright and won several awards, including the 2002 Pulitzer Prize for Drama.

In recent years, Topdog/Underdog has experienced a resurgence in popularity, with several productions and revivals, including a 2022 Broadway revival starring Corey Hawkins and Yahya Abdul-Mateen II, which won the Tony Award for Best Revival of a Play. 

The play's enduring relevance is a testament to Parks' masterful storytelling and her ability to capture the complexities of the human experience. 

The New York Times called Topdog/Underdog “The Greatest American Play of the Past 25 Years." It is a must-see play that will move, test, and stir audiences. 

Its exploration of the human condition, innovative storytelling, and powerful themes make it an authentic tour de force of the American theatre. 

Kudos to the set designer, Tesshi Nakagawa, who created a favorable, dilapidated, squalid, cramped room in a grand proscenium space for the brothers to reside. Kudos also to Angelene ‘Angie’ Storey (assistant scenic designer), Angela Balogh Calin (costume designer), Jared Sayeg (lighting designer), Jeff Gardner (sound designer), Andra Allmond (associate sound designer) with composition by DJ Tru, guitar composition and musical performance coaching by Maritri, movement consultation by Joyce Guy, intimacy and fight coordination by Sasha Nicolle Smith, and casting by RBT Casting (Ryan Bernard Tymensky, CSA).

‘Topdog/Underdog,’ written by Suzan-Lori Parks and directed by Gregg T. Daniel, stars Brandon Gill and Brandon Micheal Hall. 

On the DONLOE SCALE: D (don’t bother), O (oh, no), N (needs work), L (likable), O (oh, yeah), and E (excellent), ‘Topdog/Underdog’ gets an E (excellent). 

Running time: 2 hours/20 min., 15-minute intermission. 

‘Topdog/Underdog,’ Pasadena Playhouse, 39 South El Molino Avenue, Pasadena, 8 p.m., Wednesday and Friday; 7 p.m. Thursday; 2 and 8 p.m. Saturday, and 2 p.m. Sundays; 2 and 7 p.m., Sunday, March 23; through March 23; $40, 626-356-7529, PasadenaPlayhouse.org

 

 

 

 

 

 

'44 The Musical': Filled With Political Humor

By Darlene Donloe

When President Barack Obama was in office, he had a wondrous supporting cast that included his wife, Michelle Obama, his Vice President, Joe Biden, and his Secretary of State, Hillary Clinton.

And then there were those on the periphery who wanted nothing more than to derail his presidency.

People like Mitch McConnell, Herman Cain, Sarah Palin, Lindsay Graham, and Ted Cruz.

That mixed-up menagerie is part of ’44 The Musical,’ currently playing at the Kirk Douglas Theater in Culver City through March 23.

‘44 The Musical’ is a side-splitting, hilarious, and heartwarming satire that tells the story of Obama’s White House years through Joe Biden's hazy recollection. The show immediately grabs the audience with the opening song, M.F.O. (Muthaf*ckin Obama), sung by the company. That song sets the tone for what’s to come.

What comes is a talented cast with fabulous voices, clever dialogue, and streetwise choreography.

In the show, American politics, which of late has become the sad punchline of a horrible joke, is on the chopping block for some good-natured fun.

This is a bold, unapologetic satirical romp that fearlessly tackles issues like racism, sexism, and political corruption with in-your-face humor.

T. J. Wilkins, named in the Top 12 overall as a member of Team Usher on Season 6 of NBC’s ‘The Voice,’ and R&B artist Shanice (‘I Love Your Smile’) lead the cast as Barack and Michelle Obama.  Wilkins and Shanice have incredible chemistry, which helps move the story forward. Whether they perform solo or as a duo, combining Wilkins’ and Shanice’s powerful voices results in fireworks. 

The supporting cast is exceptional, with standout performances from Summer Nicole Greer, whose soulful vocals nearly blow the roof off, Chad Doreck as Joe Biden, Larry Cedar as Mitch McConnell, and Jenna Pastuszek as Hillary Clinton.

The music is catchy and memorable, mixing pop, R&B, and rock influences. The witty and insightful lyrics offer a clever commentary on the politics of the time.

‘44 The Musical,’ which had its premiere at the Bourbon Room in Hollywood in 2022, is written, composed, and directed by Eli Bauman (NBC’s ‘Maya & Marty’), a former Obama campaign organizer.

Bauman and Monica Saunders-Weinberg produce the show, which stars T.J. Wilkins as Barack Obama, Shanice as Michelle Obama, Chad Doreck as Joe Biden with Larry Cedar as Mitch McConnell, Marquell Edward Clayton as Brother Abe Lincoln, Summer Nicole Greer as Voice of the People, Jane Papageorge as Sarah Palin, Jenna Pastuszek as Hillary Clinton, Dino Shorte as Herman Cain, Jeff Sumner as Lindsay Graham, and Michael Uribes as Ted Cruz. Celeste Butler, Ally Dixon, and Scott Kruse are understudies.

The show features legendary L.A. band House of Vibe as ‘The Andrew Jackson Five’ with Anthony ‘Brew’ Brewster as musical director and keyboards, along with Conrad Bauer (guitar), Corey Cofield (bass), Phillip ‘Fish’ Fisher (drums), Greg Raymond (keyboards). The band is so tight it’s like an additional character in the show.

Miss James Aslop handles the show’s hip-hop-infused choreography. Julio Himede and Nicola Filler designed the production, Jonathan Burke designed the sound, Conrad Bauer is the digital content producer, Jud Nester is the content producer, and Mike Emerson is the graphic designer.

On the DONLOE SCALE: D (don’t bother), O (oh, no), N (needs work), L (likable), O (oh, yeah), and E (excellent), ’44 The Musical’ gets an E (excellent).

’44 The Musical,’ Kirk Douglas Theatre, 9820 Washington Blvd., Culver City, through March 23, 2025, $44, www/centertheatregroup.com

Impact Network To Deliver First Original Scripted Series, 'Highly Favored'

 

Impact Network, the 100% Black-founded and operated independent multi-platform media company and the premier home for Black family entertainment has set the cast for its first original scripted series, “Highly Favored. " Impact Network Founder and CEO Wayne T. Jackson and Executive Vice President Royal W. Jackson announced this today.

KiKi Shepard

Michael Colyar

“Highly Favored” also marks Impact Network’s first series partnership with groundbreaking veteran executive producer and showrunner Bentley Kyle Evans (“Martin,” “In the Cut,” “The Jamie Foxx Show”). Evans serves as executive producer, showrunner, and director, and his LA-based Harvest Studios produces the six-episode comedy series with executive producer Trenten W. Gumbs. The premiere date will be announced in the future.

Bentley Kyle Evans

Starring in the half-hour, multi-camera workplace comedy series are actor, comedian and author Michael Colyar (“Blackish,” “House Party III,” “The Princess & The Frog,” “Martin”), actress KiKi Shepard (“It’s Showtime at the Apollo,” “Miss Evers Boys,” “Mind Your Business,” “Grey's Anatomy”), actor Anthony S. Goolsby (“Will Trent,” “42”), actor Chico Benymon (“Half & Half,” “Ali,” “The Haunted Hathaways”), comedian and actor Rodney Perry (“Coming to America 2,” “Johnson Family Vacation”), and comedian and actress Melanie Comarcho (“Phat Tuesdays,” Snoop Dog’s “F*CN Around”). Colyar and Shepard also serve as producers.

Melanie Comarcho

"With ‘Highly Favored,’ we are ushering in a new era of original storytelling at Impact Network. This series represents our commitment to creating impactful, positive narratives that connect with our audiences meaningfully,” commented Bishop Wayne T. Jackson, CEO & Founder of Impact Network.

Anthony S. Goolsby

“We are proud to present a series that entertains and uplifts, inspiring audiences with stories that feel real, relevant, and true to who we are. The cast of ‘Highly Favored’ has embodied this vision, bringing these characters to life with performances that deeply resonate.” said Royal Jackson, Executive Vice President of Impact Network and series co-executive producer. 

Chico Benymon

“A great cast is the secret ingredient for any series. Michael, KiKi, Anthony, Chico, Rodney, and Melanie are consummate professionals with excellent comedic timing. I can’t wait for viewers to see this amazing ensemble,” said Bentley Kyle Evans, executive producer and showrunner.

Rodney Perry

Rooted in humor, family, community, and a touch of the absurd, “Highly Favored” explores the clash between tradition and modernity through the point of view of the charismatic yet old-fashioned Pastor Michael Crawley (Michael Colyar).

Pastor Crawley faces the challenges of modernizing his Inglewood, CA-based church to keep up with the times while dealing with a quirky cast of characters and an outrageous but well-meaning family. He is a dynamic and charismatic Vietnam veteran turned old-school preacher, famous for his televised sermons. Despite being bombarded with technology and social media in all areas of his life, Crawley clings to traditional values and methods, still preferring pen and paper over a computer or texting from his phone. His relationship with Lavesta is the cornerstone of his life; he loves her unconditionally and goes to great lengths to keep her happy. With his sons Demarcus and MJ, Pastor navigates Demarcus’ ambition to be a pastor while dealing with MJ living at home with his daughter Brianna. Deacon Jones is the loyal best friend and sometimes bodyguard to Paster Crawley. Their friendship was solidified when they served in Vietnam together. Sister Sarah, one of the elders, is deeply entrenched in the tapestry of the church, playing a crucial role in maintaining order, fostering connections, and having the latest gossip.

First Lady Lavesta Crawley (Shepard) is the force behind Pastor Crawley and his pulpit. She is his ride-or-die, genuinely supportive of her husband, providing him unwavering love and encouragement. Levesta can be overbearing as a mother, but behind her glamorous exterior hides a woman fiercely dedicated to her family and her role as the esteemed First Lady.

Son Demarcus Crawley (Anthony S. Goolsby) is the holier-than-thou assistant pastor and the eldest son with ambitions to succeed his father as Pastor. But not if Crawley has any say in it.

Michael “MJ” Crawley, Jr. (Chico Benymon), is the younger prodigal son. A talented music producer who failed to hit the big time, MJ finds himself back under his parents’ roof, along with his daughter Brianna (Kali Rose Lewis), and at the organ accompanying the church choir.

Deacon Jones (Rodney Perry) met Pastor Crawley while serving in Vietnam. That bond solidified their friendship for life. At the church, Deacon is the pastor’s confidante, providing unwavering support and, at times, much-needed humor.

Sister Sarah (Melanie Comarcho) is a faithful church member who often goes toe-to-toe with the First Lady. She is also Lavesta’s best friend, loyalty personified, and loves the Crawleys as the family she never had.

An actor, comedian, motivational speaker, and author, Michael Colyar has been captivating audiences for almost five decades. His career as an entertainer began at Venice Beach, where he performed his comedy routine every weekend, 5 shows a day, for nine years straight, earning him the title the “King of Venice Beach.” He later went on to be a “Star Search” winner, donating 50% of his $100K prize to the homeless. Colyar is best known for his roles in “Blackish,” “House Party III,” “Norbit,” “The Princess & the Frog,” and his role as Mr. Whitaker on the hit, fan-favorite series, “Martin.” “Martin” is also where Colyar and executive producer Bentley Kyle Evans first worked together. Colyar still packs comedy clubs around the country each weekend. Additionally, he has his own weekly YouTube series - The Michael Colyar Morning Show.

KiKi Shepard is a veteran of stage, television, and film. A well-known dancer/choreographer, she lit up Broadway’s stages for over 10 years. Then, for her next act, she graced the stage of the legendary Apollo Theater as the co-host of NBC’s original “It’s Showtime at the Apollo” with hosts Steve Harvey, Mark Curry, Sinbad, and Rudy Rush for 15 years. Throughout her career, Shepard has appeared in various feature films, television shows, and videos, and her voice has been featured in cartoons and voiceovers. She is the Founder/Executive Director of the KIS Foundation, Inc., and has been a major advocate for raising awareness and promoting education of Sickle Cell Disease (SCD) for 20 years. She recently appeared on “Grey’s Anatomy” as a corporate executive who helped a SCD patient obtain the newly funded gene therapy protocol…a major victory in education/social impact through her beloved entertainment industry.

Anthony S. Goolsby is a dynamic actor known for his compelling television, film, and theater performances. His credits feature hit series, including “She-Hulk” on Disney+, ABC’s “Will Trent,” “The Winchesters” on the CW, and “Leverage: Redemption” on Prime Video. His versatility has also earned him spots on BET’s “First Wives Club,” “Legacies” and “Johnson.” Beyond television, Goolsby’s film roles include “42” and “Christmas in the Pines.” He has also become a recognizable presence in commercials for Capital One, Amazon, and Geico.

An actor, singer, musician, and three-time NAACP Image Award-nominee, Chico Benymon is best known for playing Spencer, the best friend on the hit comedy series “Half & Half.” He also appeared on “Moesha,” “Ali,” and the series “The Haunted Hathaways.” Before he started acting, he was a singer in a group called Trā-Knox, which was a protege of Will Smith’s and was signed to his label. The group appeared on the “Wild, Wild, West” and “Men in Black II” soundtracks.

Rodney Perry is a stand-up comedy veteran who, in his early days, opened for George Lopez, Steve Harvey, and Cedric the Entertainer, to name a few. His comedy fame propelled him to TV, where he hosted comedy shows like “Who’s Got Jokes” and appeared in Tyler Perry’s “Madea’s Big Happy Family.” He most recently appeared in “Coming to America 2.”

Born in Chicago, raised in Inglewood, CA, and is an Army veteran, Melanie Comarcho is one of the most sought-after comics in the country. She has toured with Martin Lawrence, Katt Williams, and Chris Tucker. She was the first stand-up comic that Chris Rock featured on his late-night talk show. Comarcho has made numerous appearances in comedy shows, including the iconic Def Comedy Jam series on HBO early in her career and, more recently, in the Amazon Original documentary series “Phat Tuesdays.” She most recently appeared in the Amazon Original documentary series “Phat Tuesdays," Snoop Dog's "F*CN Around" comedy special on Netflix, and is currently opening for Katt Williams on his "Heaven on Earth" tour.

With its rollout of new original programming and community initiatives and the recent launch of its Impact Gospel FAST channel, available on Allen Media Group’s Local Now and Mansa, among others, Impact Network is offering engaging, quality programming and experiences that enrich and entertain the Black family and community audiences across all generations and platforms.

About Impact Network

Impact Network is the premier home for Black family entertainment and is dedicated to offering the highest quality lifestyle programming, including movies, scripted and non-scripted series, and specials. Impact is a 100% Black-founded and operated multi-platform media company driven by family values and community. Established in 2010 by community leaders, entrepreneurs, and philanthropists Bishop Wayne T. Jackson and Dr. Beverly Y. Jackson, the company is defined by its legacy and mission to inform, empower, educate, and serve to positively impact the Black community. Based in Detroit, MI, the Impact Network is distributed in over 70% of US homes, broadcasting via cable and satellite systems across the United States on Comcast-Xfinity, Frontier, Cox, Time Warner, Spectrum, Charter, Spectrum, ATT-U-Verse, Verizon, Fios, Altice, DirecTV, DISH and expanding digitally. Impact Gospel is a FAST channel experience focusing primarily on gospel lifestyle entertainment and is currently available on Allen Media Group’s Local Now and Mansa. For more information, visit watchimpact.com and follow Impact at @watchimpactofficial.

About Harvest Studios

Harvest Studios, led by Bentley Kyle Evans and Trenten W. Gumbs, has been a powerhouse in comedy production for over 12 years. Known for bringing hundreds of sitcom episodes to a range of networks—including TV One, Bounce TV, ALLBLK, and the Impact Network—Harvest Studios has played a pivotal role in elevating Black talent and stories in Hollywood.

Evans, a seasoned showrunner with credits like the iconic "Martin" series (starring Martin Lawrence), co-founded Harvest Studios with Gumbs to create groundbreaking urban comedies. Their first major series, "Love That Girl" (featuring Tatyana Ali), aired 67 episodes on TV One. In 2012, Harvest expanded its influence by partnering with Bounce TV to produce two new popular sitcoms, "Family Time" (91 episodes) and "In The Cut" (87 episodes).

Harvest Studios has continued to innovate, joining forces with hip-hop legend MC Lyte to co-create *Partners N’ Rhyme*, a pilot acquired by the rebranded ALLBLK streaming service. With Evans as director, the series showcases Harvest Studios' dedication to amplifying Black voices and creating successful, culturally impactful television. Harvest Studios recently partnered with Impact Network to produce *Highly Favored*, marking Impact Network’s first venture into original series production. This collaboration highlights Harvest Studios' ongoing commitment to bringing fresh, dynamic content to diverse audiences, further solidifying its role as a leader in producing culturally significant television.

Arthur Thompson Drops Single, 'I'm Free'

R&B/Jazz vocalist-drummer Arthur Thompson continues his commitment to spreading joy through music and paying it forward by releasing his new single, “I’m Free.” Released on Valentine’s Day, the invigorating track that began collecting playlist ads on Monday (February 17) serves up an affirmational message of self-love and being unapologetically you. Thompson co-wrote the song that he produced with two-time GRAMMY® winner Jon Gilutin. 

“I’m Free” is the fourth single from Thompson’s forthcoming debut album, “Arthurized Volume 1,” which is slated to arrive this summer. Each one of his singles – “Smile,” “We Can BEAT Cancer,” “Oasis,” and now “I’m Free” - has provided a positive, optimistic message with a purpose.

Written by Thompson, Fred Smith, and Jaconell Mouton, “I’m Free” is primarily a sunny instrumental groove riding a rhythm etched by Thompson’s drums and percussion and Kamaal Malak’s bass. Tenor saxophonist Tom Braxton dispenses lyrical leads amidst motivational melodies crafted by Gilutin’s piano and keyboards, David John’s guitar and happy horn section parts played by the Monkey Fist Horns comprised of Rod Clark (trombone), Dave Johnson (trumpet), and Victor Anderson (saxophone). Thompson croons the choruses with glee in the company of backing vocalist Erin Stevenson.

“I had been going through some personal things that had me depressed and second guessing myself. Through meditation and prayer, I began to break through, and in doing that I was able to see myself, understand my worth and believe that all things are possible if you believe in yourself. ‘I’m Free’ is a self-awareness, feelgood song. It’s about learning to be happy with yourself, learning to walk in your own shoes, being unapologetic about who you are, and the things that you have overcome,” said Thompson, a Tulsa, Oklahoma native who is based in Nashville.

Last year, Thompson reimagined the uplifting “Oasis,” which was a number-one hit for Roberta Flack. A single released to benefit and raise money for Breast Cancer Awareness Month, “We Can BEAT Cancer,” featured 9-time GRAMMY® nominated saxophonist Dave Koz and Stevenson. Thompson’s second single spent four months on the national chart. His 2023 debut single, “Smile,” featured saxophonist Mindi Abair with whom Thompson regularly tours. The success of the latter two singles led to Thompson being named Breakout Artist of the Year by BEATS Magazine.

Thompson is an in-demand drummer who tours and performs with contemporary jazz luminaries. He’s a mission-based musician who advocates for multiple causes, from mental health awareness to creating educational programs and nonprofit organizations – Where Are You Now, Music & Math; Build a Life, Save A Life Foundation; and Drums Speak - designed to serve children and at-risk youth.

While Thompson continues to assemble the material for “Arthurized Volume 1,” he hopes to empower listeners with the message in “I’m Free.”

“I hope this song makes you feel good and inspires you to believe in yourself and walk proud.”

For more information, please visit https://arthurthompsondrums.com.