Friday, January 15, 2016

Benghazi Drama '13 Hours' Is Right On Time


By Darlene Donloe

Michael Bay’s 13 Hours:  The Secret Soldiers of Benghazi, opening in theaters nationwide today, is one of those films that stays with you long after you’ve left the theater.

It’s emotional, gut-wrenching, engaging, terrifying and gripping. The fact that it’s also a true story makes it all the more intense.

And since Michael Bay is involved – you know he’s going to bring the noise!!!

The story of what actually happened in Benghazi stopped America in its tracks. How could something like this happen? Why did it happen? What went wrong?

The story and moment-by-moment intensity is so in-your-face – it’s palpable. Michael Bay’s direction is so on point, it feels like you’re right there.

Everyone knows the story. But no one knew what happened from an insider’s point of view.

13 Hours, based on Mitchell Zuckoff and members of the Annex Security Team’s nonfiction book 13 Hours, chronicles the true story of six elite ex-military operators assigned to protect the CIA, who fought back against overwhelming odds when terrorists attacked a U.S. diplomatic compound on September 11, 2012. 

Yes, September 11!!!!

John Krasinski is Jack Silva in 13 Hours: The Secret Soldiers of Benghazi


The tagline for the film reads: When everything went wrong, six men had the courage to do what was right.

If the movie is an accurate description and depiction, that tagline says it all.

Here is a quick synopsis.

On the eve of September 11, 2012, the eleventh anniversary of the September 11, a group of Islamist militants stormed the American diplomatic compound and a nearby CIA annex in Benghazi, Libya.  The ambassador, J. Christopher Stevens, who had just arrived in May 2012, died of smoke inhalation. Stevens was the first U.S. ambassador to die in office since the 1988 airplane crash in Pakistan that killed Arnold Lewis Raphel. Stevens was the eighth U.S. Ambassador to be killed in the line of duty.

A Special Operations team made up of former U.S. Navy SEALs and CIA Operatives are sent in to defend the remaining Americans who are still alive.

What happens next is nothing short of miraculous and heroic.

As a number of militants attack the American compound, a handful of Americans fight back – holding them off until reinforcements arrive.

Some are maimed. Some are killed. And even when it looks like all hope is lost, the remaining soldiers continue to fight.  The carnage of war is front and center. Some of the turmoil is too graphic to comment.

Bay (Transformers) has created a masterful cinematic chaos.  He puts you right in the thick of the ambush.

To his credit, he has also assembled one helluva cast for this drama, all turn in stirring and convincing performances.


Standouts include John Krasinski whose character, Jack Silva, has put his family life on hold to go to work in Benghazi.  A patriot, he wears his loyalty, brotherhood and camaraderie on his sleeve as does Tyrone ‘Rone Woods, played by James Badge Dale.  Both play former Navy SEALS who are paid $150K a year by the CIA's Global Response Staff to protect U.S. intelligence operatives and diplomats in an unsecured Benghazi compound.

The rest of the cast is equally convincing and committed.

A saving grace for Hillary Clinton – the movie is coming out now instead of closer to November. By then, it may be forgotten. Well, maybe not. Donald Trump is sure to bring up the debacle of Benghazi under Clinton’s watch as Secretary of State. Still, her name is never mentioned in the film.

This is a compelling movie. Not sure how accurate it is. I’m sure some creative license was taken.

All that being said, watching 13 Hours: The Secret Soldiers of Benghazi makes you proud to be an American!!!!

13 Hours: The Secret Soldiers of Benghazi, directed by Michael Bay, stars James Badge Dale, John Krasinski, Max Martini, Pablo Schreiber, Toby Stephens, Dominic Fumusa, Matt Letscher , David Denman, David Costabile, David Giuntoli, Demetrius Gross and Alexia Barlier.

Running time: 2 hrs, 17 min.  Rated R: for strong combat violence throughout, bloody images, and language.


On the DONLOE SCALE: D (don’t bother), O (oh, no), N (needs work), L (likeable), O (oh, yeah) and E (excellent), 13 Hours: The Secret Soldiers of Benghazi gets an E (excellent).

Thursday, January 14, 2016

Audience Is Taken For A 'Ride Along 2'



By Darlene Donloe

Ride Along 2, in theaters Friday, Jan. 15, is cinematic proof that not every movie should have a sequel.

Unlike Ride Along, the successful 2014 original film starring Ice Cube and Kevin Hart, the latest installment of the franchise falls flat – mostly because of a convoluted, tortuous story that makes the film drag.  Couple that with some plotline holes and suspect acting – and it makes for a long 102 minutes.

This buddy cop movie, opening Martin Luther King Jr. weekend like it’s predecessor, has rookie cop Ben Barber (Kevin Hart) venturing off to Miami to work on a case with his future brother-in-law, Detective James Payton, played straight by Ice Cube. Barber is making the trip even though he is set to marry Payton’s sister in a week.

Payton takes Barber with him to Miami, hoping, once again, that he will fall on his face and realize he was not meant to be a cop.  Really? It didn’t work in the first movie – why does he think it will happen this time? 

Kevin Hart and Ice Cube star in Ride Along 2

The case involves a computer hacker played by Ken Jeong, and a drug ring helmed by an unscrupulous businessman and crime lord named Antonio Pope (Benjamin Bratt).

It all becomes to big for the brothers-in-law to handle, so a sexy Miami-based female homicide detective named Maya, played unconvincingly by Olivia Munn, partners with Payton and Barber to crack the case.

Part of the problem with the movie is the improbability of several scenarios. One of them is the notion that a police chief would allow a rookie cop, barely a month on the job, to accompany a seasoned detective on a dangerous drug case in another state.  Another is that a drug lord would be so inept as to allow someone like Barber to bring him down.  Ok, for the sake of this review, forget about El Chapo (Joaquin Guzman) who allowed a Hollywood actor to essentially bring him down.

The film suffers from originality. Several of the scenes are rehashed from films like Ocean’s Eleven, Bad Boys, Beverly Hills Cop and every other buddy cop movie. Come on!!!

How is it that all female detectives in movies are gorgeous and badass? In this case Munn is sorely miscast.  Compared to Hart’s frenetic display, Jeong’s performance as A.J., a computer nerd is actually toned down. Bratt’s performance is subdued and controlled.  Sherri Shepherd brings some comic relief as a wedding coordinator.

There is no mistaking that Cube and Hart have chemistry. They work well together. Cube’s straight man to Hart’s over-the-top, high-energy comic schtick, could work if only they had a worthy and funny script.

While there are a couple of laughs, the reality is that director Tim Story’s Ride Along 2 suffers across the board.  It just never revs up!

(l-r) Ice Cube, Olivia Munn and Kevin Hart in Ride Along 2


Ride Along 2, directed by Tim Story, stars Ice Cube, Kevin Hart, Olivia Munn, Tika Sumpter, Ken Jeong, Benjamin Bratt, Sherri Shepherd, Tyrese Gibson, Glen Powell, Bruce McGill and Yolanda Adams.

Ride Along 2 - Running time: 102 minutes. Rated PG-13 (profanity, violence, sexual content, drug material).


On the DONLOE SCALE: D (don’t bother), O (oh, no), N (needs work), L (likeable), O (oh, yeah) and E (excellent), Ride Along 2 gets an N (needs work).

88th Academy Awards Nominations Announced


Academy President Cheryl Boone Isaacs, Guillermo del Toro, John Krasinski and Ang Lee announced the 88th Academy Awards® nominations today (January 14).

Del Toro and Lee announced the nominees in 11 categories at 5:30 a.m. PT, followed by Boone Isaacs and Krasinski for the remaining 13 categories at 5:38 a.m. PT, at the live news conference attended by more than 400 international media representatives. For a complete list of nominees, visit the official Oscars® website, www.oscar.com.

Academy members from each of the 17 branches vote to determine the nominees in their respective categories – actors nominate actors, film editors nominate film editors, etc. In the Animated Feature Film and Foreign Language Film categories, nominees are selected by a vote of multi-branch screening committees. All voting members are eligible to select the Best Picture nominees.

Active members of the Academy are eligible to vote for the winners in all 24 categories.

The 88th Oscars will be held on Sunday, Feb. 28, 2016, at the Dolby Theatre® at Hollywood & Highland Center® in Hollywood, and will be televised live by the ABC Television Network at 7 p.m. ET/4 p.m. PT. The Oscar® presentation also will be televised live in more than 225 countries and territories worldwide.

Nominations for the 88th Academy Awards

Performance by an actor in a leading role
  • Bryan Cranston in “Trumbo”
  • Matt Damon in “The Martian”
  • Leonardo DiCaprio in “The Revenant”
  • Michael Fassbender in “Steve Jobs”
  • Eddie Redmayne in “The Danish Girl”

Performance by an actor in a supporting role
  • Christian Bale in “The Big Short”
  • Tom Hardy in “The Revenant”
  • Mark Ruffalo in “Spotlight”
  • Mark Rylance in “Bridge of Spies”
  • Sylvester Stallone in “Creed”

Performance by an actress in a leading role
  • Cate Blanchett in “Carol”
  • Brie Larson in “Room”
  • Jennifer Lawrence in “Joy”
  • Charlotte Rampling in “45 Years”
  • Saoirse Ronan in “Brooklyn”

Performance by an actress in a supporting role
  • Jennifer Jason Leigh in “The Hateful Eight”
  • Rooney Mara in “Carol”
  • Rachel McAdams in “Spotlight”
  • Alicia Vikander in “The Danish Girl”
  • Kate Winslet in “Steve Jobs”

Best animated feature film of the year
  • “Anomalisa” Charlie Kaufman, Duke Johnson and Rosa Tran
  • “Boy and the World” Alê Abreu
  • “Inside Out” Pete Docter and Jonas Rivera
  • “Shaun the Sheep Movie” Mark Burton and Richard Starzak
  • “When Marnie Was There” Hiromasa Yonebayashi and Yoshiaki Nishimura

Achievement in cinematography
  • “Carol” Ed Lachman
  • “The Hateful Eight” Robert Richardson
  • “Mad Max: Fury Road” John Seale
  • “The Revenant” Emmanuel Lubezki
  • “Sicario” Roger Deakins

Achievement in costume design
  • “Carol” Sandy Powell
  • “Cinderella” Sandy Powell
  • “The Danish Girl” Paco Delgado
  • “Mad Max: Fury Road” Jenny Beavan
  • “The Revenant” Jacqueline West

Achievement in directing
  • “The Big Short” Adam McKay
  • “Mad Max: Fury Road” George Miller
  • “The Revenant” Alejandro G. Iñárritu
  • “Room” Lenny Abrahamson
  • “Spotlight” Tom McCarthy

Best documentary feature
  • “Amy” Asif Kapadia and James Gay-Rees
  • “Cartel Land” Matthew Heineman and Tom Yellin
  • “The Look of Silence” Joshua Oppenheimer and Signe Byrge Sørensen
  • “What Happened, Miss Simone?” Liz Garbus, Amy Hobby and Justin Wilkes
  • “Winter on Fire: Ukraine’s Fight for Freedom” Evgeny Afineevsky and Den Tolmor

Best documentary short subject
  • “Body Team 12” David Darg and Bryn Mooser
  • “Chau, beyond the Lines” Courtney Marsh and Jerry Franck
  • “Claude Lanzmann: Spectres of the Shoah” Adam Benzine
  • “A Girl in the River: The Price of Forgiveness” Sharmeen Obaid-Chinoy
  • “Last Day of Freedom” Dee Hibbert-Jones and Nomi Talisman

Achievement in film editing
  • “The Big Short” Hank Corwin
  • “Mad Max: Fury Road” Margaret Sixel
  • “The Revenant” Stephen Mirrione
  • “Spotlight” Tom McArdle
  • “Star Wars: The Force Awakens” Maryann Brandon and Mary Jo Markey

Best foreign language film of the year
  • “Embrace of the Serpent” Colombia
  • “Mustang” France
  • “Son of Saul” Hungary
  • “Theeb” Jordan
  • “A War” Denmark

Achievement in makeup and hairstyling
  • “Mad Max: Fury Road” Lesley Vanderwalt, Elka Wardega and Damian Martin
  • “The 100-Year-Old Man Who Climbed out the Window and Disappeared” Love Larson and Eva von Bahr
  • “The Revenant” Siân Grigg, Duncan Jarman and Robert Pandini

Achievement in music written for motion pictures (Original score)
  • “Bridge of Spies” Thomas Newman
  • “Carol” Carter Burwell
  • “The Hateful Eight” Ennio Morricone
  • “Sicario” Jóhann Jóhannsson
  • “Star Wars: The Force Awakens” John Williams

Achievement in music written for motion pictures (Original song)
  • “Earned It” from “Fifty Shades of Grey”
    Music and Lyric by Abel Tesfaye, Ahmad Balshe, Jason Daheala Quenneville and Stephan Moccio
  • “Manta Ray” from “Racing Extinction”
    Music by J. Ralph and Lyric by Antony Hegarty
  • “Simple Song #3” from “Youth”
    Music and Lyric by David Lang
  • “Til It Happens To You” from “The Hunting Ground”
    Music and Lyric by Diane Warren and Lady Gaga
  • “Writing’s On The Wall” from “Spectre”
    Music and Lyric by Jimmy Napes and Sam Smith

Best motion picture of the year
  • “The Big Short” Brad Pitt, Dede Gardner and Jeremy Kleiner, Producers
  • “Bridge of Spies” Steven Spielberg, Marc Platt and Kristie Macosko Krieger, Producers
  • “Brooklyn” Finola Dwyer and Amanda Posey, Producers
  • “Mad Max: Fury Road” Doug Mitchell and George Miller, Producers
  • “The Martian” Simon Kinberg, Ridley Scott, Michael Schaefer and Mark Huffam, Producers
  • “The Revenant” Arnon Milchan, Steve Golin, Alejandro G. Iñárritu, Mary Parent and Keith Redmon, Producers
  • “Room” Ed Guiney, Producer
  • “Spotlight” Michael Sugar, Steve Golin, Nicole Rocklin and Blye Pagon Faust, Producers

Achievement in production design
  • “Bridge of Spies” Production Design: Adam Stockhausen; Set Decoration: Rena DeAngelo and Bernhard Henrich
  • “The Danish Girl” Production Design: Eve Stewart; Set Decoration: Michael Standish
  • “Mad Max: Fury Road” Production Design: Colin Gibson; Set Decoration: Lisa Thompson
  • “The Martian” Production Design: Arthur Max; Set Decoration: Celia Bobak
  • “The Revenant” Production Design: Jack Fisk; Set Decoration: Hamish Purdy

Best animated short film
  • “Bear Story” Gabriel Osorio and Pato Escala
  • “Prologue” Richard Williams and Imogen Sutton
  • “Sanjay’s Super Team” Sanjay Patel and Nicole Grindle
  • “We Can’t Live without Cosmos” Konstantin Bronzit
  • “World of Tomorrow” Don Hertzfeldt

Best live action short film
  • “Ave Maria” Basil Khalil and Eric Dupont
  • “Day One” Henry Hughes
  • “Everything Will Be Okay (Alles Wird Gut)” Patrick Vollrath
  • “Shok” Jamie Donoughue
  • “Stutterer” Benjamin Cleary and Serena Armitage

Achievement in sound editing
  • “Mad Max: Fury Road” Mark Mangini and David White
  • “The Martian” Oliver Tarney
  • “The Revenant” Martin Hernandez and Lon Bender
  • “Sicario” Alan Robert Murray
  • “Star Wars: The Force Awakens” Matthew Wood and David Acord

Achievement in sound mixing
  • “Bridge of Spies” Andy Nelson, Gary Rydstrom and Drew Kunin
  • “Mad Max: Fury Road” Chris Jenkins, Gregg Rudloff and Ben Osmo
  • “The Martian” Paul Massey, Mark Taylor and Mac Ruth
  • “The Revenant” Jon Taylor, Frank A. Montaño, Randy Thom and Chris Duesterdiek
  • “Star Wars: The Force Awakens” Andy Nelson, Christopher Scarabosio and Stuart Wilson

Achievement in visual effects
  • “Ex Machina” Andrew Whitehurst, Paul Norris, Mark Ardington and Sara Bennett
  • “Mad Max: Fury Road” Andrew Jackson, Tom Wood, Dan Oliver and Andy Williams
  • “The Martian” Richard Stammers, Anders Langlands, Chris Lawrence and Steven Warner
  • “The Revenant” Rich McBride, Matthew Shumway, Jason Smith and Cameron Waldbauer
  • “Star Wars: The Force Awakens” Roger Guyett, Patrick Tubach, Neal Scanlan and Chris Corbould

Adapted screenplay
  • “The Big Short” Screenplay by Charles Randolph and Adam McKay
  • “Brooklyn” Screenplay by Nick Hornby
  • “Carol” Screenplay by Phyllis Nagy
  • “The Martian” Screenplay by Drew Goddard
  • “Room” Screenplay by Emma Donoghue

Original screenplay
  • “Bridge of Spies” Written by Matt Charman and Ethan Coen & Joel Coen
  • “Ex Machina” Written by Alex Garland
  • “Inside Out” Screenplay by Pete Docter, Meg LeFauve, Josh Cooley; Original story by Pete Docter, Ronnie del Carmen
  • “Spotlight” Written by Josh Singer & Tom McCarthy
  • “Straight Outta Compton” Screenplay by Jonathan Herman and Andrea Berloff; Story by S. Leigh Savidge & Alan Wenkus and Andrea Berloff

Wednesday, January 13, 2016

Shannon Bryant's New CD Shines A 'Light"



SAN FRANCISCO (13 January 2016): Shannon Bryant found a different way to put her philosophy degree to good use. Accompanying the singer-songwriter’s effervescent melodies and honeyed harmonies are philosophical ruminations on love, connection and intimacy that, like life itself, offer a balance of sunny optimism and hope along with inevitable bouts of pained heartbreak and disillusionment. The soprano songbird wrote and produced her third adult contemporary-acoustic rock album, “Light,” which will be released February 26 by Belle Estrela Music and serviced to NPR, CMJ, Triple A and college radio stations and specialty shows for airplay. Multiple GRAMMY® winner Joe Chiccarelli (Jason Mraz, Alanis Morissette, U2, Elton John, Frank Zappa) mixed the ten-track set.            

Bryant opens her thought-provoking songbook on “Light” with the poetic piano-led beauty “Kind of Girl” on which she confesses analytically “I’m the kind of girl who sees meaning in everything” before detaching from the heartache by professing to see life like a play and deftly shifting the focus to life’s journey. Unafraid to display vulnerability, the mid-tempo lullaby “11th Hour” professes love through an enduring pledge with an honest slice-of-life acknowledgment of frustration and disappointment. Her gracefully soaring voice seems to skip with the glee of new found love on the celebratory “Wide Open.” As if ripped from the headlines, “Light” poses probing questions in the face of gun and domestic violence on the track rife with tension that hints at finding safety and security in the spiritual. Penned for her late mother, “Milk & Honey” is a gentle guitar-strummed singalong. Instead of aimless searching and fruitless pursuits that ultimately fail to provide lasting happiness, “Gold” points the search for joy inward. The disc’s lone cover is a haunting, atmospheric reading of Peter Gabriel’s “In Your Eyes,” which suits Bryant’s angelic and expressive voice divinely. Revealing her affection for Brazilian jazz, she sublimely charters a sultry rhythm taking a sensual departure on the elegant “Make Me Believe It’s Love.” Revisiting an earlier tune that was used on the PBS series “Roadtrip Nation,” the rousing anthem “Open Your Eyes” advocates being present and making good choices along with an affirmation of loyalty. The entire set features live strings, but perhaps they pack the most potency on “11th Hour Reprise,” a stunningly, aching stripped down version that closes the record poignantly.                           

“My intention for the album was to be honest and intimate, and inspire human connection, love and beauty. My goal for ‘Light’ and my music in general, is to heal the world from the inside out - to help illuminate our inner strength and light,” said Bryant, a Canadian transplant from London, Ontario who will soon announce concert dates to support the album release in her adopted hometown of San Francisco.  

Bryant decided to pursue a career in music during a soul-searching backpacking trip in Dublin, Ireland where she landed a six-month stint performing in a piano bar. Upon her return to Canada, she continued honing her chops by joining a popular local band. Her self-titled solo debut disc was released in 2004 followed by 2007’s “Oceano,” the sophomore set that garnered national airplay throughout Canada as well as television placement for the single “Open Your Eyes.” Among her many prominent concert and festival performances in Ontario and the Bay Area is sharing the stage with legend Carlos Santana at a NARAS salute to the Grateful Dead’s Mickey Hart.  

The songs contained on Bryant’s “Light” album are:

“Kind Of Girl”
“11th Hour”
“Wide Open”
“Light”
“Milk & Honey”
“Gold”
“In Your Eyes”
“Make Me Believe It’s Love”
“Open Your Eyes”
“11th Hour Reprise”


For more information, please visit www.ShannonBryant.com.

Tuesday, January 12, 2016

CTG Selects 12 Students For Monologue Finals


L-R: Joey Aquino, Samuel Christian, Damaris Vizvett, Aryana Williams, Angel Nieves, Blake Brewer, Marjorie McNary, Mylan Johnson, Madison Gallus, Max Toubes, Rhenzy Feliz and Arcadia Eckmayer at the CTG August Wilson Monologue Competition Finalist Awards Luncheon on January 10, 2016, in Palos Verdes, California.  Photo by Ryan Miller/Capture Imaging

National Competition to Take Place May 2 in New York

Center Theatre Group has selected 12 local students to participate in the regional finals for the 2016 August Wilson Monologue Competition (AWMC) to be held at the CTG/Mark Taper Forum on Monday, February 29, 2016.

CTG will host the Southern California component of the national monologue competition for the fifth consecutive year. Using monologues from August Wilson’s “Century Cycle,” a 10-play dramatization of the African-American experience in the 20th century, the program is designed to inspire and educate Los Angeles youth through Wilson’s work.

Those chosen to participate in the regional finals are Joey Aquino (Los Angeles), Blake Brewer (Inglewood), Samuel Christian (Los Angeles), Arcadia Eckmayer (Anaheim), Rhenzy Feliz (Santa Monica), Madison Gallus (Pasadena), Mylan Johnson (Los Angeles), Marjorie McNary (Pasadena), Angel Nieves (Eastvale), Max Toubes (Los Angeles), Damaris Vizvett (San Bernardino) and Aryana Williams (Carson). The students represent several local high schools within Los Angeles, Orange and San Bernardino Counties. 

The 12 regional finalists were selected from a pool of 10th, 11th and 12th-grade students from more than 20 different schools that participated in a semi-final round held on December 12. Prior to the semi-final round, the program kicked off in November with a preliminary audition that featured more than 150 students from Los Angeles, Ventura, Orange, Riverside and San Bernardino Counties.

Thursday, January 7, 2016

Sixth Avenue Reading Of 'Byhalia, Mississippi'


ONE NIGHT ONLY READING IS PART OF
THE NATIONAL EVENT
A WORLD PREMIERE CONVERSATION

AT AKBAR IN SILVER LAKE
TUESDAY, JANUARY 12 AT 8 PM

Sixth Avenue has announced a one time only reading of Byhalia, Mississippi by Evan Linder on Tuesday, January 12 at 8pm at Akbar in Silver Lake. This reading is part of a national event called ‘A World Premiere Conversation’ — an event simultaneouly connecting audiences attending the world premieres of Byhalia, Mississippi at theatres in seven North American cities. A digital conversation on Monday, January 18 will connect creative teams and audiences from all participating cities.

The play is making its world premiere simultaneously in Chicago (The New Colony and Definition Theatre Company), Memphis (Playhouse on the Square), Toronto (Cue6 Theatre), and Charleston (The Village Rep) on January 8, followed by readings in Boulder (Square Product Theatre), Birmingham (Theatre Downtown), and the Sixth Avenue reading in Los Angeles on January 12. 

The Los Angeles cast will include (in alphabetical order) Frances Fisher, Charlotte Gulezian, Kristy Johnson, Zhalion Levingston, and Adam Silver. 

Byhalia, Mississippi tells the story of Jim and Laurel Parker, a white Mississippi couple whose newborn black baby uncovers a secret affair and ignites racial turmoil in the town. The play is the 2015 winner of the NewWorks@The Works Playwriting Competition at Playhouse on the Square in Memphis and has been short-listed for numerous awards including the Theatre503 Playwriting Award.

Akbar, Silver Lake’s “neighborhood oasis,” is located at 4356 W. Sunset Boulevard in Los Angeles. Admission is free and reservations are not required. For more information on ‘A World Premiere Conversation” visit wpconvo.com and for more on Sixth Avenue, visit www.6avenue.org.