Monday, June 15, 2020

Los Angeles Women's Theatre Festival Presents 'Virtual Hot Off The Press' Via Zoom on June 27


          Hot Off the Press is a program of new solo writings presented by talented scribes in staged readings. Usually presented in a theatre with a live audience, our newest show will be performed in a virtual presentation live via Zoom, to conform with current considerations of public health and safety. The new program includes:

            Is There a Doctor in the House?  Written and performed by Lynne Jassem. A lesbian in Oakland meets a true love (at last!), in a romantic odyssey that will take her across the country and over the sea.
           Versatile. Written and performed by Kevin Neighbors. A modern journey through identity and intersectionality. Kevin, a biracial and gay person, wades through the trauma of police brutality. Through poetry, he explores the fate of African-American men when stopped by law enforcement and how it challenges him to own his sexual identity.
            Moments. Written and performed by Sharon Nyree Williams.  The Seattle-based graduate of a historically Black college (HBCU)  utilizes her voice to affirm her love for African-American men and her concerns for their health and safety, as well as trans people in the light of recent headlining events. She takes a look at confrontations with the community and the law enforcement establishment.
            #Boy Mom. Written and performed by April Wish. The mother of a daughter and son worries about what she detects as violent tendencies in the behavior of her little boy. Are these tendencies innate? If so, can they be controlled by nurturance?
            There may be further additions to the program, to be announced.
            
          This program is produced by Michelle Jewsbury (Founder, Unsilenced Voices) and hosted by Jessica Lynn Johnson (CEO of Soaring Solo LLC, director, and consultant) and Juliette Jeffers (actor, director, teaching artist).

          Los Angeles Women’s Theatre Festival’s Co-Founder and Executive Producer is Adilah Barnes.

HOW TO ATTEND: Saturday, June 27, 2020, at 5 p.m. Virtual Hot Off the Press is an exciting evening of new works written and performed by remarkable authors in staged readings. Presented by the Los Angeles Women’s Theatre Festival. Tickets are $10. Order at https://bit.ly/virtualhotoffpress . A-Zoom link will be sent to attendees after ticket purchase is confirmed.

Los Angeles Women’s Theatre Festival, a non-profit organization, is supported in part by the City of West Hollywood; City National Bank; Department of Cultural Affairs of the City of Los Angeles; Los Angeles County Arts Commission; Women in Media; KPFK 90.7; and Adilah Barnes Productions.

'RAVAGE' Opens In Theaters and VOD August 21

RAVAGE

The new revenge horror drama RAVAGE (previously titled SWING LOW during its festival debuts), stars Annabelle Dexter-Jones (UNDER THE SILVER LAKE, HOLY MOTORS, "Succession"), two-time Oscar nominee Bruce Dern (ONCE UPON A TIME IN HOLLYWOOD, PEANUT BUTTER FALCON, NEBRASKA, COMING HOME) and Robert Longstreet (DOCTOR SLEEP, HALLOWEEN KILLS, "The Haunting of Hill House"). The film opens in theaters and VOD on August 21st. 

When a nature photographer explains to the police how she fought her way out of Virginia’s Watchatoomy Valley, they dismiss her crazed and violent story as a meth-induced nightmare. But when they discover that she's telling the truth, it’s too late.

Writer/director Teddy Grennan previously worked as a producer and executive producer on a variety of independent feature films. Prior to writing the script for SAVAGE, Teddy Grennan spent five years in the animation world writing for Nickelodeon and various other studios including Prana. 

Running time: 77 minutes 
Language: English 
Rating: Not Rated
Written and directed by Teddy Grennan. Produced by Marsha Oglesby, Bennett Krishock, and Teddy Grennan. Music by Jacques Bratbaur. Starring Annabelle Dexter-Jones, Bruce Dern, and Robert Longstreet. A Brainstorm Media release.

Thursday, June 11, 2020

BLACK MUSIC MONTH 2020: Celebrities Name Their Favorite Song of All Time


By Darlene Donloe

June is Black Music Month and what better time to celebrate its rich history.

For centuries, Black musicians, singers, writers, and producers have made incredible contributions to the music industry.

This is the month set aside to pay homage to all those individuals who, through their music, have made us smile, laugh, cry, dance, tap our feet, clap our hands and swivel our hips.

President Jimmy Carter officially designated the month of celebration on June 7, 1979. It was during a reception at The White House, which featured performances by Chuck Berry, Billy Eckstine, Little Richard, and Andre Crouch.

On May 31, President Barack Obama declared the month of June 2016 “African-American Music Appreciation Month” in a presidential proclamation. Although June was first deemed “Black Music Month” by Jimmy Carter and campaigned for by songwriter and producer Kenneth Gamble back in 1979, as the nation’s first Black president, Barack Obama felt strongly that an official proclamation was more appropriate.

The proclamation calls Black music “Among the most innovative and powerful art the world has ever known.” President Obama also called upon “Public officials, educators, and people of the United States to observe this month with appropriate activities and programs that raise awareness and foster appreciation of music that is composed, arranged, or performed by African Americans.”

I caught up with some celebrities and asked them the following: What is your favorite song of All-time?

Sterling K. Brown

Sterling K. Brown (This Is Us) – Let’s Chill by Guy

Russell Hornsby

Russell Hornsby  (Bone Collector) – "As" by Stevie Wonder

Senator Holly Mitchell

Senator Holly Mitchell – "Say It Loud" by James Brown and "Alligator Woman" by Cameo

Louis Gossett Jr.

Louis Gossett Jr. – "Greatest Love of All" by Whitney Houston

Matthew A. Cherry
Matthew A. Cherry (Hair Love) – "Knock Me Off My Feet" by Stevie Wonder

Common

Common – Anything by Michael Jackson

Tiffany Haddish
Tiffany Haddish – "Rinky Dinky Doo"

Asante Blackk
Asante Blackk  (This Is Us) – "The Box" by Roddy Ricch

Alex Newell

Alex Newell (Zoey's Extraordinary Playlist) - "I Will Always Love You" by Whitney Houston


















Monday, June 1, 2020

Lawson Rollins Releases Single 'With The Wind'


The winds of change are upon us and while possessing the power of destruction, wind can also purify, refresh, and foster renewal. It’s the latter that world music guitarist Lawson Rollins had in mind when composing “With the Wind,” the second single from the recently released “True North” album, a collection that the Billboard chart-topper wrote and produced marking his 20th anniversary as a recording artist. The single recently serviced to radio began collecting playlist adds on Monday.

“‘With the Wind’ is an expression of energetic joyfulness. The song emerged out of improvisation - as songs often do for me - so the inspiration was spontaneous and enigmatic as the music flowed naturally, like the steady force of the wind,” said the San Francisco-based Rollins who was named by Guitar Player magazine as one of the “50 Transcendent Acoustic Guitarists” of all-time.

“With the Wind” follows the success of the album’s first single, “Bluewave Bossanova,” which went to No. 1 on the SmoothJazz.com chart, Top 10 on the Mediabase and Groove Jazz Music charts, and Top 30 on the Billboard and Radiowave Monitor charts. Opening with tribal percussion beats, “With the Wind” takes off on an exuberant flight. Rollins crafts whirling gusts of masterful acoustic guitar delivered at alacritous speed and technical brilliance, searing electric guitar accents and snappy beats at cadences that vacillate between a cascading and careening thrill ride mixed with deliberate and dramatic pauses seemingly to allow the listener the opportunity to catch their breath. The track is an eclectic escapade unlike any other recorded by Rollins, who was accompanied by Stephen Duros (additional keyboards and electric guitar), Dan Feiszli (bass), and Dave Bryant (drums and percussion).

Named by Jazziz magazine as one of the “10 Albums You Need to Know,” “True North” displays familiar Rollins’ hallmarks while introducing new and different elements. His prodigious fingerstyle guitar work remains the focal point of the tracks that stylistically serve a melange of contemporary jazz, world music, Latin, and New Age sound. On this outing, Rollins expands his repertoire by playing electric and slide guitars and steel string guitar alongside his signature classical Spanish nylon-string acoustic guitar. He also adds textured synthesizer swatches. Known for embarking on lengthy improvisational explorations, Rollins keeps the tracks tightly focused on “True North,” exhibiting discipline and control.

Exotic travel and exhilarating adventure have long been Rollins’ primary thematic subjects, however, as pictured on the album cover and accompanying photography in the CD packaging, “True North” derives much of its geographic inspiration from a more familiar locale: Rollins’ favorite vacation spot on the Outer Banks in his home state of North Carolina.         



Saturday, May 23, 2020

CBS Releases 2020-21 Fall Television Lineup

The cast of The Equalizer
Any other year, CBS’ 2020-21 schedule would be considered very conservative, with three nights left intact and the other three undergoing only minor changes, including adding two new series, drama The Equalizer starring Queen Latifah and Chuck Lorre comedy B Positive, and holding S.W.A.T. for midseason.

But in the year of COVID-19, this could be considered a risky schedule, as all entertainment series in CBS’ fall lineup, except for The Amazing Race installment already in the can, are yet to be filmed with a restart of Hollywood production still in limbo. CBS’ fall schedule is in stark contrast with the other two broadcast lineups announced so far, as both Fox and the CW relied predominantly on already produced content, including acquisitions, for fall, pushing the launch of their regular rosters to January and beyond.

“We don’t view this schedule as risky, we view this schedule as very strong and very proven,” CBS Entertainment President Kelly Kahl told Deadline. “In terms of production, we would say ‘fall’ with quotes; I don’t know if everything would start the third week of September. Yet we are very hopeful that we would get into production at some point this summer, and we would have the majority of our lineup for the fall.”

Here is CBS’ schedule, followed by more insight into what the network’s fall may look like and possible contingency plans, as well as descriptions of CBS’ three new series picked up so far. (The Silence of the Lambs sequel Clarice is held for midseason).

CBS FALL 2020-21 SCHEDULE
(New programs in UPPER CASE)
MONDAY
8-8:30 PM — The Neighborhood
8:30-9 PM — Bob ♥ Abishola
9-10 PM — All Rise
10-11 PM — Bull
TUESDAY
8-9 PM — NCIS
9-10 PM — FBI
10-11 PM — FBI: Most Wanted
WEDNESDAY
8-9 PM — Survivor
9-10 PM — The Amazing Race
10-11 PM — SEAL Team
THURSDAY
8-8:30 PM — Young Sheldon
8:30-9 PM — B POSITIVE (N)
9-9:30 PM — Mom
9:30-10 PM — The Unicorn
10-11 PM — Evil

FRIDAY

8-9 PM — MacGyver
9-10 PM — Magnum P.I.
10-11 PM — Blue Bloods
SATURDAY
8-9 PM — Crimetime Saturday
9-10 PM — Crimetime Saturday
10-11 PM — 48 Hours
SUNDAY
7-8 PM — 60 Minutes
8-9 PM — THE EQUALIZER
9-10 PM — NCIS: Los Angeles
10-11 PM — NCIS: New Orleans
  
“I think the main thing is incredible stability,” Kahl said of CBS’ 2020-21 schedule, whose only moves include The Equalizer replacing canceled God Friended Me on Sunday; Lorre and Marco Pennette’s B Positive getting the hammock 8:30 PM slot between Lorre’s two Thursday series, Young Sheldon and Mom, with The Unicorn moving to 9:30 PM; and Wednesday reverting to the late spring 2018-19 lineup of Survivor, The Amazing Race and SEAL Team, temporarily displacing S.W.A.T.

"Our Monday night, our Tuesday night, Wednesday night, Friday night, Sunday night are only down single digits (in total viewers this season), which in this environment is pretty good,” Kahl said about the rationale behind the very few changes. “The biggest thing we had to deal with was simply the loss of The Big Bang Theory, which was a hard show to replace, but the rest of the lineup performed incredibly well and is incredibly resilient.”

The departure of Big Bang made for steeper year-over-year viewership declines on Thursday, so “trying to strengthen Thursday again this year, that is a priority for us,” Kahl said.

He suggested that the fall 2020 rollout may be fluid but expressed confidence that, with some adjustments, including possible shorter fall runs, CBS’ entertainment programs could deliver originals in the fourth quarter.

“I think it’s unrealistic to think that there will be one week when everything all of a sudden is ready, and I don’t think that it also needs to be the case,” Kahl said. “Even if shows start (production) a little later in the summer than usual, it doesn’t mean that the whole schedule is pushed back by that same amount of time. Shows can turn around pretty quickly. What it might mean is, instead of 10 episodes in the fourth quarter, you get 8, but shows can certainly make late September, October launch assuming that they get into production at some point even later in the summer.”

The broadcast networks’ fall 2020 schedule already was expected to be disrupted. “Being a presidential election year, there are a lot of breaks built into the schedule for election night, for debates. That would give these shows some break, it’s not like they need to come on the air and necessarily be on 10 weeks in a row,” Kahl said. “We are hopeful we can get into production, and we are hopeful we can put this fall schedule on the air pretty close to as is.”

If that doesn’t happen as hoped, then CBS has backup plans.

CBS is currently mining the library of new corporate sibling Paramount Pictures for blockbusters to anchor its recently resurrected Sunday movie night, which has done well for the network.

Additionally, CBS is yet to schedule Season 2 of summer adventure drama series Blood & Treasure, with Kahl indicating that it may be held as a contingency for fall. “We are simply keeping our options open,” he said, not elaborating whether acquisitions of foreign English-language series is also on the table.

Also providing flexibility later in the season will be S.W.A.T., the only returning CBS series not to land on the fall schedule.

The 2019-20 season marked the end of several long-running CBS drama series, including Criminal Minds, Hawaii Five-0, and Madam Secretary. Because of the uncertainty surrounding Hollywood production, the network brass is nowhere near discussing possible endgames for any veteran series next season, Kahl said.

The 2019-20 season was also marked by solid new series launches with five out of CBS’ eight freshman scripted series making it to Season 2. Kahl is confident the 2020-21 lineup will perform as well.

CBS is unveiling its 2020-21 schedule to advertisers in a video upfront presentation this afternoon. More new series for midseason would likely be added later this summer as the network makes more decisions on its 2020 pilots, grounded by the pandemic.


**This article is courtesy of Deadline.com 

Friday, May 22, 2020

Blige's Body Cam Single "Can't Be Life" Drops


Mary J. Blige dropped a new single entitled “Can’t Be Life” today in conjunction with the new film, Body Cam that debuted this week on Digital platforms.  The song will be available on Apple Music and Spotify and is featured over the end credits of the film.

The song reunites Blige with longtime collaborators Chucky Thompson (My Life, Mary, The Breakthrough), Denise Rich (“Don’t Waste Your Time” duet w/Aretha Franklin from Mary) and Bruce Miller (No More Drama, Love & Life), and brings in longtime songwriting vets Stacy Barthe (Beyonce, Nipsey Hussle, Rihanna), Jimmy Cozier (Janet Jackson, Chris Brown, Alicia Keys) and Aaron Phillips (P!nk, Demi Lovato, Kelly Price). “Can’t Be Life” is an original song for the film Body Cam and speaks candidly to the current times.

An intense action thriller, Body Cam stars Blige, Nat Wolff (Semper Fi), David Zayas (“Dexter”), and Anika Noni Rose (“Bates Motel”) and is directed by Malik Vitthal whose directorial debut, Imperial Dreams, won the Audience Award at the Sundance Film Festival.


When a routine traffic stop results in the unexplained, grisly death of her colleague, a cop (Blige) realizes footage of the incident will play for her eyes only. As the attacks mount, she races to understand the supernatural force behind them.

Body Cam is available to purchase now on Digital platforms including Apple TV, Vudu, Amazon Prime Video, Google Play, Microsoft Movies & TV, Sony PlayStation Video, FandangoNOW and more.

“Can’t Be Life” was written by Mary J Blige, Denise Rich, Chucky Thompson, Stacy Barthe, Aaron Philips, and Jimmy Cozier.  Production by Chucky Thompson, @chucklife 365 music & Denise Rich, Denise Rich Songs.  Executive producers Mary J Blige for Mary Jane Productions, Inc, Denise Rich for Denise Rich Songs. Co-executive producers Bruce Miller for Blue Light Media, Blossette Kitson for Kitson Entertainment Group, Leyla Kuday for Denise Rich Songs.  Mixed by Serge “Sergeical” Tsai at Platinum Sound Studios.

John David Washington Stars In Nolan's 'TENET'

The highly-anticipated action thriller from Christopher Nolan, TENET, starring Golden Globe nominee John David Washington who debuted the trailer on Fortnite today, is out in theaters July 17.

Washington is the new protagonist in Christopher Nolan’s original sci-fi action spectacle “TENET.” Armed with only one word—Tenet—and fighting for the survival of the entire world, the protagonist journeys through a twilight world of international espionage on a mission that will unfold in something beyond real-time. Not time travel.  Inversion.