Deirdre O'Connell as Dana H. |
By Darlene Donloe
In the 1990s,
Dana Higginbotham was a psych hospital chaplain who was kidnapped by Jim, one
of her ex-convict patients and held for five months during which time she
endured terror, rape and violence while trapped in a series of Florida motels.
Years later, she
spoke about her ordeal, for the first time, to a reporter. The entire interview
was taped and is now being used in Tony Award-nominated playwright (A Doll’s
House, Part 2, The Christians) Lucas Hnath’s drama, Dana H., currently enjoying its world premiere at the Kirk Douglas
Theatre in Culver City, through June 23, 2019.
The show, reconstructed
for the stage by Hnath, is directed by Lew Waters. It tells the real-life story
about Hnath’s mother. It’s told in Dana Higginbotham’s words, adapted from
interviews with Higginbotham conducted by Steve Cosson.
In what can only
be called a brilliant piece of direction, Waters opens the show with actress
Deirdre O’Connell, who is portraying Dana H., sitting with a microphone on in a
blue chair downstage center. She’s
preparing to give a series of interviews.
Deirdre O'Connell as Dana H. |
With only a
purse and a manuscript as props, O’Connell slowly takes on the persona of Dana
H., while actually lip-synching the words from the actual pieced together
interviews. Dana’s actual voice is heard recounting her harrowing and violent
encounter with Jim, a mentally ill ex-convict and member of the Aryan Nations.
O’Connell is
mesmerizing. She has spot-on gestures, pauses, laughs, shuffles, and giggles as
she conducts this kind of lip-synch dance with the dialogue. We hear the interviewer ask the questions and
we hear Dana’s replies. The audience feels the terror that Dana endured as
every suspenseful and shocking moment of this true story unfolds.
As O’Connell portraying Dana H. slowly recounts what led up to the kidnapping and then the day-to-day
terror Dana H. endured – she creates a chilling scenario. The audience is taken
on a terrifying ride as the buildup creates fascinating moments of uneasiness. The
show is riveting. It’s full of terror, violence, and suspense.
The set behind
Dana is a motel room – indicating one of the many locations where she was held
prisoner.
What’s so good
about this show is the uniqueness. As a reviewer, I haven’t seen anything like this production. It was moving and entertaining and although we don’t actually see any of the
violence, the words and voice of Dana H. capture the
terror she suffered.
This show is
hard to watch and hear. It will stick in your gut and shake you at your core. You
keep thinking, how could something like this happen?
O’Connell gives
an engaging and powerful performance.
A must see and
hear!
Dana H. was originally commissioned by The Civilians (New York) and
Goodman Theatre, it will appear at the Goodman from September 6 through October
6, 2019, during their 2019/2020 season.
On the DONLOE
SCALE: D (don’t bother), (O) Oh, no!, N (needs work), L (likable), O (oh, yeah)
and E (excellent), Dana H. gets an E
(excellent).
Dana H. runs 75 minutes with no intermission.
Dana H., Kirk Douglas Theatre, 9820 Washington Blvd., Culver City;
8 p.m., Tues.-Fri.; 2 and 8 p.m. Sat.; 1 and 6:30 p.m. Sun. through June 23,
2019; $25-$79; www.CenterTheatreGroup.org;
213 628-2772; Free three hour covered parking
at City Hall with validation (available in the Kirk Douglas Theatre lobby).
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