By Darlene Donloe
Here’s a tip. Don’t
ever touch a black woman’s hair without permission. Ever!
There is something very special about a black woman’s hair.
It’s revered, hated, misunderstood, envied, and mocked. It’s a conversation starter and a mystery to those of other hues.
In Good Hair, the
documentary produced and narrated by Chris Rock, comedian Paul Mooney says” “If
your hair is relaxed, white people are relaxed. If your hair is nappy, they are
not happy.”
It’s interesting to navigate the history of myths
surrounding black hair.
The power and notion of hair is explored at 8 p.m., Friday,
Aug. 30, at the Ford Theatres in Urban
Bush Women: Hair & Other Stories, part
of IGNITE @ the FORD!, a
series comprised of world-renowned contemporary artists whose work is thought-
provoking and reflects the world in which we live.
Hair & Other Stories explores disquieting perceptions of
beauty, identity and race, and what constitutes the freedom to rise in
extraordinary times, which is what they consider the urgent dialogue of the 21st
Century.
Crafted from personal narratives from communities, kitchens, and living rooms, social media and YouTube, Hair & Other Stories creatively examines structural racism in society, and celebrates the persevering narrative of the African Diaspora in America.
Crafted from personal narratives from communities, kitchens, and living rooms, social media and YouTube, Hair & Other Stories creatively examines structural racism in society, and celebrates the persevering narrative of the African Diaspora in America.
Founded in 1984 by
choreographer Jawole Willa Jo
Zollar, Urban Bush Women (UBW) is a company that seeks to bring the
untold and under-told histories and stories of disenfranchised people to light
through dance. They do this from a woman-centered perspective and as members of
the African Diaspora community in order to create a more equitable balance of
power in the dance world and beyond.
Throughout its 35 years, UBW
has continued to use dance as both the message and the medium to bring together
diverse audiences through innovative choreography, community collaboration and
artistic leadership development.
Renee Taylor-Foles |
I recently caught up with Renee Taylor-Foles, Urban Bush Women’s organizational advancement partner, to talk about the company’s upcoming performance. In her role she looks at what opportunities will advance the company, i.e., fundraising, board relations, and marketing.
DD: Talk about Hair & Other Stories. Why was this experience chosen?
RTF: This is a beautiful work choreographed by Urban Bush Women Artistic Directors Chanon Judson-Johnson and Samantha Speis,
and it really looks at how we look at our own image through different
lenses, gender, race and how we look at ourselves and each other. We do this by
looking through the lens of black women’s hair. We find it’s the entryway to
have this important conversation in America right now. It incorporates dance,
text, original music, song and also interacting with the audience. This is not
an experience that is just observed. Everyone can participate in the
conversation.
DD: Let's talk about the black woman in 2019. Who is she?
RTF: That question resides in each one of us. It’s saying
this is a question we need to be asking ourselves. How are we seeing black women
and are we making that definition for ourselves?
DD: Tell me why UBW is important?
RTF: We have worked
for 35 years to center the stories and histories of women. We do it as the
women of the African Diaspora. This has always been our center putting forth
these stories. People will see a familiar part of their culture and how they
live their lives. It incorporates not just dance, but song and voices and text
and theater.
DD: What makes/keeps
UBW relevant?
RTF: The fact that we
continue to have these conversations in communities. We are not closed off. A
big part of Urban Bush Women is working in communities, what some call community
engagement. We are not just on the concert stage. We meet with communities, we
do community work where we have movement conversations. It’s open to people of
all abilities, all levels and conversations around the work. We talk to the community
about the work. We have Hair Parties at
restaurants, bars, anywhere.
DD: What is a Hair Party?
RTF: A Hair Party is a movement conversation we have between
company members and community members. Each company member has designed their
own Hair Party. There will be a movement conversation - moving and speaking together
around topics like black women’s hair, gender, and race. We do it in a way where
people feel open to having those conversations.
DD: For someone who
has never seen the show – describe what they will see.
RTF: They will have an experience to be remembered. They are
going to see beautiful choreography and hear original music sung live. The performers
are absolutely amazing. They are going to see not just movement on the stage
but movement and music. They will have audience participation. It’s not just
sitting back and observing.
Urban Bush Women: Hair & Other Stories features new music compositions by The Illustrious Blacks (Manchildblack
and Monstah Black) with stage direction by Raelle Myrick-Hodges, dramaturgy by Jawole Willa Jo Zollar, costume design by DeeDee Gomes, projection design
by Nicholas Hussong,
lighting design by Xavier Pierce,
and sound design by Everett Asis
Saunders. The Company includes Chanon
Judson, Courtney J. Cook, Du’Bois A’Keen, Samantha Speis, Stephanie Mas, and Tendayi
Kuumba (* on leave), with guest performers Marjani Forté-Saunders and Kesha McKey.
Urban Bush Women: Hair & Other Stories, Ford Theatres, 2580 Cahuenga Blvd. East,
Hollywood, CA; August 30, 2019; 8 p.m.; $25, $35, and $50; Tickets are
available online at FordTheatres.org and by phone (323) 461-3673. Proceeds
from IGNITE @ the FORD! events
benefit the Ford Theatre Foundation.
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