Tuesday, May 13, 2025

CeCe Winans' Generations Live 25' Conference Draws Thousands

 

CeCe Winans
Photo by Padrion Scott

CECE WINANS’ GENERATIONS LIVE 25’ CONFERENCE DRAWS 3,000 WOMEN FOR LIFE-CHANGING WEEKEND OF WORSHIP, TEACHING & COMMUNITY

(LOS ANGELES, CA)—Nearly 3,000 women gathered over Mother’s Day weekend at Belmont University’s Curb Event Center in Nashville for the 2025 Generations Live! Conference, hosted by multiple award-winning artist CeCe Winans. In addition, more than 600 attendees joined via live stream, including participants worldwide. The annual event delivered two days of powerful worship, dynamic teaching, and cross-generational connection, establishing its reputation as a premier gathering for women of faith.

CeCe Winans opened the conference with a compelling message titled All In, encouraging attendees to surrender fully to God’s purpose. This year’s lineup of dynamic guest speakers included Pastor Cheryl Brady, who taught on Shiloh; Priscilla Shirer, who delivered a transformative word on the Open Door; Pastor Tamara Bennett, speaking on Access; Ashley Phillips, shared part two of her message from 2024 on Walking By Faith Shannon Smith covered Generations: The Continuation of Life, and Jackie Hill-Perry taught on Prayer. A special Q&A session with health and wellness coach Rochelle T. Parks emphasized the importance of eating real food and exercising daily.

Musical guests included Nashville Life Music, a Friday night concert with Charity Gayle, and a closing worship set by DOE, who brought the crowd to their feet in praise.

“I’m blown away by what God is doing through Generations Live,” said CeCe Winans. “When women gather with open hearts, He moves in extraordinary ways. This year, going ‘ALL IN’ wasn’t just a message—it was my desire for women to give God their everything and walk boldly in His purpose.”

One of the most memorable moments came during the closing day, when CeCe joined her sisters Angie and Debbie Winans for an impromptu, a cappella rendition of “Let Us Break Bread Together.” The spontaneous performance captivated the audience, creating a deeply moving and intimate atmosphere to receive the spoken word.

Generations Live 25’ can still be purchased at the conference website and is available for viewing until June 7.

Next year marks a significant milestone, the 5th anniversary of Generations Live! Conference. In celebration, the event will expand to a three-day format, returning to Belmont University in Nashville and taking place July 23–25, 2026.

Churches across the country are also encouraged to host a simulcast, creating opportunities for women everywhere to experience Generations Live! together in their own communities.

Registration is now open at www.generationsliveconference.com.

About Generations Live! Women’s Conference

Founded and hosted by Grammy-winning artist CeCe Winans, Generations Live! is a premier women’s conference dedicated to fostering intergenerational connections, spiritual growth, and personal empowerment. Through powerful speakers, inspiring worship, and meaningful dialogue, the conference aims to leave a lasting impact on women by encouraging them to share wisdom, faith, and life experiences with the next generation.

LA Phil Announces The Ford 2025 Season Lineup


Featuring Perfume Genius, Aly & AJ, The Pharcyde, Las Cafeteras, Betty Who with the Los Angeles Philharmonic, Kenny Wayne Shepherd & Bobby Rush, Mariachi Tierra Mia, Pino Palladino & Blake Mills, Christone "Kingfish" Ingram, Studio Ghibli film screenings, family-friendly daytime programming, and more

LOS ANGELES (May 13, 2025) – The LA Phil today announces The Ford 2025 season, featuring performances from July 18 to October 31. Now in its sixth season under the stewardship of the LA Phil, the beloved open-air amphitheater will feature a wide range of performances set in the venue’s serene, natural setting. The Ford 2025 season offers a vibrant mix of multidisciplinary presentations incorporating music, dance, film, theater, comedy, and spoken word. This season also marks the return of the beloved LA Soundscapes daytime family programming series and the continuation of FordLab, an incubator and accelerator program designed to provide larger platforms for local and regional producers.  

“If you haven’t been to The Ford, you have yet to experience one of the truly magical performance spaces that Los Angeles has to offer,” said Kim Noltemy, President and CEO of the LA Phil. “The intimacy of this special venue, at only 1200 seats, means that everyone has the best seat in the house. And the idyllic setting–in the wooded hills under an open sky–makes each night memorable. We proudly welcome a broad range of artists, art forms and communities to The Ford every season. Our stage reflects our beloved city, giving artists from a myriad of perspectives a space to experiment and be boundless in their creativity."

FordLab Productions

The Ford 2025 season kicks off with The Pharcyde & Friends Live commemorating the 30th Anniversary of Labcabincalifornia. Produced in partnership with Fusicology, the LA-based hip-hop group performs their much-loved second album with a live band and special guests Pharoahe Monch & Tha Liks and more. The evening is hosted by Ras Kass, MC Supernatural and features DJ Nu-Mark and Blu & Exile. (Friday, July 18, at 8 p.m.).

Perritos World National Tour, produced in partnership with De Mi Alma Productions brings Concrete, DoKnow & Jerry Garcia to The Ford for a night of comedy. With over four millions combined followers, this trio of comedians bring their sharp wit, wild stories and unapologetic humor to LA. (Saturday, July 19, at 8 p.m.).

If I Awaken in Los Angeles, produced in partnership with Get Lit - Words Ignite sees musical director Derrick Hodge and an ensemble from the Color of Noize Orchestra team up with special guests to tell the story of our Los Angeles community through spoken word, music, dance and video. Special guests include Indigenous hip-hop duo.

T H R O N E, Da Poetry Lounge co-founder and actor Dante Basco (Hook, Avatar: The Last Airbender), and more. (Friday, August 1, at 8 p.m.).

Bajo la Luna with Silvia Pérez Cruz, La Muchacha and Y La Madrigal, produced in partnership with El Marchante and Tumba La Casa, showcases three Spanish-language singer-songwriters who honor traditional music through fresh, inspired eyes and hearts. Highlighting the shared exploration of everyday realities and experiences across Spanish-speaking cultures, Bajo la Luna expresses the diverse, multilayered tapestry of a constantly evolving and historically grounded culture. (Sunday, August 31, at 7:30 p.m.).

Noche de Cumbia: Sonido Gallo Negro & É Arenas, produced in Partnership with Cumbiatón LA, is a Mexican Independence Day-themed exploration of the beloved Afro-Indigenous genre known as cumbia. Chicano Batman’s É Arenas joins the party, produced by Zacil Vazquez and hosted by Julio Salgado, along with tropical psychedelic band Sonido Gallo Negro. (Saturday, September 13, at 8 p.m.).

Pino Palladino & Blake Mills produced in partnership with Sid The Cat presents two musicians who have spent their careers helping other artists realize their vision spinning up something magical of their own by reimagining songs from their 2021 album Notes with Attachments. As a guitarist and producer, Mills has worked with an incredible range of artists, including Fiona Apple, Bob Dylan, Feist, Weyes Blood, Sky Ferreira, Perfume Genius, John Legend, and Alabama Shakes, whose Sound & Color earned him a Producer of the Year Grammy nomination. Pino Palladino, meanwhile, has played bass for D’Angelo, Nine Inch Nails, John Mayer, Adele, Erykah Badu, Harry Styles, and Beyoncé. (Friday, September 26, at 8 p.m.).

Tributo A Los Grandes: José José, Juan Gabriel & Vicente Fernández sees a stellar cast of acclaimed and fast-rising L.A. mariachi musicians honor legends of Mexican music. Produced in partnership with Mariachi Tierra Mia the evening pays homage to some of greatest musicians in Mexican history from José José’s romantic ballads that made him “the prince of song” to the prolific and soul-stirring Juan Gabriel to the “king of Ranchera” Vicente Fernández and more. (Sunday, September 28, at 7:30 p.m.).

Cornerstone Theater Company has commissioned a group of local artists for DIRECT ADDRESS to make works that directly address the state of things as they are right now and attempt poetic interventions on behalf of a just future. These short works will be performed across Los Angeles leading to their complete one-night presentation at The Ford. DIRECT ADDRESS is inspired by the history of American activism and public performance—from Frederick Douglass to ACT UP and beyond. It's an invitation to reimagine how we exercise our First Amendment rights. Commissioned artists include Ana María Álvarez, Agnes Borinsky, Velani Dibba, Daniel Alexander Jones, Fahad Siadet, Mario Vega, members of the Cornerstone Ensemble and more. (Friday, October 24, at 8 p.m.).

Joe Bataan & Quetzal: Labor of Love produced in partnership with AKB Media sees The “King of Latin Soul” Joe Bataan and the Mexican folk-rock and Afro-Cuban jazz stars Quetzal sparkle on The Ford stage. Poet and community activist Faith Santilla leads this soulful and empowering celebration of music and culture inspired by the solidarity formed between Filipino and Mexican workers during the California labor movement of the 1960s. (Saturday, October 25, at 8 p.m.).

Music, Dance and Multidisciplinary

Boleros De Noche returns for its 9th annual celebration after two sold-out nights in 2024. This year’s performance is especially poignant, as it reunites Marisoul Y Los Hermanos Carlos—a trio whose influence and love for bolero have shaped the cultural fabric of Los Angeles. The evening will also feature the beautiful sounds of Bolero Soul, a talented duo of brothers who have been serenading romantic souls for over 40 years. (Saturday, August 2, at 8 p.m.).

An Evening with Leyendas del Mariachi, produced in partnership with Colibrí Entertainment, brings together musical icons from several of the most distinguished mariachi ensembles of the past three decades. This rare gathering of exceptional musicians includes iconic members from Mariachi Vargas de Tecalitlán, Mariachi Los Camperos, Mariachi Nuevo Tecalitlán, Mariachi Cobre and Mariachi América de Jesús Rodríguez de Hijar with special guests Ballet Folklorico Ollín. (Thursday, August 7, at 8 p.m.).

Multi-platinum singer and songwriter Andy Grammer describes himself as “a card-carrying people pleaser,” so his 2024 album Monster represents a departure for the usually upbeat vocalist. Accumulating material over five tumultuous years that saw the birth of his second child, the rupture of a significant relationship, a global pandemic, and his first foray into therapy, Grammer produces his most soul-searching and vulnerable music to date. (Sunday, August 10, at 7:30 p.m.).

Serenatas y Bodas de México, produced in partnership with Grandeza Mexicana Folk Ballet Company, presents a performance of timeless and beautiful serenades, mariachi musicians, and dancers exploring the various states of México and their unique wedding traditions. The evening features the premiere of a mesmerizing new dance piece inspired by the vibrant lives and traditions of Oaxaca’s muxes, recognized as a third gender within Zapotec culture (Saturday, August 16, at 8 p.m.).

LA’s own Lula Washington Dance Theatre, known for its inspiring and thought-provoking repertoire, celebrates its 45th anniversary with a soul-stirring performance of classic American works and two North American premieres at The Ford. One is a tribute to the late Pharoah Sanders, and the other acknowledges and explores Black spirituality (Saturday, August 23, at 8 p.m.).

Element Band 20th Anniversary Celebration features an exhilarating evening of Armenian music with a mix of new compositions and timeless fan favorites, along with a few special surprises crafted by group founder Ara Dabandjian. He will be joined by an ensemble of 12 musicians and several vocalists including Soseh Aramouni Keshishyan and Natalie Avunjian, whose beautifully hypnotic voices have been instrumental in shaping the band’s journey and multidimensional sound. (Sunday, August 24, at 7:30 p.m.).

Béla Fleck and the Flecktones features banjoist Béla Fleck, harmonica player and keyboardist Howard Levy, bassist Victor Wooten and percussionist/drummer Roy “Future Man” Wooten. Drawing from a vast array of genres—classical, jazz, bluegrass, African music, electric blues, and Eastern European folk—their sound is a unique musical language forged by the union of four brilliant minds. (Monday, August 25, at 8 p.m.).

Betty Who with the Los Angeles Philharmonic sees the irrepressible Aussie pop star join forces with the orchestra for a night of new music and go-to favorites reimagined with symphonic scale. Rolling Stone lauded their body of work as “a whirlwind of Eighties pop and synth influences that can captivate festivals and intimate venues alike.” (Saturday, August 30, at 8 p.m.).

Kenny Wayne Shepherd Band with special guest Bobby Rush sees the two Louisiana bluesmen, born 44 years apart, unite for an unforgettable evening of updated classics and soulful originals in support of Shepherd’s DOMD Vol II and the Rush/Shepherd collaboration Young Fashioned Ways. (Friday, September 5, at 8 p.m.).

French-Moroccan artist Sofiane Pamart has built a devoted global following, blending the training of a classical pianist with the sensibilities of a rapper and a dose of high fashion. A gold medalist at the Lille National Conservatory who spent years as the go-to pianist for French rappers, Pamart’s brings cinematic sensibilities and brooding poetic flair to his Ford debut. (Tuesday, September 9, at 8 p.m.).

JP Saxe gets up close and personal when he makes his Ford debut. In the four years since Saxe’s “If the World Was Ending” was nominated for Song of the Year at the 2021 Grammys, the singer and songwriter has collaborated with Maren Morris and John Mayer, and been nominated for Artist of the Year and Album of the Year at Canada’s Juno Awards. (Thursday, September 18, at 8 p.m.).

Aly & AJ burst onto Radio Disney and Billboard charts as teenagers with glossy pop hits like 2007’s “Potential Breakup Song.” After a hiatus, the duo has continually reinvented themselves, producing increasingly mature and emotionally candid music drenched in a distinctly nostalgic California sound. The sister duo bring their latest album’s Laurel Canyon sound and intimate storytelling to their debut at The Ford. (Friday, September 19, at 8 p.m.).

Actress and singer Renée Elise Goldsberry, who won the Tony and a Grammy Award for originating the role of “Angelica Schuyler” in the groundbreaking Broadway phenom Hamilton, is currently starring as “Wickie Roy” on the critically acclaimed Netflix comedy series Girls5Eva and will release her first solo album, titled Who I Really Am, on June 6. The Broadway veteran will share songs from that album, as well as from her memorable Broadway roles, at her debut at The Ford. (Saturday, September 27, at 8 p.m.). 

I’m With Her - Wild and Clear and Blue 2025 features the folk music trio of Sarah Jarosz, Aoife O’Donovan and Sara Watkins performing in support of their long-awaited sophomore album. The Grammy-winning trio combine luminous harmonies with a soul-searching body of work about reaching into the past, navigating a chaotic present, and bravely moving forward into the unknown. (Thursday, October 2, at 8 p.m.).

Since changing their band name from Mandolin Orange to Watchhouse in 2021, the folk duo Andrew Marlin and Emily Frantz say they’re experiencing a “clean re-entry into the world.” Having earned a reputation for creating music that encompasses the unknowable mysteries, existential heartbreak and communal joys of modern life Watchhouse return to the Ford to perform a collection of new, original songs from their 2025 album Rituals. Minnesota-born guitarist, songwriter, and interpreter of traditional music Charlie Parr kicks off the evening. (Friday, October 3, at 8 p.m.).

As Perfume Genius, Mike Hadreas has made romantic and curious music that explores the intimacies, challenges, and joys of queer life. His feel for the texture of human relations and his ability to articulate a lifetime of connection in a handful of words has made him a Grammy nominee and an icon of the queer underground music scene. On his latest album, Glory, he writes from a new vantage point–on the other side of struggle–with sweetness, menace and comedy. Along with his band, he brings Glory to the stage for his Ford debut. (Saturday, October 4, at 8 p.m.).

Ali Sethi blends traditional South Asian melodies with global beats, fusing traditional qawwali, ghazals and modern influences. The New York-based Pakastani artist’s 2022 single “Pasoori” with Shae Gill topped Spotify’s Global Viral chart and was declared Google’s most hum-to-search song of the year. Spanning musical styles and traditions, Sethi’s raw and emotive music tells powerful tales of identity. (Wednesday, October 8, at 8 p.m.).

Las Cafeteras: Hasta La Muerte is a two-act celebration of life and death through music, dance, poetry and theater. Blending influences from the worlds of punk, hip-hop, beat music, cumbia, and rock with mesmerizing choreography and a mix of original and traditional songs, the LA group travels through time, rhythm, and memory—and reminds us that when we celebrate life, we celebrate love. (Saturday, October 11, at 8 p.m.).

Christone “Kingfish” Ingram, the Mississippi-born blues star brings his jaw-dropping guitar playing and reach-out-and-grab-you-by-the-collar vocals to The Ford. Compared to B.B. King, Jimi Hendrix and Prince by Rolling Stone, Ingram’s artistry has solidified him as the defining blues voice of his generation. (Thursday, October 16, at 8 p.m.).

Rachael & Vilray features Rachael Price (vocalist for Lake Street Dive) and Vilray Bolles (Brooklyn-based guitarist and songwriter) conjuring 1930s and ’40s swing. The jazz duo weaves enchanting spells with timeless songs of passion and whimsy that evoke the era of Fats Waller, Peggy Lee, and Johnny Mercer with a wink of modern wit. (Sunday, October 26, at 7:30 p.m.).

Film

The Ford 2025 season sees the return of The Natural World of Studio Ghibli, a screening series that celebrates the films of Oscar-winning director Hayao Miyazaki with iconic scores by Joe Hisaishi. This season’s three-film presentation of The Boy and the Heron, Howl’s Moving Castle, and The Wind Rises invites audiences to enjoy classic and recent films by the legendary Studio Ghibli while exploring our relationship with nature. Films are shown in Japanese with English subtitles. (Friday, July 25, Saturday, July 26 and Sunday, July 27, at 8 p.m.)

Get Out, produced in partnership with Street Food Cinema, kicks off Halloween a day early with a screening of Jordan Peele’s widely acclaimed film starring Oscar winner Daniel Kaluuya. Peele’s directorial debut is a groundbreaking psychological horror film that blends social commentary on race, privilege, and identity, with elements of suspense and tension. (Thursday, October 30, at 8 p.m.).

Night of the Living Dead, produced in partnership with Street Food Cinema, is proud to present a screening of George A. Romero's seminal 1968 horror film that revolutionized the zombie genre in popular culture. While the film is filled with chilling moments of terror, it also explores themes of isolation, fear, and the breakdown of social order in times of crisis. It was revolutionary in its portrayal of race and its subversion of genre conventions, offering a stark reflection of the era’s societal issues. (Friday, October 31, at 8 p.m.).

Spoken Word, Theater and Comedy

The Improvised Shakespeare Company, with nothing more than a title shouted from the audience, creates an entire play on the fly—comedy, tragedy or history in the Shakespearean mold, all of it delivered in the “thee” and “thou” English of the Bard. Nothing is planned, nothing is rehearsed, and each play is completely new. (Saturday, August 9, at 8 p.m.).

The always-high-energy Flypoet Summer Classic is the longest-running, most highly produced event of its kind. Featuring leading performers in their field, including Spoken Word Champions and Grammy-winners, Flypoet returns to The Ford for an entertaining night of art, music, and, of course, lyrical fire. (Saturday, September 6, at 8 p.m.).

Kicking off a week of film screenings celebrating Black horror, acclaimed podcast Vibe Check returns to The Ford stage to explore the poetry and politics of the genre and more. The weekly podcast, hosted by audio-journalist Sam Sanders, poet Saeed Jones, and theater producer Zach Stafford, takes on the news and culture of the day from a Black queer perspective. In this special presentation, the audience will be seated on stage with the hosts for an intimate Halloween experience. (Tuesday, October 28, at 8 p.m.)

LA Soundscapes / Family Programming

Punk Kids LA! with Bob Baker Marionette Theater features two legendary figures in punk, Alice Bag and Kid Congo Powers, performing as Juanita & Juan. This puppetry-meets-music experience carries the spirit, humor, and bold creative energy of punk to a family-friendly, genre-bending performance. (Sunday, July 20, at 11:30 a.m.).

WonderLAnd! with UniverSOUL Hip Hop Dance Company is an immersive celebration where movement, joy, and connection take center stage for this one-of-a-kind event. Blending street dance, storytelling, and interactive experiences, this dynamic journey is taken in three parts: sensory-friendly art activations, a captivating main stage performance, and a communal dance party. (Sunday, August 17, at 11:30 a.m.).

Hangawi: The Autumn Festival of Korea featuring Kim Eung Hwa & Korean Dance Company celebrates family, harvest, and autumn. From traditional drums with lively folk rhythms to the graceful fan dance and the captivating flower crown dance, Hangawi offers a chance for all to come together to celebrate the season and experience the richness of Korean culture. (Sunday, September 14, at 11:30AM)

Olé Los Angeles, led by Artistic Director María “La Chacha” Bermúdez and featuring singer Pepele Méndez, guitarist Andres Vadin, percussionist Diego Alvarez and Flamenco! Santa Barbara brings The Ford stage to life with flamenco’s signature dazzling footwork, expressive hand movements and soulful melodies that transport the audience to the heart of Spain. (Sunday, October 19, at 11:30AM)

Partnerships

Since 2021, The Ford's Community Residencies program has invited five photographers from the Las Fotos Project’s Creative Entrepreneurship Opportunities (LFP CEO) program to capture select concerts at The Ford. This partnership has expanded to include the "Through Our Lens" series, where photographers from LFP's Creative Career Center and the Black Image Center create photo essays on select artists performing at The Ford. Las Fotos Project and Black Image Center are photography education organizations in Los Angeles dedicated to empowering their participants to tell their own narratives and gain paid hand-on experiences for the success of their creative careers. This collaboration highlights The Ford's commitment to the LA Phil's dedication to Los Angeles communities and youth, increasing opportunities for youth-centered career development in the arts.

The Ford is excited to continue our partnership with LA Commons in our Crafts Artists Residency and continue the Artist and Venue Apprenticeship program geared towards young professionals interested in live-event production. As LA Commons has worked in facilitating artistic processes that tell the stories of Los Angeles, four artists will create and facilitate the LA Soundscapes pre-concert art activities for audience members that represent LA’s culturally rich and multigenerational communities.

For the complete press kit for The Ford 2025 season, including images, bios and more, please visit: https://www.theford.com/press/the-ford-2025-season-announcement .

Ticketing

Ticket packages for The Ford are available online beginning today. Single-show tickets go on sale Tuesday, May 20, at 10AM. Programs, artists, dates, prices, and availability are subject to change. Ticket limits may apply. The LA Soundscapes series includes up to two free tickets for children 12 and under with each purchase of a full-price ticket.

Shuttles and Parking

Shuttle service to The Ford includes service from Ovation Hollywood at Hollywood and Highland, as well as the Universal City/Studio City Metro station lot. Additional information about parking and shuttles is available here. 

ABOUT THE FORD

The Ford is one of the oldest performing arts venues in Los Angeles, with an outdoor 1,200-seat amphitheater and a rich history dating back to 1920. Situated in a 32-acre park and under the stewardship of the Los Angeles Philharmonic Association, The Ford presents an eclectic summer season of music, dance, film and family events that are reflective of the communities of Los Angeles.

ABOUT THE LOS ANGELES PHILHARMONIC

Under the leadership of Music & Artistic Director Gustavo Dudamel, the LA Phil offers live performances, media initiatives, and learning programs that inspire and strengthen communities in Los Angeles and beyond. The Los Angeles Philharmonic orchestra is the foundation of the LA Phil’s offerings, including a multi-genre, multidisciplinary presenting program and such youth development programs as YOLA (Youth Orchestra Los Angeles). Performances are offered across four historic venues—Walt Disney Concert Hall, the Hollywood Bowl, the Ford, and the Beckmen YOLA Center—as well as through a variety of media platforms. In all its endeavors, the LA Phil seeks to enrich the lives of individuals and communities through musical, artistic, and learning experiences that resonate in our world today.

The LA Phil thanks the Los Angeles County Board of Supervisors for its support and funding, which brings performing arts to the people of Los Angeles. The Ford thanks the Los Angeles County Department of Parks and Recreation for their partnership, collaboration, and funding of programming all summer long. The Ford is a County of Los Angeles Department of Parks and Recreation cultural and performing arts park under the stewardship of the LA Phil.


Sunday, May 11, 2025

'Life of Pi': A Review

Taha Mandviwala in 'Life of Pi'

By Darlene Donloe 

Some plays stay with you long after you’ve left the theater. 

‘Life of Pi’ is one of them. 

It could be the story, the acting, the direction, the mesmerizing set, the costumes, the sound, the forward-moving direction, the unbelievably hypnotic puppetry, or one’s elevated imagination. Whatever it is, it makes this show a true winner!

Life of Pi is an unforgettable, epic tale of adventure and survival that addresses the lengths we’re willing to go to do both, leaving audiences to ponder the nature of reality and belief. 

After a shipwreck in the middle of the Pacific Ocean, a 16-year-old boy named Pi (Taha Mandviwala) survives on a lifeboat with four other companions, a hyena, a zebra, an orangutan, and a 450-pound Royal Bengal tiger named Richard Parker. All of the animals present are puppets. 

What happens next leads them on an unforgettable journey.

Told with jaw-dropping visuals, world-class, innovative puppetry, and exquisite stagecraft, the Broadway and West End sensation ‘Life of Pi’ creates a visually breathtaking voyage.

Mandviwala shines as Pi, delivering a vulnerable and resilient performance. 

All actors, whether in human form or as puppets, are outstanding. A round of applause for the actors who spend most of the play bent over to realistically portray the animals. KUDOS! 

The production’s use of visuals and puppetry creates a dreamlike world that’s both fantastical and emotionally resonant. 

‘Life of Pi’ is a magical and visually stunning show.

Lolita Chakrabarti’s stage adaptation of Yann Martel’s best-selling novel (over 15 million copies sold) is a worldwide phenomenon and opened to critical acclaim on Broadway and the West End and is now captivating audiences around the globe. 

The set, design, lighting, and video projections transport the audience from India to the Pacific Ocean, creating a truly immersive experience. 

Max Webster directs the show, and the cast is led by Mandviwala, who is joined on stage by Oge Agulue, Jessica Angleskhan, Alan Ariano, Pragun Bhardwaj, Mahnaz Damania, Ben Durocher, Savidu Geevaratne, Shiloh Goodin, Anna Leigh Gortner, Austin Wong Harper, Aaron Haskell, Rishi Jaiswal, Toussaint JeanLouis, Mi Kang, Intae Kim, Sharayu Mahale, Sinclair Mitchell, Maya Rangulu, Betsy Rosen, Anna Vomacka, and Sorab Wadi. 

The animals in the show, all puppets, are designed by Nick Barnes and Finn Caldwell, the movement director. Between Barnes and Caldwell, the puppets astonishingly come to life as they prowl, leap, and roar with lifelike movement. 

Life of Pi won three Tony Awards® and the Olivier Award for Best Play.

Runtime: 2 hours and 10 minutes with a 15-minute intermission. 

On the DONLOE SCALE: D (don't bother), O (oh, no), N (needs work), L (likable), O (oh, yeah), and E (excellent). 'Life of Pi' gets an E (excellent).

‘Life of Pi,” Ahmanson Theatre, 135 North Grand Avenue, Los Angeles, 8 p.m. Tues.-Fri., 2 and 8 p.m. Sat., 1 p.m. and 6:30 p.m. Sundays, through June 1, 2025, no performance Wednesday, May 14, added performance 2 p.m., Thurs., May 29, tickets begin at $40.25, 213 628-2772. 

Segerstrom Center for the Arts, 600 Town Center Drive, Costa Mesa, June 3-June 15, 7:30 p.m. Tues-Fri., 2 p.m. and 7:30 p.m. Sat., 1 p.m. and 6:30 p.m., through June 15, tickets start at $44.07, 714 556-2787, SCFTA.org







Tuesday, May 6, 2025

'Debate: Baldwin vs. Buckley': A Review

(l-r) Teagle F. Bougere, Cole Wagner, Frankie Zabilka, and Eric T. Miller


By Darlene Donloe 

James Baldwin was a prominent American writer, novelist, playwright, essayist, and civil rights activist. He is known for his brilliant writings on the experiences of African Americans.

William F. Buckley was a well-known American conservative writer, public intellectual, political commentator, and novelist. 

When the two came together at Cambridge University’s Union Hall on February 18, 1965, to debate the motion, “The American dream is at the expense of the American Negro,” it was described as a historic event. 

Baldwin strongly and eloquently advocated for the motion. At the same time, Buckley vehemently opposed it before an overflow crowd packed into the Cambridge Union in Cambridge, England, to witness the historic televised debate. 

This year is the 60th anniversary of the debate. 

A verbatim reenactment of the discussion, ‘Debate: Baldwin vs. Buckley,’ is currently being staged as a West Coast premiere at the Ebony Repertory Theatre from May 9 to 11. 

This powerful play brings to life the momentous 1965 Cambridge Union debate between James Baldwin and William F. Buckley, portrayed by Teagle F. Bougere (Broadway’s The Tempest and A Raisin in the Sun) and Eric T. Miller (Off-Broadway LAByrinth’s Sweet Storm, Ensemble Studio Theatre’s Mope), respectively.

Director Christopher McElroen has Baldwin and Buckley saunter around the stage, making their case to individual audience members, as if looking for validation.  Movement is paramount to the production of talking heads.

The verbal jousting doesn’t take long to bring up racial tensions. 

‘Debate: Baldwin vs. Buckley’ recreates the epic intellectual showdown that pitted Baldwin’s call for a moral revolution in race relations against Buckley’s unabashed elitism and implicit commitment to white supremacy.

This historic clash, originally filmed at the BBC, reveals the deep roots and lasting legacy of racial conflict that continues to haunt America.

The play, which isn’t a play in the traditional sense, takes place on a stark stage with four Black chairs and a television monitor that periodically shows black and white video clips from the actual event. The audience is cast as the students present at the 1965 event. 

Commentaries by two student orators precede Baldwin and Buckley’s discourse.

Teagle F. Bougere as James Baldwin


As Baldwin, Teagle F. Bougere, who presents a vocal cadence similar to the activist, makes a passionate plea as he argues that the American dream was built on exploiting African Americans. This highlights the country’s deep-seated racial issues. Baldwin connects with the audience, who are hanging on his every word.

Buckley, played admirably by Eric T. Miller, emphasized individual responsibility, suggesting that African Americans should take advantage of available opportunities. At the same time, Baldwin stressed the need for collective responsibility and systemic change.

Eric T. Miller as William F. Buckley


Miller’s Buckley, missing some of his well-known pompous stiffness, pointed to advancements in civil rights and economic conditions. In contrast, Baldwin countered that these improvements were insufficient and that racism remained a fundamental aspect of American society.

The motion was passed with 544 votes in favor and 164 against, a landslide majority of 380.

Baldwin’s speech was widely praised for its emotional intensity and powerful rhetoric, earning him a standing ovation.

Cole Wagner as David Heycock

Frankie Zabilka as Jeremy Burford


The debate has been recognized as pivotal in the Civil Rights Movement, showcasing the stark contrast between Baldwin’s and Buckley’s perspectives on race and equality in America.

The debate's impact went beyond the event, influencing discussions on race and equality in the United States.

At the meeting of the intelligentsia, Baldwin spoke first, and then Buckley. Unfortunately, Baldwin couldn’t refute any of Buckley’s false rhetoric.

Not surprisingly, 60 years later, the themes within the debate remain relevant.

McElroen has directed an intense production that stirs up ancestral wounds.

This presentation is worth a look!

‘Debate: Baldwin vs. Buckley’ was initially produced in 2020 by Christopher McElroen, founding artistic director of the american vicarious, and broadcast in partnership with BRIC, with its New York premiere at the South Oxford Space. The production has toured various New York City, London, and Chicago theatres. 

‘Debate: Baldwin vs. Buckley,’ adapted and directed by McElroen, stars Teagle F. Bougere (James Baldwin) and Eric T. Miller (William F. Buckley Jr.), Cole Wagner (David Heycock), and Frankie Zabilka (Jeremy Burford). 

On the DONLOE SCALE: D (don’t bother), O (oh, no), N (needs work), L (likable), O (oh, yeah), and E (excellent), ‘Debate: Baldwin vs. Buckley’ gets an E (excellent).

Ebony Repertory Theatre in association with the american vicarious presents an exclusive engagement of the West Coast premiere of ‘Debate: Baldwin vs. Buckley,’ 8 p.m., Friday, May 9; 2 and 8 p.m., Saturday, May 10; and 3 p.m., Sunday, May 11; ERT’s Studio Space in the Nate Holden Performing  Arts Center,  4718  W. Washington Blvd., Los Angeles, 90016. Tickets are available at EbonyRep.org.







Monday, May 5, 2025

Adam Lambert Cast as 'Judas' in Hollywood Bowl's 'Jesus Christ Superstar'

Adam Lambert


LOS ANGELES (May 5, 2025) — The LA Phil today announces that GRAMMY-nominated superstar entertainer Adam Lambert has been cast as “Judas” and will star opposite Cynthia Erivo as “Jesus” in a special production of Jesus Christ Superstar at the Hollywood Bowl. This production of Jesus Christ Superstar, bringing the much-loved, iconic musical back to its rock roots, is the latest installment in the Hollywood Bowl’s tradition of producing and presenting a staged Broadway musical. 

An award-winning singer/songwriter, actor, producer, philanthropist and LGBTQ+ trailblazer, Lambert has previously been cast in iconic stage roles, most recently his critically acclaimed role of “Emcee” in the Tony Award-winning production of Cabaret at the Kit Kat Club, which marked his official Broadway debut, as well as the first National Tour and Los Angeles Company of WICKED (Ensemble, Fiyero U/S).

Jesus Christ Superstar was originally performed at the Hollywood Bowl in 1971. In addition to lyrics by Tim Rice and music by Andrew Lloyd Webber, this production will be directed and choreographed by Tony Award-winner Sergio Trujillo, conducted and musically directed by Tony and Grammy-winner Stephen Oremus, with casting by The Telsey Office, and is produced in association with Neil Meron and Robert Greenblatt.  

Starting tomorrow, May 6, at 10 a.m., patrons can purchase tickets to single performances of any LA Phil-presented summer concerts at the Hollywood Bowl. The robust schedule at the world-renowned amphitheater in the Hollywood Hills features concerts under the stars with the LA Phil and Music & Artistic Director Gustavo Dudamel and celebrated artists spanning pop, rock, hip-hop, jazz, Broadway, opera, and the music of film. 

LA Phil President and CEO Kim Noltemy says, “For many Angelenos and concertgoers, the Hollywood Bowl is the premier summer destination for live music. Each season, the LA Phil presents world-class artists in a truly one-of-a-kind setting, and this year is no exception. We’re especially thrilled to welcome Adam Lambert to the cast of Jesus Christ Superstar.

We look forward to sharing this bold, fresh interpretation of a legendary musical, returning to its rock roots, with our audiences.”

The Hollywood Bowl 2025 summer season tickets will be available online at hollywoodbowl.com or via phone at 323-850-2000.

Wednesday, April 30, 2025

Geffen Playhouse's 'Furlough's Paradise': A Review



By Darlene Donloe
 
The premise of ‘Furlough’s Paradise’ is simple – two female cousins, who used to be inseparable when they were younger, reconnect after the funeral of their mother/aunt.
 
But there is much more to this powerful and poignant exploration of family bonds, trauma, and survival. 
 
The play delves into complex issues such as systemic injustice, family dynamics, and personal identity, leaving audiences unsettled and reflective.

DeWanda Wise and Kacie Rogers in 'Furlough's Paradise'

The play tells the story of two cousins, Mina and Sade, who spend three days together while Sade is on furlough from prison. Mina, an Ivy League graduate, lives a cushy life working at Google on the West Coast.
 
We never find out why Sade is doing time, but we do know she’s serving a significant amount of time.
 
Although she’s in prison, Sade hasn’t let the circumstances dash her dreams of becoming an entrepreneur. She also wants to have children with her girlfriend, once they are both out of prison.

(l-r) Kacie Rogers and DeWanda Wise

It’s very apparent that Sade and Mina, who haven’t seen each other since Sade was sent to prison, are leading very separate lives.
 
As the clock winds down for Sade to return to prison, the cousins do the work of moving forward.
 
They do so by eating cereal and reminiscing about the good old days when they watched The Fresh Prince of Bel-Air, The Proud Family, and The Cheetah Girls.
 
The chemistry between DeWanda Wise (Sade) and Kacie Rogers (Mina) is rich and palpable.
 
Wise shines as Sade, bringing magnetic energy and vulnerability to the role.
 
Rogers is equally effective, delivering a masterclass in composure as Mina, whose tightly wound exterior gradually cracks.
 
Rogers and Wise bring depth and nuance to their characters, making their interactions feel raw, honest, and relatable. The conversations the two have can sometimes be hurtful, but they ring authentic. It’s often in your face and no-holds-barred.
 
It changes directions when it’s revealed that Mina has a white girlfriend named Chelsea.

Director Tinashe Kajese-Bolden and writer A.K. Payne

A lot of Payne and Wise’s brilliance lies in the grounded direction of Director Tinashe Kajese-Bolden, who brings intimacy and authenticity to the production.
 
The strength of the production lies in its emotional authenticity, thanks to Wise and Rogers’ remarkable performances and A.K. Payne’s nuanced, poetic script that pushes the boundaries. The play won the 2025 Susan Smith Blackburn Prize.
 
Payne’s language pulses with realism and lyricism, capturing the brutality of the carceral system and the complexities of Black women’s experiences.
 
DeWanda Wise plays Sade in 'Furlough's Paradise

The play’s themes of freedom, family, and survival are timely and thought-provoking.
 
The play’s emotional whiplash is both devastating and cathartic, with moments of humor and tenderness that feel earned and authentic.
 
The show features spoken word and visual effects, including cinematic projections and stylized dance interludes. It’s an interesting interjection. It takes the production to a different level.
 
Chika Shimizu’s minimalist set design effectively captures the transitional nature of Mina’s apartment.
 
Cricket S. Myers’s sound design adds to the atmosphere with subtlety.

‘Furlough’s Paradise’ leaves the heart feeling something. For certain, audience members will be in their feelings. 
 
A great evening of theater with outstanding performances.

Don’t miss this one!
 
‘Furlough’s Paradise,’ written by A.K. Payne and directed by Tinashe Kajese-Bolden, stars Kacie Rogers and Dewanda Wise.
 
On the DONLOE SCALE: D (don’t bother), O (oh, no), N (needs work), L (likable), O (oh, yeah), and E (excellent), ‘Furlough’s Paradise’ gets an E (excellent).
 
Running time: 1 hour, 20 minutes (no intermission)
 
‘Furlough’s Paradise,’ Gil Cates Theater at Geffen Playhouse, 10886 Le Conte Avenue, Los Angeles, CA, 8 p.m. Wednesday-Friday, 3 and 8 p.m. Saturdays, and 2 and 7 p.m. Sundays, through May 18, 2025; $36-$139; 310 208-2028 or online at www.geffenplayhouse.org.




Friday, April 4, 2025

Brian Culbertson - "The Trilogy Tour: Live from Detroit" Drops April 11


LOS ANGELES, Calif. (4 APRIL 2025): Very few touring jazz artists can put on the kind of elaborate, visually stunning, and wildly entertaining concert productions that Brian Culbertson creates. The multi-instrumentalist, songwriter, and producer who has crafted forty Billboard No. 1 hits spent two years writing and recording music with the help of the fans who tuned in to his weekly online series, The Hang, which resulted in the creation of thirty new songs spread out over three new albums to form The Trilogy. After each of the three themed albums was released, Culbertson mounted The Trilogy Tour, a 70-show U.S. concert trek that was filmed and will be released as “The Trilogy Tour: Live from Detroit” in 4K Ultra HD + Blu-ray on April 11 from BCM Entertainment.       

The Trilogy Tour featured songs from the three albums, “The Trilogy: Red,” “The Trilogy: Blue,” and “The Trilogy: White,” along with some of Culbertson’s chart-topping hits and fan favorites. As seen in the film directed by Robert Hubbard, the concert is an artfully staged and meticulously choreographed production illumined by state-of-the-art lighting design and visual effects that transform the show into a sensory experience. Always a high-voltage entertainer, Culbertson and his super-tight seven-piece band bring the seventeen-song setlist to life with vibrant melodies, lush harmonies, funky rhythms and grooves, and extended solos. All the magic from the final tour stop at Detroit’s MotorCity Casino fills the screen, taking viewers through “The Trilogy.”

“The Trilogy Tour: Live from Detroit” will be launched at two premiere events. This Sunday (April 6), the film will premiere at GoggleWorks Center for the Arts presented by The Boscov’s Theater during the Berks Jazz Fest in Reading, Pennsylvania. The movie will then premiere during a live stream event on VEEPS on April 10 at 8pm ET/7pm CT/5pm PT.

Culbertson was inspired to shoot his third concert film during The Trilogy Tour rehearsals and after the first few shows.

“I knew the visual was going to be something special. I try to make every tour special, of course, but sometimes, certain things and the music push a particular tour into another space that makes it more obvious to film. It needs to be different than a regular ‘the hits concert,’ which is just a random set of songs. This show has more of an arc and story to it,” said Culbertson about the project that will also be available as a two-disc CD.

The Trilogy Tour launched in March 2023 in Providence, Rhode Island, and concluded in Detroit in March 2024. A consummate performer who constantly raises the bar, Culbertson never stopped fine-tuning the show, which is why the last concert stop was preserved on film.

“I wanted to capture the last show because I used all the other shows coming up to it to continue rehearsing and making tweaks, either musical or lighting-wise. I will always take as much time as possible to finish a project based on a deadline. That final show gave me a hard deadline,” laughs Culbertson, whose previous concert video releases are “Colors of Love Tour: Live in Las Vegas” (2019) and “Live from the Inside” (2009).

Culbertson played keyboards and trombone, and he was accompanied on The Trilogy Tour by Darnell “Showcase” Taylor (guitar), Eddie Miller (keyboards and vocals), Chris Miskel (drums and musical director), Rishon Odel (bass), Michael “Patches” Stewart (trumpet and flugelhorn), Ronnie Gutierrez (percussion), and Walter English III (keyboards and vocals).   

After recording his 1994 chart-topping debut album, “Long Night Out,” in his college dorm, Culbertson became a consistent Billboard hitmaker. His now 28-album catalogue boasts a variety of recordings consisting of contemporary jazz, funk, acoustic jazz, and new age projects. His next studio album, “Day Trip,” which he describes as having “more of a jazz fusion edge,” is expected in late September. The ten-song set that he wrote with Nicholas Cole in seven days features Branford Marsalis, Randy Brecker, Marcus Miller, Sheila E., Mike Stern, Kirk Whalum, Paul Jackson Jr., and Eric Marienthal, along with a rhythm section formed by bassist Nathan East and drummers Lil’ John Roberts and Lenny Castro.

Culbertson wasn’t planning to make an album when the songs that comprise The Trilogy were composed and recorded.

“I was writing new music while livestreaming on ‘The Hang,’ getting real-time feedback from fans via the chat. Before I knew it, I had thirty new songs that fit three distinctive emotional categories. The Red album is very sexy and romantic. ‘Blue’ is melancholy, and the music lifts you up when life gets hard. The songs on White are uplifting and hopeful,” explained Culbertson about the albums released between October 2021 and May 2022.

Culbertson’s creative vision for The Trilogy Tour was for the show to be an immersive sensory experience of sound and light. His vision is vividly realized on “The Trilogy Tour: Live from Detroit.” 

“The phrase everyone kept saying to me was ‘that was an experience.’ From the band at rehearsals to the fans at the first several shows and beyond, that phrase was repeated repeatedly. The Trilogy Tour is not just a regular show. It truly is an experience, both musically and visually, that takes the audience on a journey. I’m glad that the film will enable people to experience that journey whenever they want to.” 

The songs performed during “The Trilogy Tour: Live from Detroit” are:

“Prelude”

“Stars”

“Summer Hideaway”

“The Hangout”

“Sandcastles”

“Time Flies”

“Feel The Love”

“Let’s Go”

“Always Remember”

“Eyes Closed”

“Dance With Me Tonight”

“A Love Lost”

“You Are My Everything”

“Colors Of Love”

“Funkin’ Like My Father”

“Play That Funky Music”

“On My Mind”

“Stars (reprise)”

Watch a preview of “The Trilogy Tour: Live from Detroit” at Brian Culbertson "Stars" Preview - The Trilogy Tour (Live from Detroit).

To buy tickets to the GoggleWorks Center for the Arts premiere, go to https://goggleworks.org/event/brian-culbertson-the-trilogy-tour-live-concert-film/.

To attend the virtual premiere on VEEP, click HERE.

For more information, visit https://www.brianculbertson.com.