Keyboardist Charles A. Kelly Enters 'Phase II'

 

R&B/Jazz keyboardist Charles A. Kelly is focused on transformation, evidenced in his sophomore album, “Phase II,” released on February 21, 2025. An album of transition and spirituality that is the second in a trilogy, Kelly wrote, produced, and arranged ten new songs for the Innervision Records release. The third single from the project, a deep cut titled “Raindrops Under Glass” that imaginatively mixes classical orchestrations, African rhythms, and movie score melodies, was also released on Friday.

 

Kelly created his 2022 debut album, “You’re Not Alone,” to be the first in a trilogy. The album was to be like an establishing shot in a movie that captures the present moment – or sounds, in this case. His muse was the present state of contemporary jazz. Kelly conceived “Phase II” to serve as a bridge album, with the collection pushing the boundaries of the music genre, experimenting, and testing the limits and the definition of contemporary jazz – offering a thesis of what it could become. The third in the series will be a double album, an evolutionary realization, a visionary outing futurizing contemporary jazz.

 

“My mission for this album is to stretch the current boundaries of what is considered contemporary jazz. This genre has a rich history, but it has gotten a bit formulaic. For the music to grow, artists must have the courage to reach deep inside and create music boldly while building true connections to a wider audience. As a songwriter, I want to reach as many people as possible for the purpose of engaging in a real and genuine connection with listeners. I believe the only way to do this is to create songs openly and honestly, without restrictions. Listeners love authenticity and I want to be right there with them,” said Kelly, a Philadelphia native who has long called the Los Angeles area home.  

 

“Phase II” opens with the snappy, horn powered “That Groove,” anchored by the taut rhythm section consisting of bassist Jerome Randall and drummer Billy “Shoes” Johnson. Trumpeter Michael Stever captains (and arranges) the four-piece horn section alongside Andrew Neu (tenor and alto saxophone), Nick Lane (trombone), and Kelly’s son, Jason Kelly, on soprano sax. Kelly’s piano dances, radiating a joyous spirit.

 

“This funky and catchy song symbolizes the essence of confidence in oneself. In life when our mind, body, and spirit are in sync, there is a confidence we have, a radiant glow that shines through when others are around. People may not know personal situations or circumstances, but they see a glow and excitement they may want in their lives. When we can be free from worry and we focus on those things that make us better, we grow. From growth comes confidence,” explains Kelly.

 

Kelly’s piano remains radiant and ebullient on “SunSeeker,” the first single. A travel-inspired song, it peaked at No. 4 and spent eight months on the chart. 

 

Another invigorating joint, this one recalling his formative years performing in Philly nightclubs, “‘City Night” was the second single to preview “Phase II.” While writing the song, Kelly turned to Philadelphia music legends for inspiration.

 

“‘City Night’ captures the spirit of the Philadelphia nightlife from that period in my life, the time I spent playing in the nightclubs by Penn’s Landing on the Delaware River. Those nights are where I had a chance to feel the excitement of playing in front of crowds of people every night. That’s when I got a chance to feel that energy for the first time, the thrill of being on stage and performing. It was then that I knew I wanted to make music my career. I started looking at old videos of The Spinners, Blue Magic, Delfonics, and other legendary Philly International Records groups. Since I used to play with Blue Magic, it was fun and exciting to think about that time in my life,” recalled Kelly.

 

Incorporating fusion into the mix, “Bring It to Compliance” has a tension, focus, and intensity. Again, the horn section packs a punch to which Kelly adds electric guitar to his piano and keyboards, playing alongside electric guitarists Miles Jenson and Billy “Meech” Chase.

 

“For us to walk in happiness, love, and success, there is work to be done, which is accomplished by becoming compliant to discipline, consistency, ambitious standards, and focus on the goal at hand. Each step we take in life can take us either forward or backward. We must learn from each step and build from it. As we successfully accomplish small steps, we will develop a love for what we do. That love will generate the energy and spirit required to be victorious in life. However, for this to occur we must bring ourselves into compliance with God’s laws that will transform us from the inside out,” said Kelly providing insight.

 

Another tune tinged with fusion, “Feathers In Flight” was inspired by an unforgettable scene in the Academy Award-winning film “American Beauty,” in which a plastic bag was tossed around in the wind. Kelly explains, “The image of a plastic bag blowing in the wind shows precisely the freedom that comes from finding happiness and beauty in the simplest things, regardless of life’s difficulties. We must not get caught up in those things that damage us spiritually but focus on the things that edify our souls. That is how to overcome our difficulties. Our spirits must float and rise above the things that attempt to bring us down.”

 

Bold and daring reflecting the song’s namesake, “Amanirenas” was named after the queen regnant of the Kingdom of Kush known for invading Roman occupied Egypt and negotiating the end of the Roman retaliation. Kelly’s song is offered as a testament to all women, reflecting Queen Amanirenas’s beauty, strength, leadership, and courage.

 

The soothing and placid Africano melodies and rhythms on “I Only Want You” gives way to a mid-tune spoken word rap delivered by Robert Washington along with a vocal caress from Quiahna.

 

“The song ‘I Only Want You’ is about understanding our protection in life is rooted in a love for God. With the world in so much upheaval, unhealthy political actions, violence, and hatred we must turn to God for strength, protection, and guidance. The lyrics written by Robert Washington say it all,” said Kelly about the song spawned from Ephesians 6:10-14, “The Armor of God.”

 

Slated to be the album’s fourth single, released on April 15, “When We Are One” bobs to a hip-hop loop crafted by Kelly that runs through the song about agape love.

 

“‘When We Are One’ explores the endless opportunities when two people are totally connected by agape love for each other. After the initial infatuation period, exploration and discovery period, adaptive period, the commitment phase, we finally experience the acceptance phase, which is the deepest part of any relationship. This is also where the real blessings happen with couples that can endure and embrace this special period in life. Selfless love, characterized by a deep care for another person without any sexual implications, particularly when it is spiritual in nature, can be considered an ideal form of affection,” offered Kelly.

 

Kelly gets deeply personal on the closing composition, an intimate solo piano piece titled “Song For Charlie,” written for his late daughter.

 

“The final song on the album is about reconnecting in the spiritual world with my daughter, Sharlise, who passed away quite a few years ago. The music represents a living being going into the spiritual world to tell her how much she is loved by my wife and myself. I tell her that although there was much pain when she passed away and how the family dynamics changed with her passing, we were made stronger, and she will never be forgotten. ‘Song For Sharlise’ also represents a reconciliation rooted in the acceptance of her death. I think any parent who loses a child thinks about what they could have done differently to prevent something tragic from happening. Finally, the end of the song represents that our entire family will be united again. The synths at the end represent Sharlise going back to her spiritual home and me returning to the physical world. This song focuses on loss, love, hope, healing, reconnection, and reconciliation,” revealed Kelly.

 

Other musicians who contributed to “Phase II” are four-time GRAMMY®-winning percussionist Munyungo Jackson, drummers Tony Moore and Land Richards, and guitarist James Greene.

 

Kelly is a musician, songwriter, producer, arranger, and band leader who has collaborated with a galaxy of luminaries including Stevie Wonder, Neil Diamond, Elton John, Nile Rodgers, Sister Sledge, The Pointer Sisters, and Nathan East. He’s also flourished in the contemporary Christian space, playing with CeCe Winans, Mary Mary, Jeremy Camp, and Israel Houghton. As an actor, Kelly was in the cast of the “Fame” television series. “You’re Not Alone” launched four singles onto the charts, including the title track, "Endangered Species,” “I Know You,” and “I’m Good.” For more information, visit https://www.charlesakelly.com.

 

Kelly’s “Phase II” album contains the following songs:

 

“That Walk”

“SunSeeker”

“City Night”

“Bring It to Compliance”

“Raindrop Under Glass”

“Feathers In Flight”

“Amanirenas”

“I Only Want You”

“When We Are One”

“Song For Sharlise”      

 

Topdog/Underdog at Pasadena Playhouse: A REVIEW

By Darlene Donloe 

It doesn’t do it justice to call Suzan-Lori Parks' Pulitzer Prize-winning play, Topdog/Underdog, a masterpiece. 

While it is a masterpiece, it’s so much more. There is so much to unpack in this commanding two-act play. 

It explores the complexities of brotherly love, family identity, and the struggles of being Black in America. 

TopDog/Underdog, currently playing at the Pasadena Playhouse through March 23, is directed by the inimitable Gregg T. Daniel, who, once again, delivers a creative, effective production that is both engaging and emotional. 

Gregg T. Daniel

The play, told in a dark, dank basement apartment, tells the story of two brothers, Lincoln (Brandon Micheal Hall) and Booth (Brandon Gill), whose father gave them their names as a joke. This foreshadows a lifetime of sibling rivalry and resentment. 

The play, appropriately described as a darkly comic fable that is poetic, gripping, and unforgettable, is about how the brothers are in freefall as they struggle to find their footing as they hustle their way through life. Haunted by the past and their obsession with streets, coins, and cards, the brothers come to learn the true nature of their fate. 

(l-r) Brandon Gill and Brandon Micheal Hall

Daniel, who never wastes the chance to move a story forward, fills the stage with necessary, effectual movements from the two stars, Brandon Micheal Hall and Brandon Gill. They are mesmerizing to watch as they rhythmically deliver Parks’ forever-in-motion lines. Daniel’s give-and-take direction brings intensity when needed before yielding to more comical moments. Daniel's even flow allows Hall and Gill to freely tell the story through various means, including dialogue, their physicality, and distinct subtle, inherited idiosyncrasies. 

Brandon Gill

For instance, Booth’s anxiety-laden body is constantly moving on stage, as if he’s hyped up on something. Lincoln, the elder of the two brothers, is more laid back and controlled in his body.

It’s clear that Booth, who can’t hold down a job, is dealing with some mental issues. He wants desperately to master the slick three-card Monte his brother, Lincoln, used to command – but can’t quite get there.  Lincoln is trying to stay away from his past, while his brother, Booth, wants him to teach him everything so that he can become the king of the three-card Monte hustle. 

Brandon Micheal Hall

Lincoln has his issues. First, his gig is playing Abraham Lincoln at an arcade, which is, admittedly, “a stretch” since he is Black.  He was also dumped by his wife, who either did or didn’t sleep with his brother.  The two brothers laboring to be free in a confined space leads to disharmony between the two. Sometimes, the tension is high, sometimes not high enough given their circumstances. After all, Lincoln is crashing at Booth’s place, which is already too small for one person, let alone two. 

Through the characters' experiences, Parks delves into themes of toxic masculinity, manhood, and violence, offering a powerful commentary on the societal expectations placed on Black men. 

(l-r) Brandon Gill and Brandon Micheal Hall in Topdog/Underdog

The play's use of language is poetic and evocative, with Parks' unique voice shining through in the dialogue. 

The play has received widespread critical acclaim, with many praising its innovative storytelling, complex characters, and thought-provoking themes. 

The original production, directed by George C. Wolfe, starred Don Cheadle and Jeffrey Wright and won several awards, including the 2002 Pulitzer Prize for Drama.

In recent years, Topdog/Underdog has experienced a resurgence in popularity, with several productions and revivals, including a 2022 Broadway revival starring Corey Hawkins and Yahya Abdul-Mateen II, which won the Tony Award for Best Revival of a Play. 

The play's enduring relevance is a testament to Parks' masterful storytelling and her ability to capture the complexities of the human experience. 

The New York Times called Topdog/Underdog “The Greatest American Play of the Past 25 Years." It is a must-see play that will move, test, and stir audiences. 

Its exploration of the human condition, innovative storytelling, and powerful themes make it an authentic tour de force of the American theatre. 

Kudos to the set designer, Tesshi Nakagawa, who created a favorable, dilapidated, squalid, cramped room in a grand proscenium space for the brothers to reside. Kudos also to Angelene ‘Angie’ Storey (assistant scenic designer), Angela Balogh Calin (costume designer), Jared Sayeg (lighting designer), Jeff Gardner (sound designer), Andra Allmond (associate sound designer) with composition by DJ Tru, guitar composition and musical performance coaching by Maritri, movement consultation by Joyce Guy, intimacy and fight coordination by Sasha Nicolle Smith, and casting by RBT Casting (Ryan Bernard Tymensky, CSA).

‘Topdog/Underdog,’ written by Suzan-Lori Parks and directed by Gregg T. Daniel, stars Brandon Gill and Brandon Micheal Hall. 

On the DONLOE SCALE: D (don’t bother), O (oh, no), N (needs work), L (likable), O (oh, yeah), and E (excellent), ‘Topdog/Underdog’ gets an E (excellent). 

Running time: 2 hours/20 min., 15-minute intermission. 

‘Topdog/Underdog,’ Pasadena Playhouse, 39 South El Molino Avenue, Pasadena, 8 p.m., Wednesday and Friday; 7 p.m. Thursday; 2 and 8 p.m. Saturday, and 2 p.m. Sundays; 2 and 7 p.m., Sunday, March 23; through March 23; $40, 626-356-7529, PasadenaPlayhouse.org

 

 

 

 

 

 

'44 The Musical': Filled With Political Humor

By Darlene Donloe

When President Barack Obama was in office, he had a wondrous supporting cast that included his wife, Michelle Obama, his Vice President, Joe Biden, and his Secretary of State, Hillary Clinton.

And then there were those on the periphery who wanted nothing more than to derail his presidency.

People like Mitch McConnell, Herman Cain, Sarah Palin, Lindsay Graham, and Ted Cruz.

That mixed-up menagerie is part of ’44 The Musical,’ currently playing at the Kirk Douglas Theater in Culver City through March 23.

‘44 The Musical’ is a side-splitting, hilarious, and heartwarming satire that tells the story of Obama’s White House years through Joe Biden's hazy recollection. The show immediately grabs the audience with the opening song, M.F.O. (Muthaf*ckin Obama), sung by the company. That song sets the tone for what’s to come.

What comes is a talented cast with fabulous voices, clever dialogue, and streetwise choreography.

In the show, American politics, which of late has become the sad punchline of a horrible joke, is on the chopping block for some good-natured fun.

This is a bold, unapologetic satirical romp that fearlessly tackles issues like racism, sexism, and political corruption with in-your-face humor.

T. J. Wilkins, named in the Top 12 overall as a member of Team Usher on Season 6 of NBC’s ‘The Voice,’ and R&B artist Shanice (‘I Love Your Smile’) lead the cast as Barack and Michelle Obama.  Wilkins and Shanice have incredible chemistry, which helps move the story forward. Whether they perform solo or as a duo, combining Wilkins’ and Shanice’s powerful voices results in fireworks. 

The supporting cast is exceptional, with standout performances from Summer Nicole Greer, whose soulful vocals nearly blow the roof off, Chad Doreck as Joe Biden, Larry Cedar as Mitch McConnell, and Jenna Pastuszek as Hillary Clinton.

The music is catchy and memorable, mixing pop, R&B, and rock influences. The witty and insightful lyrics offer a clever commentary on the politics of the time.

‘44 The Musical,’ which had its premiere at the Bourbon Room in Hollywood in 2022, is written, composed, and directed by Eli Bauman (NBC’s ‘Maya & Marty’), a former Obama campaign organizer.

Bauman and Monica Saunders-Weinberg produce the show, which stars T.J. Wilkins as Barack Obama, Shanice as Michelle Obama, Chad Doreck as Joe Biden with Larry Cedar as Mitch McConnell, Marquell Edward Clayton as Brother Abe Lincoln, Summer Nicole Greer as Voice of the People, Jane Papageorge as Sarah Palin, Jenna Pastuszek as Hillary Clinton, Dino Shorte as Herman Cain, Jeff Sumner as Lindsay Graham, and Michael Uribes as Ted Cruz. Celeste Butler, Ally Dixon, and Scott Kruse are understudies.

The show features legendary L.A. band House of Vibe as ‘The Andrew Jackson Five’ with Anthony ‘Brew’ Brewster as musical director and keyboards, along with Conrad Bauer (guitar), Corey Cofield (bass), Phillip ‘Fish’ Fisher (drums), Greg Raymond (keyboards). The band is so tight it’s like an additional character in the show.

Miss James Aslop handles the show’s hip-hop-infused choreography. Julio Himede and Nicola Filler designed the production, Jonathan Burke designed the sound, Conrad Bauer is the digital content producer, Jud Nester is the content producer, and Mike Emerson is the graphic designer.

On the DONLOE SCALE: D (don’t bother), O (oh, no), N (needs work), L (likable), O (oh, yeah), and E (excellent), ’44 The Musical’ gets an E (excellent).

’44 The Musical,’ Kirk Douglas Theatre, 9820 Washington Blvd., Culver City, through March 23, 2025, $44, www/centertheatregroup.com

Impact Network To Deliver First Original Scripted Series, 'Highly Favored'

 

Impact Network, the 100% Black-founded and operated independent multi-platform media company and the premier home for Black family entertainment has set the cast for its first original scripted series, “Highly Favored. " Impact Network Founder and CEO Wayne T. Jackson and Executive Vice President Royal W. Jackson announced this today.

KiKi Shepard

Michael Colyar

“Highly Favored” also marks Impact Network’s first series partnership with groundbreaking veteran executive producer and showrunner Bentley Kyle Evans (“Martin,” “In the Cut,” “The Jamie Foxx Show”). Evans serves as executive producer, showrunner, and director, and his LA-based Harvest Studios produces the six-episode comedy series with executive producer Trenten W. Gumbs. The premiere date will be announced in the future.

Bentley Kyle Evans

Starring in the half-hour, multi-camera workplace comedy series are actor, comedian and author Michael Colyar (“Blackish,” “House Party III,” “The Princess & The Frog,” “Martin”), actress KiKi Shepard (“It’s Showtime at the Apollo,” “Miss Evers Boys,” “Mind Your Business,” “Grey's Anatomy”), actor Anthony S. Goolsby (“Will Trent,” “42”), actor Chico Benymon (“Half & Half,” “Ali,” “The Haunted Hathaways”), comedian and actor Rodney Perry (“Coming to America 2,” “Johnson Family Vacation”), and comedian and actress Melanie Comarcho (“Phat Tuesdays,” Snoop Dog’s “F*CN Around”). Colyar and Shepard also serve as producers.

Melanie Comarcho

"With ‘Highly Favored,’ we are ushering in a new era of original storytelling at Impact Network. This series represents our commitment to creating impactful, positive narratives that connect with our audiences meaningfully,” commented Bishop Wayne T. Jackson, CEO & Founder of Impact Network.

Anthony S. Goolsby

“We are proud to present a series that entertains and uplifts, inspiring audiences with stories that feel real, relevant, and true to who we are. The cast of ‘Highly Favored’ has embodied this vision, bringing these characters to life with performances that deeply resonate.” said Royal Jackson, Executive Vice President of Impact Network and series co-executive producer. 

Chico Benymon

“A great cast is the secret ingredient for any series. Michael, KiKi, Anthony, Chico, Rodney, and Melanie are consummate professionals with excellent comedic timing. I can’t wait for viewers to see this amazing ensemble,” said Bentley Kyle Evans, executive producer and showrunner.

Rodney Perry

Rooted in humor, family, community, and a touch of the absurd, “Highly Favored” explores the clash between tradition and modernity through the point of view of the charismatic yet old-fashioned Pastor Michael Crawley (Michael Colyar).

Pastor Crawley faces the challenges of modernizing his Inglewood, CA-based church to keep up with the times while dealing with a quirky cast of characters and an outrageous but well-meaning family. He is a dynamic and charismatic Vietnam veteran turned old-school preacher, famous for his televised sermons. Despite being bombarded with technology and social media in all areas of his life, Crawley clings to traditional values and methods, still preferring pen and paper over a computer or texting from his phone. His relationship with Lavesta is the cornerstone of his life; he loves her unconditionally and goes to great lengths to keep her happy. With his sons Demarcus and MJ, Pastor navigates Demarcus’ ambition to be a pastor while dealing with MJ living at home with his daughter Brianna. Deacon Jones is the loyal best friend and sometimes bodyguard to Paster Crawley. Their friendship was solidified when they served in Vietnam together. Sister Sarah, one of the elders, is deeply entrenched in the tapestry of the church, playing a crucial role in maintaining order, fostering connections, and having the latest gossip.

First Lady Lavesta Crawley (Shepard) is the force behind Pastor Crawley and his pulpit. She is his ride-or-die, genuinely supportive of her husband, providing him unwavering love and encouragement. Levesta can be overbearing as a mother, but behind her glamorous exterior hides a woman fiercely dedicated to her family and her role as the esteemed First Lady.

Son Demarcus Crawley (Anthony S. Goolsby) is the holier-than-thou assistant pastor and the eldest son with ambitions to succeed his father as Pastor. But not if Crawley has any say in it.

Michael “MJ” Crawley, Jr. (Chico Benymon), is the younger prodigal son. A talented music producer who failed to hit the big time, MJ finds himself back under his parents’ roof, along with his daughter Brianna (Kali Rose Lewis), and at the organ accompanying the church choir.

Deacon Jones (Rodney Perry) met Pastor Crawley while serving in Vietnam. That bond solidified their friendship for life. At the church, Deacon is the pastor’s confidante, providing unwavering support and, at times, much-needed humor.

Sister Sarah (Melanie Comarcho) is a faithful church member who often goes toe-to-toe with the First Lady. She is also Lavesta’s best friend, loyalty personified, and loves the Crawleys as the family she never had.

An actor, comedian, motivational speaker, and author, Michael Colyar has been captivating audiences for almost five decades. His career as an entertainer began at Venice Beach, where he performed his comedy routine every weekend, 5 shows a day, for nine years straight, earning him the title the “King of Venice Beach.” He later went on to be a “Star Search” winner, donating 50% of his $100K prize to the homeless. Colyar is best known for his roles in “Blackish,” “House Party III,” “Norbit,” “The Princess & the Frog,” and his role as Mr. Whitaker on the hit, fan-favorite series, “Martin.” “Martin” is also where Colyar and executive producer Bentley Kyle Evans first worked together. Colyar still packs comedy clubs around the country each weekend. Additionally, he has his own weekly YouTube series - The Michael Colyar Morning Show.

KiKi Shepard is a veteran of stage, television, and film. A well-known dancer/choreographer, she lit up Broadway’s stages for over 10 years. Then, for her next act, she graced the stage of the legendary Apollo Theater as the co-host of NBC’s original “It’s Showtime at the Apollo” with hosts Steve Harvey, Mark Curry, Sinbad, and Rudy Rush for 15 years. Throughout her career, Shepard has appeared in various feature films, television shows, and videos, and her voice has been featured in cartoons and voiceovers. She is the Founder/Executive Director of the KIS Foundation, Inc., and has been a major advocate for raising awareness and promoting education of Sickle Cell Disease (SCD) for 20 years. She recently appeared on “Grey’s Anatomy” as a corporate executive who helped a SCD patient obtain the newly funded gene therapy protocol…a major victory in education/social impact through her beloved entertainment industry.

Anthony S. Goolsby is a dynamic actor known for his compelling television, film, and theater performances. His credits feature hit series, including “She-Hulk” on Disney+, ABC’s “Will Trent,” “The Winchesters” on the CW, and “Leverage: Redemption” on Prime Video. His versatility has also earned him spots on BET’s “First Wives Club,” “Legacies” and “Johnson.” Beyond television, Goolsby’s film roles include “42” and “Christmas in the Pines.” He has also become a recognizable presence in commercials for Capital One, Amazon, and Geico.

An actor, singer, musician, and three-time NAACP Image Award-nominee, Chico Benymon is best known for playing Spencer, the best friend on the hit comedy series “Half & Half.” He also appeared on “Moesha,” “Ali,” and the series “The Haunted Hathaways.” Before he started acting, he was a singer in a group called Trā-Knox, which was a protege of Will Smith’s and was signed to his label. The group appeared on the “Wild, Wild, West” and “Men in Black II” soundtracks.

Rodney Perry is a stand-up comedy veteran who, in his early days, opened for George Lopez, Steve Harvey, and Cedric the Entertainer, to name a few. His comedy fame propelled him to TV, where he hosted comedy shows like “Who’s Got Jokes” and appeared in Tyler Perry’s “Madea’s Big Happy Family.” He most recently appeared in “Coming to America 2.”

Born in Chicago, raised in Inglewood, CA, and is an Army veteran, Melanie Comarcho is one of the most sought-after comics in the country. She has toured with Martin Lawrence, Katt Williams, and Chris Tucker. She was the first stand-up comic that Chris Rock featured on his late-night talk show. Comarcho has made numerous appearances in comedy shows, including the iconic Def Comedy Jam series on HBO early in her career and, more recently, in the Amazon Original documentary series “Phat Tuesdays.” She most recently appeared in the Amazon Original documentary series “Phat Tuesdays," Snoop Dog's "F*CN Around" comedy special on Netflix, and is currently opening for Katt Williams on his "Heaven on Earth" tour.

With its rollout of new original programming and community initiatives and the recent launch of its Impact Gospel FAST channel, available on Allen Media Group’s Local Now and Mansa, among others, Impact Network is offering engaging, quality programming and experiences that enrich and entertain the Black family and community audiences across all generations and platforms.

About Impact Network

Impact Network is the premier home for Black family entertainment and is dedicated to offering the highest quality lifestyle programming, including movies, scripted and non-scripted series, and specials. Impact is a 100% Black-founded and operated multi-platform media company driven by family values and community. Established in 2010 by community leaders, entrepreneurs, and philanthropists Bishop Wayne T. Jackson and Dr. Beverly Y. Jackson, the company is defined by its legacy and mission to inform, empower, educate, and serve to positively impact the Black community. Based in Detroit, MI, the Impact Network is distributed in over 70% of US homes, broadcasting via cable and satellite systems across the United States on Comcast-Xfinity, Frontier, Cox, Time Warner, Spectrum, Charter, Spectrum, ATT-U-Verse, Verizon, Fios, Altice, DirecTV, DISH and expanding digitally. Impact Gospel is a FAST channel experience focusing primarily on gospel lifestyle entertainment and is currently available on Allen Media Group’s Local Now and Mansa. For more information, visit watchimpact.com and follow Impact at @watchimpactofficial.

About Harvest Studios

Harvest Studios, led by Bentley Kyle Evans and Trenten W. Gumbs, has been a powerhouse in comedy production for over 12 years. Known for bringing hundreds of sitcom episodes to a range of networks—including TV One, Bounce TV, ALLBLK, and the Impact Network—Harvest Studios has played a pivotal role in elevating Black talent and stories in Hollywood.

Evans, a seasoned showrunner with credits like the iconic "Martin" series (starring Martin Lawrence), co-founded Harvest Studios with Gumbs to create groundbreaking urban comedies. Their first major series, "Love That Girl" (featuring Tatyana Ali), aired 67 episodes on TV One. In 2012, Harvest expanded its influence by partnering with Bounce TV to produce two new popular sitcoms, "Family Time" (91 episodes) and "In The Cut" (87 episodes).

Harvest Studios has continued to innovate, joining forces with hip-hop legend MC Lyte to co-create *Partners N’ Rhyme*, a pilot acquired by the rebranded ALLBLK streaming service. With Evans as director, the series showcases Harvest Studios' dedication to amplifying Black voices and creating successful, culturally impactful television. Harvest Studios recently partnered with Impact Network to produce *Highly Favored*, marking Impact Network’s first venture into original series production. This collaboration highlights Harvest Studios' ongoing commitment to bringing fresh, dynamic content to diverse audiences, further solidifying its role as a leader in producing culturally significant television.

Arthur Thompson Drops Single, 'I'm Free'

R&B/Jazz vocalist-drummer Arthur Thompson continues his commitment to spreading joy through music and paying it forward by releasing his new single, “I’m Free.” Released on Valentine’s Day, the invigorating track that began collecting playlist ads on Monday (February 17) serves up an affirmational message of self-love and being unapologetically you. Thompson co-wrote the song that he produced with two-time GRAMMY® winner Jon Gilutin. 

“I’m Free” is the fourth single from Thompson’s forthcoming debut album, “Arthurized Volume 1,” which is slated to arrive this summer. Each one of his singles – “Smile,” “We Can BEAT Cancer,” “Oasis,” and now “I’m Free” - has provided a positive, optimistic message with a purpose.

Written by Thompson, Fred Smith, and Jaconell Mouton, “I’m Free” is primarily a sunny instrumental groove riding a rhythm etched by Thompson’s drums and percussion and Kamaal Malak’s bass. Tenor saxophonist Tom Braxton dispenses lyrical leads amidst motivational melodies crafted by Gilutin’s piano and keyboards, David John’s guitar and happy horn section parts played by the Monkey Fist Horns comprised of Rod Clark (trombone), Dave Johnson (trumpet), and Victor Anderson (saxophone). Thompson croons the choruses with glee in the company of backing vocalist Erin Stevenson.

“I had been going through some personal things that had me depressed and second guessing myself. Through meditation and prayer, I began to break through, and in doing that I was able to see myself, understand my worth and believe that all things are possible if you believe in yourself. ‘I’m Free’ is a self-awareness, feelgood song. It’s about learning to be happy with yourself, learning to walk in your own shoes, being unapologetic about who you are, and the things that you have overcome,” said Thompson, a Tulsa, Oklahoma native who is based in Nashville.

Last year, Thompson reimagined the uplifting “Oasis,” which was a number-one hit for Roberta Flack. A single released to benefit and raise money for Breast Cancer Awareness Month, “We Can BEAT Cancer,” featured 9-time GRAMMY® nominated saxophonist Dave Koz and Stevenson. Thompson’s second single spent four months on the national chart. His 2023 debut single, “Smile,” featured saxophonist Mindi Abair with whom Thompson regularly tours. The success of the latter two singles led to Thompson being named Breakout Artist of the Year by BEATS Magazine.

Thompson is an in-demand drummer who tours and performs with contemporary jazz luminaries. He’s a mission-based musician who advocates for multiple causes, from mental health awareness to creating educational programs and nonprofit organizations – Where Are You Now, Music & Math; Build a Life, Save A Life Foundation; and Drums Speak - designed to serve children and at-risk youth.

While Thompson continues to assemble the material for “Arthurized Volume 1,” he hopes to empower listeners with the message in “I’m Free.”

“I hope this song makes you feel good and inspires you to believe in yourself and walk proud.”

For more information, please visit https://arthurthompsondrums.com.

 

The Great Yes, The Great No: A Review

By Darlene Donloe

South African Artist William Kentridge’s ‘The Great Yes, The Great No’ is one of the most completely breathtaking shows this reviewer has ever witnessed.

The show, which played briefly in the Bram Goldsmith Theater at the Wallis Annenberg Center for the Performing Arts earlier this month, was exceptional in all the right places.

Kentridge conceived and directed the show, which included Phala O. Phala and Nhlanhla Mahlangu.

The show was part of The Centre for the Less Good Idea, Johannesburg, headed by Kentridge and Bronwyn Lace.

The Centre for the Less Good Idea is an interdisciplinary incubator space based in Maboneng, Johannesburg, committed to free-spirited experimentation and collaborative art. 

Kentridge said, “The Centre is a long-term test of a strategy for making art and making meaning. Is it a viable way of finding understanding, of constructing meaning, or simply a way of making art?” 

A chamber opera, The Great Yes, The Great No, tells of the 1941 historic escape from Vichy France on a cargo ship from Marseille to Martinique by, among others, surrealist André Breton, anthropologist Claude Lévi-Strauss, Cuban artist Wilfredo Lam, communist novelist Victor Serge, and author Anna Seghers. 

The opera features a diverse cast of characters, including the Captain, who serves as a guide throughout the performance.

The music is a rich tapestry of styles, with a quartet of musicians seamlessly transitioning between Schubert, Satie-esque melodies, and South African musical traditions.

Some of The Great Yes, The Great No cast

Yes/No is conceived with award-winning theater maker Phala Ookeditse Phala and choral composer Nhlanhla Mahlangu.

The show's look, staged on a ship, is visually stunning. The voices and music are angelic, and the story is engaging. The performances are superb. The chorus delivers complex harmonies and narratives with ease.

In Kentridge’s hands, the ship becomes a fantastical menagerie of thinkers, makers, and revolutionaries in a production that merges surrealist imagery with real-life events, lush South African choral music, dance, poetry, and anti-rational approaches to language and image.

This event takes a magical turn when Charon, the ferryman of the dead who has now been promoted captain, rearranges space-time and invites other celebrated figures to join this new kind of ark, an allegory of all past and present forced expeditions.

These characters include Aimé Césaire, Franz Fanon, and the Nardal sisters, the co-founders with Césaire of the anti-colonial Négritude movement in Paris, as well as the West Indian Marxist philosopher Franz Fanon, Josephine Bonaparte, Josephine Baker, Trotsky, Diego Rivera, Frida Kahlo, and Stalin.

'The Great Yes, The Great No' tackles colonialism, exile, and searching for meaning in a chaotic world. The production's use of projections, video, and text adds to its visual and emotional impact.

Kentridge presents an emotionally electric experience, fusing history, theater, music, and the spoken word with his breathtaking surrealist visuals.

In summary, 'The Great Yes, The Great No' is a thought-provoking and visually stunning production showcasing Kentridge's innovative opera approach. Fans of experimental theater who are looking for a unique cultural experience are in for a treat!

Hopefully, this show will soon return to Los Angeles. When it does, run, don’t walk, to see it!

This unforgettable show is a gem!

On the DONLOE SCALE: D (don’t bother), O (oh, no), N (needs work), L (likable), O (oh, yeah) and E (excellent), ‘The Great Yes, The Great No’ gets an E (excellent).

Stephen Sondheim's 'Old Friends' Brings Harmony To The Ahmanson

(l-r) Bernadette Peters and Lea Salonga
pic by Matthew Murphy

By Darlene Donloe

Stephen Sondheim has a way with lyrics and music, a masterful blend of intricacy, tone, and passionate intensity.

Some of Sondheim's most famous songs include Send in the Clowns, Agony, Into the Woods, Somewhere, and Everything’s Coming Up Roses, a testament to his innovative spirit, intellectual curiosity, and profound understanding of the human experience.

Those classics and a host of Sondheim’s other hits can be heard in ‘Sondheim’s Old Friends,’ currently playing at the Ahmanson Theatre through March 9, 2025.

‘Old Friends’ was born from Cameron Mackintosh and Sondheim’s lifetime of friendship and collaboration. The two came up with the idea during the pandemic, drawing on the many shows they had done together in partnership with their good friend Julia McKenzie.  

The show, a musical tribute to Sondheim’s many innovative gifts to musical theater, stars two-time Tony Award winner Bernadette Peters and Lea Salonga, also a Tony Award winner. 

They honor the legendary composer throughout the show with their talented, melodic offerings.

Other offerings of Sondheim’s include ‘Loving You,’ ‘Children Will Listen,’ ‘Pretty Women,’ ‘Sunday,’ and ‘You Gotta Get a Gimmick.’

Salonga is exceptional on ‘Loving You’ and ‘The Worst Pies in London,’ as is Peters on ‘I Know Things Now’/Bounce’ and ‘Send in the Clowns,’ as is Jason Pennycooke on ‘Live Alone and Like It” and Jasmine Forsberg on ‘On the Steps of the Palace’ and Bonnie Langford on ‘I’m Still Here.’

The cast of 18 does engaging justice to Sondheim's music during a two-act musical journey through the master’s prolific works. These works often feature intricate, jazz-influenced harmonies and unconventional tonalities that add depth and sophistication to his songs.

The lyricist is known for his clever wordplay, complex characters, and exploration of universally relatable and intensely personal themes.

Throughout his career, Sondheim has consistently pushed the boundaries of musical theater, experimenting with new forms, styles, and themes.

Sondheim died in November of 2021, but his music, which is emotional and original, lives on!

What a fabulous night of theater.

You should meet some ‘Old Friends’ at the Ahmanson Theatre.

‘Old Friends’ is a must-see!

Stephen Sondheim’s ‘Old Friends,’ directed and musically staged by Matthew Bourne, side by side with Julia McKenzie, stars Bernadette Peters and Lea Salonga, both of whom appeared in the West End production of Stephen Sondheim’s Old Friends.

Music and lyrics by Stephen Sondheim, devised by Cameron Mackintosh, and choreography by Stephen Mear.

The superb cast includes Jason Pennycooke, Maria Wirries, Daniel Yearwood, Jasmine Forsberg, Jason Dickey, Kevin Earley, Kate Jennings Grant, Bonnie Langford, Beth Leavel, Gavin Lee, Joanna Riding, Jeremy Secomb, Kyle Selig, Paige Faure, Alexa Lopez, and Peter Neureuther.

Kudos to Matt Kinley for his spectacular scenic design, Stephen Mear’s choreography, Jill Parker’s costume design, Warren Letton’s lighting design, Mick Potter’s sound design, George Reeve’s projection design, and Stefan Musch’s wig, hair and makeup design.

The 15-piece orchestra, helmed by Annbritt duChateau, is on point.

On the DONLOE SCALE: D (don’t bother), O (oh, no), N (needs work), L (likable), O (oh, yeah), E (excellent), ‘Old Friends’ gets an E (excellent).

‘Old Friends,’ The Ahmanson Theatre, located at The Music Center, 135 N. Grand Avenue, Los Angeles, CA 90012,  through March 9, 2025, 8 p.m. Tuesdays through Fridays, at 2 p.m. and 8 p.m. on Saturdays, and 1 p.m. and 6:30 p.m. on Sundays, $25, 213-628-2772.

 

Celebrities Reveal Their Favorite Love Song

By Darlene Donloe

What better way to celebrate the holiday of love than with a timeless love song? Songs have a way of evoking emotions, sparking memories, or setting the mood for romance. 

In honor of Valentine’s Day, I asked celebrities: What is your favorite love song?  

Cedric The Entertainer

CEDRIC THE ENTERTAINER (The Neighborhood) I gotta say Always and Forever by Heatwave and Stevie Wonder’s “Ribbon in the Sky.” These are really beautiful love songs. 

Rick Braun

RICK BRAUN (jazz trumpeter) My One and Only Love; also Nancy (With The Laughing Face), and Get Here

Mickey Stevenson

MICKEY STEVENSON (Motown legendary songwriter) My Baby Loves Me.

Tichina Arnold

TICHINA ARNOLD (The Neighborhood): Girl, that's easy! Heatwave’s “Always and Forever.”

Jay Will

JAY WILL: (Rob Peace/Tulsa King): I’m a lover boy.  I grew up with Anita Baker. Sweet Love and Rapture. It has to be something by Al Green or The Isley Brothers. 

Michael Abels

MICHAEL ABLES (Pulitzer Prize-winning composer for ‘OMAR’/ Composer for Jordan Peele’s ‘Get Out’ and ‘Us’) The first one that came to my mind is ‘All The Things You Are.’ 

Dave Koz

DAVE KOZ: Moon River by Henry Mancini.

Jay Ellis

JAY ELLIS (Insecure): Never Too Much and House Is Not A Home by Luther Vandross

Sheaun McKinney

SHEAUN MCKINNEY (The Neighborhood): It’s a fluid answer. It depends on where you are in your life. I’m in a new relationship, and it's going very well. It changes, right?  I’d have to say, ‘My Greatest Inspiration’ by Teddy Pendergrass. 

James Anthony Tyler

JAMES ANTHONY TYLER: (playwright) Love by Musiq Soulchild

Marcel Spears

MARCEL SPEARS (The Neighborhood) Ribbon in the Sky by Stevie Wonder, Stevie Wonder’s My Cherie Amore, or Frankie Beverly and Maze’s ‘I Want To Thank You.’  It doesn’t sound like a love song at first, but if you listen to the words, it comes from a place of gratitude.

Christian Sands

CHRISTIAN SANDS (jazz pianist): La La Means I Love – The Delfonics; Stay in My Corner – The Dells

Blaine Krauss

BLAINE KRAUSS (Hamilton) Lately by Stevie Wonder – but that’s a heartbreaker. Hmmm, I don’t know.

Flutist Kim Scott Is 'Livin' It Up'

 

 

Confident and comfortable with her place in music as an artist and as an educator, classically trained flutist Kim Scott is relishing her charmed life. With accomplishments that include multiple Billboard No. 1 singles, a Billboard No. 1 album, Billboard’s Song of the Year honors, and being named 2024’s Smooth Jazz Network’s Artist of the Year, Scott found her unique musical voice by combining classical, jazz, R&B, Latin, and pop to form a distinctive brand that has won fans around the world. The nine songs comprising her sixth album, “Livin’ It Up,” reflect her diversity, the pride and joy in her accomplishments, and her grateful spirit. The Innervision Records release will arrive on February 28, featuring seven songs co-written by Scott and production by two-time GRAMMY winner Paul Brown, GRAMMY winner Kelvin Wooten, and multi-time Billboard hitmakers Greg Manning and Michael Broening.

   

“I wanted to compose an album that reflected this time and space because I'm enjoying every minute of where I am in my life. I'm truly living it up and celebrating the gift of music I've been given and the opportunities that have come from it. I've had such an exciting music career that has allowed me to grow as a musician. I've been able to travel the world performing on some of the biggest stages. Sharing my music globally has allowed me to see the influence the music has on worldwide audiences. It's invigorating, inspiring, and such a blessing,” said Scott, who coproduced four tracks on the album with Wooten, her longtime keyboardist.

 

Scott approaches her songwriting intentionally. When it came to composing material for “Livin’ It Up,” she set out to write songs that were “outside the box.”

 

“For this album, I didn't want it to sound like the music playing on jazz radio right now because I wanted it to stand out as truly something unique and special. I want my music to stop people in their tracks when it comes on and be intrigued, captivated, inspired, and willing to lean in a little more to take it all in. On ‘Livin’ It Up,’ I took more liberty to write songs that embraced world music in terms of rhythms, vibes, and styles. You'll hear energetic and rich South African rhythms and harmonies on the album, which is quite new for me,” Scott shared.

 

“Livin’ It Up” opens with the Mediabase No. 1 hit “Like Butter” featuring saxophonist Jeff Ryan, a Billboard chart-topper in his own right. Broening produced and played keys on the soulful R&B track flanked by GRAMMY winners Freddie Fox (guitar) and Mel Brown (bass).

 

As Scott worked on the album over the last couple of years, occasionally, she released singles to prime audiences on what was to come. The first single, “Magic City Streets,” was released in July 2023 and is a love letter to her hometown, Birmingham, Alabama. Paul Brown produced, and GRAMMY-winning multi-instrumentalist Shane Theriot handled all the instrumentation aside from Scott’s impassioned flute.

 

“When I wrote the chorus, I chose to pay homage to my city of Birmingham so I could capture the magic and soul of the place I love so much. Birmingham’s nickname is The Magic City. The name came from the richness of the minerals in the soil, but I like to think it came from the magic of the people, the culture, and the food,” said Scott with pride.

 

“Alma de Lisbon” is an exotic Spanish sojourn that opens with a gorgeous flute and piano intro showcasing Scott’s classical chops with an improvisational nod to Marin Marais’s "Les Folies d'Espagne" before her band – Wooten, guitarist Eric Essix, and drummer James “PJ” Spraggins – kick start the beat.    

 

“I wanted to write a song that captured my intrigue for the city of Lisbon and Portuguese/Spanish culture. In thinking about the beauty of Lisbon, the spirit of the music, and my experiences in Portugal, I tried to encompass that in the melody and rhythms. Kelvin (Wooten) and my amazing band helped bring that vision to life,” said Scott before addressing the song’s intro.

 

“Chick Corea was my inspiration behind the concept for the intro, which allowed me to display my versatility as a musician. I was always intrigued and captivated by his intro for ‘Spain,’ and I wanted my own reimagining of a Spanish song improvised in my own way.”

 

Scott is also intentional about the covers she selects to reimagine. Since her sophomore release, “Rite of Passage,” she has sung one tune on each album. Singing one of her favorite songs, The Police’s “Every Breath You Take,” fulfilled that desire for “Livin’ It Up.” The second remake is an instrumental take on Dolly Parton’s “I Will Always Love You,” with Scott’s version more closely resembling Whitney Houston’s modern classic.

 

“I wanted to create a version (of the song) on flute that conveyed the same purity and honesty that Whitney (Houston) showcased on her recording. For that reason, I even kept the unaccompanied intro in my version. I also wanted to keep the saxophone feature present in the recording, so I invited the talented Kelley O'Neal to play the solo,” said Scott, who will support the album with concert dates this year in such US locales as Charlotte, Washington, DC, and Honolulu and international gigs in England, Portugal, and Norway.  

 

Between the covers, Scott’s most recent single, “Freedom,” is her first foray into using South African rhythms. For “Freedom,” the idea sprang from Manning, who helmed the track.

 

“Greg (Manning) and I agreed that we wanted to push the musical boundaries of contemporary jazz. We didn't want the song to sound like anything on the radio. Greg asked if I had ever thought about incorporating South African Amapiano (a style incorporating house, jazz, and kwaito) rhythms in my music. Ironically, I had just finished writing another song in the style for this album, so I loved the idea. The chant at the beginning of the album version is in Swahili and it emphasizes themes of liberation and unity, which highly influenced the vibe for the song,” said Scott.

 

A mashup tribute to Miles Davis and Herb Alpert that mixes the former’s “So What” and the latter’s “Rise,” Scott’s experimental “So What If I Rise?” is a fun and funky romp that she said, “began as a silly idea in my head.”

 

Another Scott tradition is including a devotional song on her albums, and “Love Thy Neighbor” is the first original sacred song that she penned with Phil Davis (George Duke, Boney James, Norman Brown, Walter Beasley), who plays an ethereal wind keyboard on the track.

 

Closing the collection with another African adventure, Scott envisions “You Got The Power” as an empowering anthem for women. Cameroonian rapper Naomi Achu takes command of the mic amidst the sounds and rhythms of African beat maker VIKWYNBEAT.    

 

“With ‘Power,’ I wanted to create a new age ladies' anthem that is intoxicating in rhythm and vibe. I wanted it to have a strong message of encouragement as delivered by my good friend, Naomi Achu. I asked Naomi to find an African beatmaker to give us the most authentic sound and rhythm, which VIKWYNBEAT created for us. Naomi and I sing the hook. I hope ladies all over the world will be inspired, invigorated, and empowered by this song!” Scott declared.

 

Scott’s debut disc, “Crossing Over,” streeted in 2011, and her “SHINE!” album topped the Billboard chart in 2022. The title track was her third Billboard No. 1 single, and it was Billboard’s Song of the Year. In addition to performing at major jazz festivals and venues around the world, including Catalina Island JazzTrax Festival, Seabreeze Jazz Festival, Greater Harford Jazz Festival, and the Algarve Jazz Festival, Scott has grown her brand exponentially by hosting the syndicated Kim Scott’s Block Party Radio show. She’s collaborated with noteworthy genre stars, including Jonathan Butler, James Lloyd, Jonathan Fritzen, and Jazmin Ghent, and is a member of the renowned female-powered supergroup Jazz in Pink.

Different dimensions of Scott’s accomplished career are found in the classical genre. She plays piccolo in the Tuscaloosa Symphony Orchestra and is an active clinician and a 25-year music educator. Scott has presented and performed at prominent conventions such as the National Flute Association, the Mid-South Flute Festival, and the International Festival of Flutists in South America. She was the department chair at the Alabama School of Fine Arts, where she presently serves as the director of student support services and teaches at the applied flute studio.

   

Hitting her stride as an artist whose muse has fostered new possibilities for the flute in popular music, Scott is grateful for her successes thus far. He is fully committed to utilizing the new album to propel her to new heights.

 

“‘Livin’ It Up’ truly captures my personality, my musical tastes, and the headspace I'm in now. At this stage in my life, I'm comfortable and confident in my musical voice and the uniqueness of it. I'm not a traditional jazz musician in that my training was in classical music, and I didn't start playing jazz until 2010, but through intensive personal study, I've melded the two styles. I have created my own signature sound and style through this discovery. I'm proud and so pleased that the world has embraced it.”

 

Scott’s “Livin’ It Up” album contains the following songs:

 

“Like Butter”

“Magic City Streets”

“Alma de Lisbon”

“Every Breath You Take”

“Freedom”

“I Will Always Love You”

“So What If I Rise?”

“Love Thy Neighbor”

“You Got The Power (Ladies’ Anthem)”

 

 

For more information, visit https://kimscottmusic.com.