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THE LEGENDARY NEGRO ENSEMBLE COMPANY, INC.
presents TONY AWARD® WINNER LILLIAS WHITE in A WOMAN ON LOVE A Valentine's Day Benefit Concert for The NEC Two Performances Only! Friday, February 14, 2014 7pm & 10pm Langston Hughes Auditorium The Schomburg Center for Research in Black Culture 515 Malcolm X Boulevard New York, NY (Subway: 2 or 3 train to 135th Street) Tickets $100 Concert & VIP Reception $75 General Admission www.smarttix.com | 212.868.4444 For group rates and additional information call the NEC office at 212.582.5860 About The PerformanceThe Negro Ensemble Company, Inc. opens the 47th season of inspirational, innovative and exciting stage productions with a special Valentine’s Day concert, A Woman On Love, starring the dynamic, award-winning singer/actress Lillias White (FELA!, The Life, Chicago). Ms. White will grace the stage of the Langston Hughes Auditorium at the Schomburg Center for Research in Black Culture, 515 Malcolm X Boulevard in New York City for two performances -- 7:00 pm to 9:00 pm and 10:00 pm to 12:00 am. A VIP Reception will immediately follow the second concert. The Negro Ensemble Company, Inc. is very proud to present the enormous talent of Lillias White to the public in this special Valentine’s Day tribute. Charles Weldon, Artistic Director of the NEC said, “Lillias White is a tremendous talent. NEC is very, very excited about finally having the opportunity to showcase her brilliance. I cannot say enough about her amazing voice, her commanding presence, and her diversity as an actor. She can do it all with elegance. We are very proud to bring the gift of Lillias to the Schomburg stage, especially on Valentine’s Day.” Ms. White, a long-time supporter of The Negro Ensemble Company, Inc., said, “I am pleased and proud to contribute my time and energy to benefit The Negro Ensemble Company. The NEC is an integral part of our community and has produced performing artists who have become world renowned. It is imperative that we all, especially those of us who have benefited from involvement with the NEC, stand up and make sure that the work of this organization continues. Our community needs quality theatre. And it’s up to all of us who can to continue this legacy.” For more information about A Woman On Love and The Negro Ensemble Company, visit: www.necinc.org |
Thursday, February 6, 2014
Lillias White Stars In 'A Woman On Love'
Wednesday, February 5, 2014
Investigation Discovery Explores: Sundown Towns
– THE
INJUSTICE FILES: SUNDOWN TOWNS Premieres Monday, February 24 at 8/7c –
(Silver Spring, MD) –
Don’t let the sun set on you in a sundown town.
That’s what signs at the city limits of all-white communities
warned when African-Americans were not allowed to live there or even
visit after the sun set.
This method of exclusion was often held by an official policy or restrictive covenant-. The practice of excluding blacks from American towns was so prevalent that, by 1936, it became the impetus for Harlem civic
leader Victor Green to pen the Negro Motorist Green-Book, a guide designed to
help African-American travelers avoid places where they could be
harassed, threatened, or even killed. Today, it is illegal for sundown
towns to exist on paper due to the 1968 Fair Housing Act, but some
believe that communities remain sundown by reputation
and reluctance to diversify. In the fourth installment of Investigation Discovery’s
Black History Month anthology THE INJUSTICE FILES, filmmaker Keith Beauchamp takes a cross-country
road trip to explore whether these exclusionary practices still exist today.
Produced
exclusively for Investigation Discovery by Al Roker Entertainment,
THE INJUSTICE FILES: SUNDOWN TOWNS one-hour special premieres Monday, February 24 at 8/7c.
“We are thrilled to work with Keith Beauchamp, one of America’s leading investigative filmmakers,
and the revered team at Al Roker Entertainment on this fourth installment in the
INJUSTICE FILES anthology,
which has built a reputation for exposing unresolved Civil Rights cases
and modern-day discrimination,” said Kevin Bennett, general manager of
Investigation Discovery. “We hope this special
draws attention to racial discrimination cases that deserve closure and
inspires viewers to push for progress on civil rights issues that are
affecting their hometown communities.”
“It
is unbelievable to find that sundown towns may still be a reality in
the United States,”
said Al Roker, CEO of Al Roker Entertainment. “We appreciate the
opportunity to work with Investigation Discovery to shed light on a
situation that many people don’t even realize could be in their own
backyards.”
“When we set out to film
THE INJUSTICE FILES: SUNDOWN TOWNS, my objective was to challenge the opinion that sundown towns still exist in America today.
Can African-Americans really travel wherever they please in this modern America?”
Beauchamp said. “Now having visited communities that were historically
known as sundown towns, I am left with the sense that rules may have
changed by the book, but towns still exist where the social standard
hasn’t been reset.”
Beauchamp
explains that sundown towns are largely a northern phenomenon born from
how African-Americans
in the region typically made their living. Work largely consisted of
daytime domestic responsibilities and thus nightly curfews were created
to encourage African-American workers to leave town promptly at the end
of their shift.
THE INJUSTICE FILES: SUNDOWN TOWNS travels to three historically-sundown towns in Indiana, Illinois, and Ohio:
Martinsville, IN
– Beauchamp and his crew travel to Martinsville,
where they go undercover to investigate the case of CAROL JENKINS,
a 21-year-old African-American woman. On September 16, 1968, Jenkins
found herself in town after dark while selling encyclopedias
door to door. She was harassed by two men in a car following her and
sought refuge in the home of white local residents Don and Norma Neal,
who would become the last people to see Jenkins alive after she thanked
them for their hospitality and disappeared into
the darkness. She was killed 30 minutes later just a few blocks away.
Forty-five years later, the case remains unresolved and Jenkins’ family
is still looking for closure. The Neals take Beauchamp to the very spot
where Jenkins took her last breath.
Vienna, IL
– In Vienna, Beauchamp meets Dr. James Loewen, best-selling author of
Sundown Towns: A Hidden Dimension of American Racism, who sheds historical light on the discriminatory
practice.
They retrace the steps of a horrific 1954 attack that lead to the
banishment of an entire African-American community, resulting in what
became an all-white
town overnight. It
was alleged that two black men killed an elderly white woman and tried
to rape her teenage granddaughter. The white residents of Vienna became
enraged and burned the black neighborhood to the ground, thus
“cleansing” the town of its African-American population. Beauchamp and
Dr. Loewen drive through the deep woods looking for what’s left of the
black community, the most obvious remnant being the
ruin of a bridge that used to divide the black side of town from the
white side. After the burning, the bridge was abandoned and now lingers
as a reminder of that separation.
Waverly, OH
– Waverly is one of the few sundown towns that existed before the Civil War, with its reputation traceable back to the mid-17th
century. In 1830,
the Downing family donated the town square under the condition that no
African-Americans live within the city limits. Flash forward 150 years
and the attitude of Waverly residents toward American-Americans had
changed little.
DR. DAVID HOXIE
speaks on television for the
first time about his experience setting up a medical practice in
Waverly in 1997 and his claim that the community ran him out of town in
2004 after years of enduring what he calls “a toxic potion” of “racism,
professional jealousy, material envy.”
Beauchamp
explains that this and hundreds of towns used to have signs at their
town borders that read, “Whites Only Within City Limits After Dark.”
THE INJUSTICE FILES: SUNDOWN TOWNS
is
produced for Investigation Discovery by Al Roker Entertainment with
executive producers Al Roker, Keith Beauchamp, and Dan Bowen.
For Investigation
Discovery, Lorna Thomas is executive producer, Sara Kozak is SVP of
production, Kevin Bennett is general manager, and Henry Schleiff is
Group President of Investigation Discovery, Destination America,
and American Heroes Channel.
About Investigation Discovery
Investigation Discovery (ID) is the leading mystery-and-suspense network on
television and America’s favorite “guilty pleasure.” From
harrowing crimes and salacious scandals to the in-depth investigations
and heart-breaking mysteries that
result, ID challenges our everyday understanding of culture, society
and the human condition. One of our nation’s fastest growing cable
networks, ID delivers the highest-quality
programming to nearly 85
million U.S. households and is available in both high definition (HD)
and standard definition (SD). For more information, please visit
InvestigationDiscovery.com,
facebook.com/InvestigationDiscovery,
or twitter.com/DiscoveryID. Investigation
Discovery is part of Discovery Communications (Nasdaq: DISCA, DISCB,
DISCK), the world’s #1 nonfiction media company reaching more than
2 billion cumulative subscribers in 220 countries and territories.
About Al Roker Entertainment
Formed
in 1994, Al Roker Entertainment, Inc. (ARE) is a thriving television
production company based
in NYC involved in the development and production of network and cable
television projects. Al Roker is CEO. ARE produces programming for a
diverse clientele. Recent productions include multiple seasons of "Coast
Guard Alaska" and "Coast Guard Florida" as
well as the launch of “Coast Guard Disappointment Pacific Northwest”
(The Weather Channel), "Kimberly's Simply Southern" (Great American
Country), "Bordertown: Laredo" (A&E), "Stuffed: Food Hoarders" (The
Cooking Channel), "Iced with Sylvia Weinstock" (WEtv),
"Child Hunger Ends Here: A Special Report (NBC), "DEA" Seasons 1 and 2
(Spike TV), "Last Chance Highway" (Animal Planet), Celebrity Holiday
Homes 2010 & 2011 (HGTV) "Together For Care" Telethon benefitting
the Alzheimer's Foundation of America 2010 (NBC),
"Al Roker Reporting" (MSNBC), "Profiles in Courage: A Kennedy Legacy"
(NBC Station Group), "An Honor Deferred" (History Channel), "Inside
Macy's Thanksgiving Day Parade" (NBC), "Recipe for Success" (Food
Network), "Renovate My Place" (TV One), "Roker on the
Road" (Food Network), "Heavyweights" (Food Network), "The 2007 Quill
Book Awards" 2005, 2006 & 2007 (NBC), "Diabetes: The Quiet
Killer"(NBC), "Brain Attack: A Stroke Survival Guide" (NBC), "Uncovered:
The Hidden Lives of Miss USA" (E! Entertainment Network),
"Tribeca Film Festival: Live from The Red Carpet" (NBC) and "Going
Places" (PBS). ARE produces award-winning content: In January 2014,
Little Big Town’s Kimberly Schlapman, star of “Kimberly’s Simply
Southern,” was honored as “Best Home Chef in a Series”
at the 5th Annual Taste Awards. Additionally, in 2013 Pedigree won the
Cannes’ Silver Lion Award for “Annie’s Search for Sandy” and The Humane
Society of the United States honored ARE’s Animal Planet series, “Last
Chance Highway” in the category of “Outstanding
Reality Series” at the 25th Anniversary Genesis Awards (2011). For more
information, visit
www.alrokerentertainment.com.
Monday, February 3, 2014
Tues., Feb. 4,
Twentieth Century Fox Home Entertainment releases the movie
BAGGAGE CLAIM on DVD, Blu-Ray and Digital HD.
BAGGAGE CLAIM stars: Paula Patton, Derek Luke, Jenifer Lewis, Taye Diggs, Jill Scott, Boris Kodjoe, Trey Songz, Tia Mowry, La
La Anthony and Djimon Hounsou.
Jenifer Lewis
Summary
Paula
Patton leads a hilarious cast in this first-class comedy that’ll keep
you laughing and make your heart soar! Flight attendant Montana Moore
(Patton)
is smart, sexy and sick of being single. She’s determined to get
engaged before her younger sister’s wedding, leaving just 30 days to
make her connection. Fortunately, her co-worker crew has cooked up a
high-flying scheme for Montana to “accidentally” bump
into all her ex-boyfriends, leading to hilarious encounters as she
attempts to land the perfect guy!
Blu-ray Special Features
- Theatrical Feature Blu-ray
- Behind the Scenes with the Director with Optional Commentary by David E. Talbert
- Featurettes: Fly Girls, Wing Men, The Story, Interview with the Cast
- Audio Commentary with David E. Talbert
- Theatrical Trailer
DVD Special Features
- Featurettes: Fly Girls, Wing Men, The Story
- Audio Commentary with David E. Talbert
- Theatrical Trailer
Genesis The Ministry Concert Set For Feb. 9
Submissions Open For Cinema At The Edge Fest
2nd Annual Cinema at the Edge Festival
May 7 – 11, 2014
Submissions due – Feb 28th
Notifications will be sent out – March 21st
Five
days of screenings, parties & artist programs that celebrates independent filmmaking.
*Films competing
in narrative feature, documentary
& short film categories will
be eligible for Jury and Audience awards in which winners will have the opportunity to screen their film for industry professionals
working in international film production & distribution.
*Winners of the jury & audience awards
in each category will be considered for acquisition by industry professionals
working in international film distribution.
*Great chance to gain exposure & additional opportunities for
global distribution
*Previous celebrity honorary chair & film jurors include: Brett Ratner, Susan Sarandon and
John Singleton.
For film submissions please visit
this link
Cinema at the Edge Independent Film Festival is a natural progression of the work we do at the Edgemar Center, bringing together
industry experts, cultural and media taste makers and the
most talented artists from across Los Angeles. My team and I are thrilled to
invite you to experience what the West Side has to offer
filmmakers and cinephiles, which is quite different from what you’ll find in
Hollywood.” – Michelle Danner, Founder
Over the
past 3 years, The Cinema at the Edge has
grown from being held in two theaters at the Edgemar Center for the Arts in Santa
Monica with approximately 5,700 attendees each year. The
Festival screens nearly 55 narrative, documentary feature films, and
short films to a diverse local and international audience. From VIP galas
to celebrity-studded premieres, The Cinema
at the Edge
highlights film from every corner of the globe.
The Edgemar Center for the Arts is well known
on the West Side of Los Angeles as a venue where up and coming
talent share quality work, and Artistic Director Michelle Danner is thrilled to
now invite the global independent film community to
experience this vibrant beachside collective at the 2nd Annual Cinema at
the Edge Independent Film Festival.
Cinema at the
Edge programs films with a unique voice and a clear
vision, that blend genres or break conventions of the
medium, with an added focus on life in the beachfront
communities of Santa Monica and Venice and the talented
group of independent filmmakers who make LA’s West Side their home. The 2013 festival featured audience favorites from Sundance,
SXSW and other major festivals, while maintaining a focus on world or regional
premieres, challenging films that deserve a second look and showcasing local
artists.
The Founder of the Cinema At the Edge Independent Film Festival:
MICHELLE
DANNER Founder
Michelle Danner is the
founder and artistic director of The Edgemar Center
for the Arts and The Edgemar Theater
Group. She is a renowned actor, director and award-winning acting coach.
Michelle directed and produced the film “Hello Herman” starring Norman
Reedus (AMC’s “The Walking Dead”) through her
production company All In Films. As an acting
coach, Michelle has worked with A List talent privately and on set,
including Gerard Butler, Chris Rock, Seth MacFarlane, Jamie Lynn Sigler,
Penelope Cruz, Michael Pena, Isla Fisher, Common, Salma Hayek, James Franco,
and Zooey Deschanel. She has directed and acted in over thirty award-winning
plays and musicals in New York and Los Angeles. Her directorial debut in film
was 2006’s “How to Go Out on a Date in Queens” with Jason Alexander, Esai
Morales and Ron Perlman. It was released nationwide and aired as an ABC Sunday Night Movie of the Week.
Edgemar
Center for the Arts is located at 2437 Main St., Santa Monica, CA 90405.
Sunday, February 2, 2014
'That Awkward Moment' Brings The Laughs
By Darlene Donloe
That Awkward Moment is a male bonding film that, although
it’s formulaic, has a lot of laughs.
Unfortunately,
it’s weighed down with a bit too many unnecessary plot points and too much gratuitous,
rapid-fire banter. First-time
writer-director Tom Gormican keeps the dialogue moving at such a rapid pace, that
you really have to listen carefully or you’ll miss some of the dialogue.
The romantic
comedy is about three best friends who all happen to be having relationship
issues. One of the issues is the
fact that one of the friends doesn’t even realize he’s in a relationship until
his girlfriend dumps him.
One of the
friends, played by Michael B Jordan (Mikey), has a shaky marriage and is on the
verge of divorce. In support of him the other two guys vow to maintain their
single status for as long as possible.
Since
the other friends, played by Zac Efron (Jason) and Miles Teller (Daniel) are
only interested in superficial encounters anyway, they figure the vow is a
piece of cake. Well, not so fast gents. Enter two women who essentially make
them rethink the whole relationship thing. The women are played by Imogen Poots and Mackenzie Davis,
both of whom do standup jobs. Poots has some particularly strong moments as
Ellie, a young publisher who thinks she might be in love with Jason.
MICHAEL B. JORDAN
The bonding the
three friends have is believable, although men watching each other urinate, or
checking out a friend’s orange “package” isn’t something readily done by men. However,
it’s hysterical in this movie.
What drives the
movie is the word, ‘so.’ It’s apparently the word that every man dreads. It changes
a relationship. ”So,” what are we doing? “So,” where is this relationship
going? “So,” where are we heading?
It’s the nail in the coffin for some men who are then confronted with a ‘put a
ring on it or we’re through’ scenario.
The movie is an
attempt to tell a modern story about how love is done in 2014. If this is the
way it’s done, love is going to be exhausting!!
Why is it that
every comedy has to have unnecessary conflicts of one kind or another. The movie winds its way through the
muck and mire – but it doesn’t add anything to the story.
That Awkward Moment has some holes, but it’s full of good
looking people offering up a number a laughs. It’s worth a watch.
That Awkward Moment, written and directed by Tom Gormican,
stars Zac Efron, Michael B. Jordan, Miles Teller, Imogen Poots, Mackenzie Davis and Jessica Lucas.
On the DONLOE
SCALE: D (don’t bother), O (oh, no), N (needs work), L (likeable), O (OK) and E
(excellent), That Awkward Moment gets
an O (OK).
The movie is
Rated – R. Running time: 94
minutes
Saturday, February 1, 2014
Academy's 'Alone Yet Not Alone' Song Decision
The Board of Governors’ decision to rescind the Original Song
nomination for “Alone Yet Not Alone,” music by Bruce Broughton, was
made thoughtfully and after careful consideration. The Academy takes
very seriously anything that undermines the integrity of the Oscars®
voting process. The Board regretfully concluded that Mr. Broughton’s
actions did precisely that.
The nominating process for Original Song is intended to be anonymous, with each eligible song listed only by title and the name of the film in which it is used—the idea being to prevent favoritism and promote unbiased voting. It’s been a long-standing policy and practice of the Academy—as well as a requirement of Rule 5.3 of the 86th Academy Awards® Rules—to omit composer and lyricist credits from the DVD of eligible songs that are sent to members of the Music Branch. The Academy wants members to vote for nominees based solely on the achievement of a particular song in a movie, without regard to who may have written it.
Mr. Broughton sent an email to at least 70 of his fellow Music Branch members—nearly one-third of the branch’s 240 members. When he identified the song as track #57 as one he had composed, and asked voting branch members to listen to it, he took advantage of information that few other potential nominees are privy to. As a former Academy Governor and current member of the Music Branch’s executive committee, Mr. Broughton should have been more cautious about acting in a way that made it appear as if he were taking advantage of his position to exert undue influence. At a minimum, his actions called into question whether the process was "fair and equitable," as the Academy's rules require. The Academy is dedicated to doing everything it can to ensure a level playing field for all potential Oscar® contenders—including those who don’t enjoy the access, knowledge, and influence of a long-standing Academy insider.
The nominating process for Original Song is intended to be anonymous, with each eligible song listed only by title and the name of the film in which it is used—the idea being to prevent favoritism and promote unbiased voting. It’s been a long-standing policy and practice of the Academy—as well as a requirement of Rule 5.3 of the 86th Academy Awards® Rules—to omit composer and lyricist credits from the DVD of eligible songs that are sent to members of the Music Branch. The Academy wants members to vote for nominees based solely on the achievement of a particular song in a movie, without regard to who may have written it.
Mr. Broughton sent an email to at least 70 of his fellow Music Branch members—nearly one-third of the branch’s 240 members. When he identified the song as track #57 as one he had composed, and asked voting branch members to listen to it, he took advantage of information that few other potential nominees are privy to. As a former Academy Governor and current member of the Music Branch’s executive committee, Mr. Broughton should have been more cautious about acting in a way that made it appear as if he were taking advantage of his position to exert undue influence. At a minimum, his actions called into question whether the process was "fair and equitable," as the Academy's rules require. The Academy is dedicated to doing everything it can to ensure a level playing field for all potential Oscar® contenders—including those who don’t enjoy the access, knowledge, and influence of a long-standing Academy insider.
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