Wednesday, August 5, 2015

Cheryl Boone Isaacs Re-Elected Academy Prez



LOS ANGELES, CA – Cheryl Boone Isaacs was re-elected president of the Academy of Motion Picture Arts and Sciences Tuesday night (August 4) by the organization’s Board of Governors.

In addition, Jeffrey Kurland was elected first vice president; John Bailey, Kathleen Kennedy and Bill Kroyer were elected to vice president posts; Jim Gianopulos was elected treasurer; and Phil Robinson was elected secretary.

Boone Isaacs is beginning her third term as president and her 23rd year as a governor representing the Public Relations Branch.  Kurland and Bailey were re-elected to their posts.  Kennedy has served previous terms as vice president.  Last year Kroyer served as secretary.  This will be the first officer stint for Gianopulos.  Robinson has served previous terms as vice president as well as secretary.

Boone Isaacs currently heads CBI Enterprises, Inc., where she consults on film marketing efforts.  Starting this September, she will be an adjunct professor at Chapman University’s Dodge College of Film and Media Arts.  She recently received an honorary doctorate from the University of North Carolina School of the Arts.  Over her career, Boone Isaacs has consulted on such films as “The Call,” “The Artist,” “The King’s Speech,” “Precious: Based on the Novel ‘Push’ by Sapphire,” “Spider-Man 2” and “Tupac: Resurrection.”  Boone Isaacs previously served as president of theatrical marketing for New Line Cinema, where she oversaw numerous box office successes, including “Austin Powers: The Spy Who Shagged Me” and “Rush Hour.”  Prior to joining New Line in 1997, she was executive vice president of worldwide publicity for Paramount Pictures, where she orchestrated publicity campaigns for the Best Picture winners “Forrest Gump” and “Braveheart.”

Academy board members may serve up to three consecutive three-year terms, while officers serve one-year terms, with a maximum of four consecutive years in any one office.

For a full listing of the Academy’s 2015–16 Board of Governors, click here.
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Tuesday, August 4, 2015

London's Babs Savage Is Coming To America


(Los Angeles, CA) – London’s Babs Savage, Singer/Songwriter releases her new single “La La” in America and is getting much love. (See link to the song below) https://itunes.apple.com/us/album/lala-single/id1018413295

Babs puts her twist on the Delfonics with “La La”.  The song entered the Urban AC Charts at #138 and moved up to 74 within a week. In fact, it was the 2nd most added song on entry to the Billboard charts.  Expectantly, it was #2 in the UK Urban DJ chart and #5 on the UK Club Charts. Most impressively, “La La” is #1 on Japanese chart. Currently, “La La” is being played in Florida, Georgia, Texas, as well as Little Rock, Chattanooga, Atlantic City are Las Vegas among others. Also, “La La” is being played on Music Choice R&B soul channel nationwide.

While in America, Babs will shoot her music video that will be directed by award-winning director and editor Iggi Ogard known for her work as director for the band “Shining” music videos, as well as promo producer/editor for Esquire and Hallmark Channel Networks.  ChoreographerSaye Lah, Owner, GrooveCiti, who has worked with Missy Elliott, Jewel, Angie Stone, is the video’s choreographer.

Collaborating with Chicago’s renowned, Producer/Entertainer Rickey Rainbow to create a sensational CD of original and soulful songs, while forming and founding the Savage Entertainment Record Label, keeps Babs involved and in-touch with all aspects of her musical productions.  Rainbow has worked with R. Kelly, Mark Morrison, and received Grammy nominations for best album and producer with Reggae band Aswad.
“The “La La” song, is an inward reflection of my own love of what I do as a singer and sharing that musical pleasure with my audience.”  Said, Babs Savage.
Her style encompasses, soulful warmth with a gravelly quality and a hint of vibrato. Her unique combination intoxicates her audience leaving them wanting more.

The single, “La La” is currently available on iTunes, Amazon and other digital outlets.
About Babs Savage
Babs Savage, was born and raised in London into a family that surrounded her with music and art at an early age, forming her first band Savajazz at age fifteen, began the development for her own soulful style. Later she went on to further study her craft at the prestigious Central School of Speech and Drama in England. Currently, Babs’ band performs throughout the UK, Spain and Italy. She is also, writing a musical for stage with top choreographer Ashley Nottingham coupled with writer/novelist Helen Jacey. 
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Twitter: @TheBabsSavage
Instagram: Babs.Savage
HASHTAG:   #BabsSavage

David Alan Grier Joins NBC's 'The Wiz Live' Cast


UNIVERSAL CITY, Calif. — Aug. 4, 2015 — Tony Award nominee and multi-talented actor and singer David Alan Grier is joining NBC’s highly anticipated holiday production of “The Wiz Live!,” set for Thursday, Dec. 3.

Grier will play the Cowardly Lion, who asks Dorothy if he can join her in her journey down the Yellow Brick Road and ask the Wiz for some courage, which he is severely lacking.

Grier is a three-time Tony Award nominee — for his role as Jackie Robinson in the musical “The First”; for co-starring in the David Mamet written and directed drama “Race,” opposite James Spader, Kerry Washington and Richard Thomas; and, most recently, for “The Gershwins’ Porgy and Bess,” with Norm Lewis and Audra McDonald, for which he was also Grammy nominated. In addition, Grier had a co-starring role in the original Broadway production of “Dreamgirls.”

Grier has had an extensive television career and co-starred on one of the seminal comedies of the 1990s, “In Living Color.” Other series in which Grier has appeared include “Martin,” “Life With Bonnie,” “Crank Yankers,” “Happy Endings” and “Law & Order: SVU.” He is set to co-star in the upcoming NBC comedy “The Carmichael Show,” which premieres Wed., Aug. 26.

Film credits include “A Soldier’s Story,” with Howard E. Rollins and Denzel Washington; “Jumanji,” with Robin Williams; and the critically acclaimed “The Woodsman,” with Kevin Bacon.

NBC recently raised the project’s star quotient in a big way by adding multi-award winners and A-list stars Queen Latifah and Mary J. Blige to the telecast.

Queen Latifah stars as the Wiz, the mysterious and powerful wizard who holds the keys to the Emerald City, but whose metamorphosis from ordinary to extraordinary is itself a hoax. She rose to her lofty position after being transported by accident to Oz in a hot air balloon during a snowstorm. 

Mary J. Blige will play Evillene, the Wicked Witch of the West, who holds sway over the Winkies and the Winged Monkeys that do her bidding. She captures Dorothy and her friends to avenge the unintentional murder of her evil sister, Evvamean, and to get back the powerful silver slippers given to Dorothy by the Good Witch of the North.

Stephanie Mills was previously announced to portray Auntie Em in “The Wiz Live!” Mills is best known to many for playing Dorothy in the original Broadway production of “The Wiz.”

“The Wiz Live!” is adapted from “The Wonderful Wizard of Oz” by L. Frank Baum, with a book by William F. Brown, and music and lyrics by Charlie Smalls. The production opened on Broadway in 1975 at the Majestic Theatre and won seven Tonys, including Best Musical.

Craig Zadan and Neil Meron (“The Sound of Music Live!,” “Peter Pan Live!,” Oscar-winning “Chicago”) will executive produce. Kenny Leon (Tony winner, “A Raisin in the Sun”) is stage director and Matthew Diamond is TV director, with Harvey Fierstein (three-time Tony winner, “Torch Song Trilogy,” “Hairspray” and “La Cage aux Folles”) providing new written material. 

Esteemed choreographer Fatima Robinson (“Dreamgirls,” “Ali”) is also on board, along with music producer Harvey Mason Jr. (“Dreamgirls, “Pitch Perfect 2”) and Stephen Oremus (“The Book of Mormon,” “Kinky Boots”) as music director, orchestrator and co-producer of the music.

“The Wiz Live!” is produced by Universal Television in association with Cirque Du Soleil Theatrical.

Monday, August 3, 2015

Cast, Director, Ice Cube And DJ Yella Talk About The Making Of 'Straight Outta Compton' Film


By Darlene Donloe

Several members of the cast and several film execs with the upcoming drama, Straight Outta Compton, recently held a press conference held at the Four Seasons Hotel to discuss the making of the film, set for release nationwide Aug. 14.

In attendance was the film’s Director F. Gary Gray, Producer Ice Cube, N.W.A. consultant and group member DJ Yella, O’Shea Jackson Jr., who plays Ice Cube and also happens to be his real son; Jason Mitchell, who plays Eazy-E and Corey Hawkins, who plays Dr. Dre.

Straight Outta Compton (Universal) tells the story of the meteoric rise of N.W.A in the ‘80s and how the notorious group single-handedly changed the face of music.

Ice Cube, Dr. Dre, Eazy-E, DJ Yella and MC Ren changed the game and upped the ante.  Their musical fearlessness, fresh approach, creativity, rawness, defiance and talent made them legends.

(l-r) Corey Hawkins, Jason Mitchell, O'Shea Jackson Jr., F. Gary Gray, Ice Cube and DJ Yella

They used honest rhymes and hardcore beats to tell the story about life in their inner-city neighborhood. In the process, they made history. Their popularity and success took them out of that neighborhood and up to the big leagues and the deluxe apartment in the sky.

For this Q&A, each person is identified by their initials.   F. Gary Gray (FGG), Ice Cube (IC), O’Shea Jackson Jr. (OJJ), Corey Hawkins (CH), Jason Mitchell (JM) and DJ Yella (DJY).

Q: Gary, how did you become involved with this film?

FGG:  I’ve been involved for four years. I got the script from Cube. There was so much of a story there. I was a little nervous, but there was so much there.

 N.W.A. (l-r) Ice Cube, Dr. Dre, Eazy-E, DJ Yella and MC Ren

Q: How has this been for you, Cube?

IC: This has been a dream project for me. Ever since I’ve been producing it’s been in the back of my mind. There are only a few people I would ask to do this with me.

DJY:  This was a great idea. 26 years ago we didn’t know it was a great story, but it is. We were about the music. We didn’t let anything stop us. 26 years later, the music is still fresh.

Q: How do you feel about making history?

IC: It’s amazing that after all this time the group provokes thought and controversy and energy like it did back then. We did a lot to change the texture of entertainment and opened it up for artists to truly be themselves.

Q: There are a number of scenes in the movie showing the group being harassed by police officers.  Why so many?

IC: We wanted to show the humiliation we felt. We know cops have to be heavy handed with criminals, but not with citizens.  Look, if somebody breaks into my house, I’m calling the damn police. I’m not calling the homies, Yella, or Dre.

Q: O’Shea what kind of research did you do to play your father? Did he tell you or show you what to do?

OJJ: Well, if you really want to be technical, I’ve been doing my research for 20+ years. There were certain things I did just to put me into that time period. I know solo Ice Cube. I know that guy. I had to learn how he acted with his friends. His lingo, you know the ‘you know what I’m saying.’ I would look at old videos and interviews.

Ice Cube

Q: What did you tell him, Cube?

IC: I just wanted to give him all the ammunition he needed. You know, my perception of everybody, you know Jerry Heller, Dre, Ren and Yella.  Because if he did adlib or go off script he would have ammunition. He would know how to be. I just had to fill him up with information. He developed into a good actor. I had confidence in him and Gary to deliver this film.

Q: Gary, how did you prepare the actors?

FGG:  I don’t want to minimize what these guys did. I had these guys go in the gym, some had to lose weight, some had to gain weight. I had them actually record Straight Outta Compton, the whole album. I had these guys do so much in eight weeks. They worked around the clock with wardrobe and with trainers. They learned how to walk and talk and absorb the LA culture. They delivered a natural performance.

Q: Jason, you play Eazy-E. What was it like to play him?

JM: I feel like I hit the lottery. I can’t explain it. It’s emotional.

Q: What about you Corey? You’re playing Dr. Dre.

CH: Like Gary would say on the set, we are making history about a group that made history. It was a team effort.

Q: O’Shea, the same question?

OJJ: This is my family’s legacy. I’m happy the ball was in my hands. It was hard work. It was two years of auditioning with Gary.

Q: What would you tell those people who wanted to crucify the group 25 years ago?

FGG:  See, I told you.

IC: You know, it’s a little apples and oranges. The music is moving at the speed of life. The movie is a piece of art. I can imagine you appreciate this movie and still have a problem with the group. That’s natural too. For those that came around, ‘welcome to 2016.’ We been looking for you every since 1989. It’s great. We’ve been doing films for 20 years. To be at this level and deliver a movie, shows me the different talent level and energy.  Some will love the film, but hate the group. That’s fine. It’s all about being real. If you don’t like the group, you can kill yourself!

Q: Do you have any interest in a N.W.A. video game?

IC: Why not? They got Grand Theft Auto, that’s damn near the N.W.A. story. I guess they just gotta change the packaging. We can start getting some damn royalties.

Racism At The Core Of 'Citizen: An American Lyric'


By Darlene Donloe
  
“Because White men can’t police their imagination, Black men are dying.”

That is just some of the haunting dialogue in Claudia Rankine’s emotional piece Citizen: An American Lyric, now playing at The Fountain Theatre through September 14.

While she reveals those are not her words, but rather can be attributed to other authors, including James Baldwin, the power behind those words don’t dissipate. In fact, they engulf the theater.   The words are stinging, but timely, given today’s continuous headlines of black men being killed by white police officers.

Sunday was the world premiere of Stephen Sachs’ stage adaptation of Rankine’s tome.

This book is the long-awaited follow up to her groundbreaking book, Don’t Let Me Be Lonely: An American Lyric.


Rankine’s work, which has garnered several awards including the National Book Critics Circle Award, Los Angeles Times Book Award, the NAACP Image Award and the Pen Open Book Award, is provocative as she tackles the subject of race fusing poetry, prose, movement, music and video.

The show opens with the revelation - When you are alone and too tired even to turn on any of your devices, you let yourself linger in a past stacked among your pillows.

Be warned about what happens when the devices are switched off.

A white father takes the middle seat on a plane so that his daughter won’t have to sit next to a black man.

A white woman is frightened and on the offensive when a black man rings her doorbell only to realize he has an appointment with her.

When her black friend shows up a bit late, the white friend exclaims, ‘why are you so late you nappy headed hoe’?

A white man says to his black buddy, ‘they are making me hire a person of color when there are so many good writers out there.’

And then there’s the story of the woman on a train. She would rather stand than sit next to a black man. People notice there is one seat left, but the woman doesn’t budge. Maybe she’s about to get off of the train. The space next to the man is the pause in a conversation you are suddenly rushing to fill. You step quickly over the woman’s fear, a fear she shares. You let her have it. When another passenger leaves his seat and the standing woman sits, you glance over at the man. He is gazing out the window into what looks like darkness.

These are just some of the hard-hitting vignettes in the 75-minute presentation.

All of those are moments of unintentional, or subtle forms of racism plaguing society.


Rankine’s writing is thought-provoking and eye-opening. It’s a collection of works chronicling the life that most black people live on a daily basis.

At one point in the show, Rankine and Director Shirley Jo Finney pay homage to the many black people who have senselessly lost their lives - by displaying their names visually upstage center while an actress rattles off the names.  The list seems to go on forever. It’s an even more emotional moment as pictures of the victims appear.

Finney is known for bringing magic to her productions. She doesn’t disappoint with this piece. Her direction is fluid, vast, creative, expressive and non-traditional.

Finney makes good use of the stage. She uses the six actors (four black, two white) as stagehands who quickly and with precision move chairs and themselves around the stage to signify a scene change.

All of the actors deliver vibrant, emotive performances even with dialogue that can only be described as fiery, troubling, unruly and damaging. Ok, to be honest it’s racist!


Citizen: An American Lyric is written by Claudia Rankine, adapted for the stage by Stephen Sachs and directed by Shirley Jo Finney. It stars Bernard K. Addison, Leith Burke, Tina Lifford, Tony Maggio, Simone Missick and Lisa Pescia.

Citizen: An American Lyric, The Fountain Theatre, 5060 Fountain, Los Angeles; 8 p.m. Sat, 3 and 7 p.m. Sun., 8 p.m. Mon. through Sept. 14; $15-$34.95; Pay-What-You-Can every Monday night; 323 663-1525 or www.FountainTheatre.com

On the DONLOE SCALE: D (don’t know), O (oh, no), N (needs work), L (likeable), O (oh, yeah) and E (excellent), Citizen: An American Lyric gets an E (excellent).

Sunday, August 2, 2015

Thousands Flock To 3rd Annual Nappywood



By Darlene Donloe

The 3rd Annual Nappywood Los Angeles Natural Hair & Lifestyle Expo took place in Los Angeles this weekend.

Thousands poured into the two-day event (Aug. 1-2) held at The Reef in the fashion district.

This year’s theme was “Natural Lifestyle Matters”

The Natural Hair Expo featured more than 30 classes, local natural hair stylist showcases and live on stage consultations with top natural stylist.

In attendance were celebrity stylists and natural activists, considered top leaders in the industry including, Isis Brantley, Dr. Kari Williams (California Cosmetology State Board), Dr. JoAnn Cornwell (founder, Sister Locs), Bernard Bronner, CEO of Bronner Brothers and Publisher, Myco Branch, author and owner and Miss Jessies.  

Activities included: The Boys & Girls Sankofa Natural Hair Parade, The Small Business CEO Boot Camp Series & Finance, hair workshops and demonstrations, natural hair competition, health and community panels and more.

“The LANX is only a thread to bring the community together to educate and empower,” said Regina Kimbell, founder of Nappywood. “Not only will the workshops, & summit improve their lives but where else can you see Natural Hairstyles from Anquity to modern day in one day and get a free hair consultation.”
Bronwyn Webber Gregg

Vendors on hand included Bronwyn Webber Gregg, a Silpada Designs Jewelry independent representative.

“I’ve been coming here the last three years because of the natural beauty of the women,” said Webber Gregg. “We have the jewelry to complement them.”

Yendi

Yendi, an artists specializing in hair accessories, footwear, clothing and artwork attended Nappywood for the first time this year.

“I wanted to be a part of the natural hair movement,” she said.

Black Don’t Crack Founder Debra Hubbard said her brand was about perseverance and resilience.

“We’re about creating a dialogue,” she said. “We need to stay together. But I tell everybody there is a warning when you wear our line – ‘You will be stopped’ because everyone wants to know where you got it and where they get one. It’s about a movement.”

Debra Hubbard

The following is Nappywood in pictures.















Allohn Designs





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