The story of ‘Anna Lucasta’ is sad, tragic, romantic, amusing and even triumphant.
And, yet, those adjectives don’t even begin to describe this
amazingly vibrant, emotional, highly-dramatic and occasionally comical and sexy
saga.
The play was originally
written in 1939, by Philip Yordan with a Polish family as the focus. Rumor has
it that the Polish population wasn’t keen on the story.
When it debuted in 1944 on
Broadway, the show opened with an all-Black cast. Eartha Kitt and Sammy Davis starred in the 1958 film
version.
CAST OF 'ANNA LUCASTA'
(standing l-r) Jennifer Sammons, Talmadge Talib, Kem Saunders, Tanya Lane, Carl Crudup, Alvina Carroll Saunders, Sammie Wayne IV and Kaylon Hunt; (seated l-r) Nick Gillie, Robert Clements, Ashlee Olivia, Cydney Wayne Davis and Dwain A. Perry
(standing l-r) Jennifer Sammons, Talmadge Talib, Kem Saunders, Tanya Lane, Carl Crudup, Alvina Carroll Saunders, Sammie Wayne IV and Kaylon Hunt; (seated l-r) Nick Gillie, Robert Clements, Ashlee Olivia, Cydney Wayne Davis and Dwain A. Perry
Fast forward and director Ben
Guillory’s version is lighting up a stage at the Los Angeles Theater Center.
The story centers on a young
woman named Anna Lucasta (Ashlee Olivia) whose
family has cast her aside because of a sexual indiscretion – or two, or three.
When she is thrown out of her Pennsylvania home, Anna ends up as a
prostitute in Brooklyn.
KAYLON HUNT, NICK GILLIE & ASHLEE OLIVIA
For reasons that
can only be described as unethical, Anna’s brother and brother-in-law want her
to come back so they can marry her off to a
moderately wealthy young man, Rudolf
Slocum (Dwain A. Perry), who also happens to be the son
of one of her father’s oldest friends.
DWAIN A. PERRY and ASHLEE OLIVIA
Anna’s greedy, scheming brother-in-law Frank, played aptly and convincingly
by Sammie Wayne IV, wants to separate Rudolf from his bankroll. Anna spoils his plans by actually falling
in love with Rudolf and seeing to it that no one gets the money.
Only her mother, Theresa
(Cydney Wayne Davis), and her sister-in-law, Katie (Tanya Lane), seem to actually
care about what happens to Anna.
Additionally, one of Anna’s
former ‘clients’ in Brooklyn wants to continue exploiting her sexually.
There is a lot
going on in this melodrama however, the upshot is a rough-around-the-edges
story about love, family and redemption.
Ben Guillory has assembled an
impressive cast to bring this story to life.
Ashlee Olivia, who plays the
title role, is a breath of fresh air as she engulfs the character. Her
flirtatious gait and expressive eyes gives the wayward Anna her enticing, yet
insecure persona.
SAMMIE WAYNE IV
Sammie Wayne IV has full
command of his character and the stage in a supporting role that nearly steals
the show. Frank is the scheming husband of Anna's sister, Stella (Alvina Carroll Saunders).
Cydney Wayne Davis
gives a robust and genuine performance as Theresa, the mother of Anna. The
duality of softness and determination she displays throughout the show, adds
substance to the role.
Dwain A. Perry is a joy to
watch as he gives an even performance in the role of Rudolf, a perceived hick
from the sticks. He shows a
vulnerability and a strength that forgives Anna’s indiscretions.
Jennifer Sammons brings a
gritty and earthy authenticity to her role as a mature, been-around-the-block-more-than-a-few-times
streetwalker. The juxtaposition of
Sammon’s character’s grittiness and Anna’s arousing persona adds texture to
their scenes together.
(l-r) SAMMIE WAYNE IV, ALVINA CARROLL, KEM SAUNDERS, TANYA LANE, CYDNEY WAYNE DAVIS, ROBERT CLEMENTS and ASHLEE OLIVIA
The remaining cast members shore
up the engaging show.
There are some unanswered
questions in the production. For instance, why is Joe Lucasta’s anger toward
his daughter so explosive? Is there a back story that the audience doesn’t know?
His anger toward Anna is over the top and seems a bit extreme even for the time
period, given her perceived dastardly deed.
The show works because the Lucastas, in all their glory and dysfunction, feel like a real family. Good acting, good direction, good costumes, good set, good timing, good lighting - all of the essentials come together to make this a good show.
The show works because the Lucastas, in all their glory and dysfunction, feel like a real family. Good acting, good direction, good costumes, good set, good timing, good lighting - all of the essentials come together to make this a good show.
DIRECTOR BEN GUILLORY
Under Guillory’s fluid
direction, ‘Anna Lucasta’ comes together quite nicely. He makes skillful use of the
stage and allows the actors space to breathe.
Tom Meleck’s set gives the
family’s home a warm, inviting feel, while also giving the waterfront bar a
cold, clammy and even seedy quality.
The show, written by Philip Yordan and directed and produced by Ben
Guillory, stars Alvina Carroll, Robert Clements, Carl Crudup, Cydney Wayne
Davis, Nick Gillie, Kaylon Hunt, Tanya Lane, Ashlee Olivia, Dwain A. Perry, Larry Powell,
Jennifer Sammons, Kem Saunders, Talmadge Talib, Sebastian Velmont and Sammie Wayne IV.
‘‘Anna Lucasta’ is presented by Robey
Theatre Company in association with Latino Theater Company.
‘Anna Lucasta,’ Los Angeles Theatre Center, Theatre 4, 514 S. Spring
St., Los Angeles, CA; 8 p.m. Thur.-Sat., 3 p.m. Sun., through Dec. 9. Running
time: 2 hours, 15 minutes with one intermission. Mature themes. Suggested for
audiences age 14 to adult. For
information: www.thelatc.org or (866)
811-4111.
On the Donloe Scale, D (don’t bother), O (oh, no), N (needs work), L
(likable), O (OK) and E (exceptional), “Anna Lucasta” gets an E (exceptional).
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