TINA FEY & PAUL RUDD
Tina Fey ( 30 Rock, Saturday Night Live) is widely known as
one of the best and funniest comedic actresses of her generation.
Paul Rudd (This is 40)
has made a career out of being ‘that guy’ in several romantic comedies.
Teamed up these two should deliver a helluva funny movie.
Hmmmm! While
there are a few chuckles in their latest movie, Admission, out nationwide March 22, it falls short in the funny
bone department.
Admission (Focus
Features), a Paul Weitz Film, is about the surprising detours people encounter
on the road to happiness.
Fey play Portia Nathan, a Princeton University admissions
office whose life is a hot mess.
TINA FEY & LILY TOMLIN
First, out of the blue, her boyfriend leaves her for another
woman. She has a ball buster for a mother, played with hilarity and flair by
Lily Tomlin.
When Clarence (Wallace Shawn) the Dean of Admissions,
announces that he’s retiring, she has to compete with an office rival named
Corinne (Gloria Reuben) for the job.
GLORIA REUBEN
Then, after meeting John Pressman (Rudd), a former classmate
and idealistic teacher at New Quest, Nathan is thrown for a loop and her job is
put in jeopardy after Pressman delivers some life-changing information. Pressman invited Nathan to New Quest, specifically, to meet a young man named
Jeremiah (Nat Wolff), who he thinks is special and has the goods to be a
success at Princeton.
NAT WOLFF
After Nathan finds out some life-changing information about
Jeremiah, Nathan finds herself in a quandary.
To be fair, the movie isn't bad, it's just not as funny as it should be with a cast that includes Fey, Rudd and Tomlin, who, for her part, does deliver the goods.
Unfortunately, the movie never really finds its groove. It starts to drag toward the middle and never corrects itself. While they are adequate in their performances, Fey and Rudd were handcuffed by a script that doesn’t find its focus.
Unfortunately, the movie never really finds its groove. It starts to drag toward the middle and never corrects itself. While they are adequate in their performances, Fey and Rudd were handcuffed by a script that doesn’t find its focus.
On the Donloe Scale: D (don’t bother), O (oh, no), N (needs
work), L (likeable), O (OK) and E (excellent), Admission, Rated PG-13, gets an L (likeable).
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