By darlene c donloe
For decades
Jonathan Butler has been entertaining with his vibrant vocals and luscious
guitar licks.
By now everyone
knows his story. In South Africa in 1968 he won a talent contest that brought him a
$25-a-week job with a musical troupe that toured South Africa, Libya and Zaire.
By age 13, Butler was a local pop star whose covers of Please Stay and I Love How
You Love Me became pan-African hits. In 1984, he moved to London, where he
recorded his first album, Introducing
Jonathan Butler, which came out in 1986. He first came to the attention of Americans when he debuted as the
opening act for Whitney Houston, playing for huge stadium crowds. A jazz guitarist and melodic pop singer,
Butler’s first self-titled album, Jonathan
Butler, was a two-record set that featured the singles Lies and Holding On. That
was his launching pad. Since then, Butler’s popularity and success has only
grown.
His itinerary
for the year is already full. He has several cruises, jazz concerts, his
foundation, a trip to South Africa and he plans to host yet another South
African safari. In 2013, he did something he has always wanted to do, he
released his first Christmas album titled, Merry
Christmas To You.
On the outside
looking in, one would think the popular singer/songwriter/guitarist has it all.
Personally, for
Butler, he never allowed himself to feel that way.
Like everyone
else in the world, Butler was dealing with personal issues. He had doubts and
insecurities just like the rest of the world. Who knew?
Although he was
happy with his career, he could never admit it publicly because he didn’t want
to look or seem arrogant.
Thank goodness with
time comes maturity.
Today Butler is
confident. He’s happy. He’s on top of the world. He’s living his dream and he doesn’t mind letting the world
know.
So much so, that
he recently released a CD titled, Living
My Dream, to express his gratitude for a life and career beyond anything he
could ever have imagined.
And, at 52, he’s
unapologetic!
I caught up with
Butler recently to talk about his life, his career and his latest CD.
DD:
Why did it take years for you to be able to use the term 'Living My Dream'?
JB: We all get to a
place where we have to take stock of our lives. I certainly was going through
transitions in my life. I felt
like I was living my dream. I started thinking about the lyrics. It became a
declaration of sorts. I’m recognizing that I am. God has blessed me. I can help
my family in South Africa. I’ve been making music for so long. It’s a dream
come true. In declaring, I hesitated. I didn’t want it to come out as conceited
or being egotistical or prideful. Now I’m coming from a place of celebration of
my life. Being a family man is all I care about. This is my declaration.
DD: Why did you record this
CD at the House of Blues Studio?
Was there some significance?
JB: No significance, but
I enjoyed it. A friend of mine worked out of it. It was warm and real.
DD: George Duke worked
on this project with you. Talk about George Duke and what he meant to you.
JB: George will always
remain an inspiration and a big brother to me. He’s somebody I depended on in L.A.
He always opened doors for me. The friendship I shared with him was incredible
until the very last minute. We connected on the last days. The days I spent
with him writing, we actually spent talking about the stuff he endured. I was
encouraged.
DD: Talk to me about the
song you two wrote. What was the process? How long did it take to write?
JB: It took 20 minutes
to write because we were so connected to each other. It was about transparency
and vulnerability. George would come to the studio to record and made it more
significant and important. He left his studio to come to this studio to partake
in the process.
DD: I understand that
Marcus Miller was also in the mix.
JB: Marcus Miller and I
wrote a song together. He stayed and listened to what George [Duke] and I
wrote. It was a very moving time for me. I didn’t know he was sick. I knew he lost some weight. I was also close to his wife. Her death
was shocking. George’s passing was shocking. We all have our issues and things
we have to endure.
DD: Tell me about Heart and Soul.
JB: That took 20 minutes
to write. I had tears rolling down your cheek.
DD: Why the tears?
JB: The lyrics and
melody are deep. It’s one of those songs you stumble across. You look at your
life. These are stories that people have. These are things we want to say to
each other. I did a lot of co-writing. This is the song that was picked up. It
talks about things men and women want to say to each other. Things that affect
me. We argue, fuss and
fight. It takes work to understand what each other needs. It’s about a healthy
relationship. Sometimes you hit a bump in the road.
DD: When doing a new CD,
how do you decide whom to bring into the project. You have Marcus and George.
JB: I not only have
Marcus [Miller] and George [Duke]. I also brought in other musicians to make an
organic album. I opened up the pool. I opened up the writing pool. It was time
for me to reach out to people like Bob James, Lee Ritenour, Marcus and George.
It really worked.
DD: Talk about your
foundation.
JB: I launched a foundation in South Africa,
focusing on music and art education as an intervention for substance abuse.
DD: How is it
going?
JB: It’s going
well. It’s our second year. I’m launching one in Cape Town, my hometown. I’m
creating a model for a Jonathan Butler after school program. It’s not just
about music. Some of these kids are smart. We want to facilitate these kids not
just musically. There is going to
be a big launch in Cape Town. We initially launched in Johannesburg. There is
so much work to do. I will do it for the rest of my life.
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