By Darlene
Donloe
Chadwick Boseman
said he doesn’t want to become the guy who does all of the biopics on black
people. One can’t blame him for
that.
However, he is
so good at playing real people like Jackie Robinson in the film, 42 and James Brown in his latest film, Get On Up, that he may have just gotten
pigeonholed.
Get On Up is the behind the scenes story of, James
Brown, the Godfather of Soul who is also affectionately known as the hardest
working man in America. The film takes
audiences on the journey from Brown’s impoverished childhood to his
evolution into one of the most influential figures in music.
This movie may
just catapult Boseman into the superstar stratosphere. He has proven he’s no
fluke.
To his credit,
Boseman doesn’t try to mimic Brown, instead he gives the audience the essence
of the superstar. Boseman, looking good in costumes designed by Sharen Davis and nine wigs designed by consultant Robert Stevenson, has got
some moves. He dances like Brown
and most of all – he has Brown’s voice and cadence. He does a credible and
impressive acting job. He literally
doesn’t have a misstep. Boseman, who originally didn’t want to play the role,
delivers a tour de force performance.
It’s no secret
that Brown, who died in 2006 at the age of 73, had a troubled life. Even from
the beginning he had a hard way to go. He lived in an abusive household where
he was beaten by his father and eventually abandoned by his mother. He later
lived in a brothel owned by his aunt before venturing out on his own. He landed
in jail several times, was married several times, had a host of kids, was
physically abusive, but never, ever, lost the music that was in him.
(l-r) Craig Robinson and Chadwick Boseman
James Brown
lived and breathed music. To this day, no one can touch him. And, like he said
himself once, you can’t name anyone in music who wasn’t influenced by the James
Brown sound.
The movie, of course,
has some holes. It’s difficult to tell a man’s life in a two-hour film.
However, that being said, the film felt more than a bit disjointed. It was
choppy and all over the place in its presentation. It bounces in and out of
sequences. It felt like it wasn’t quite sure just what kind of film it wanted
to be. It skips over some elements of Brown’s life, including his kids, wives
and numerous arrests on domestic violence charges. At times the movie feels
like a drama and then in the next frame feels like a comedy.
The film opens
in 1988 when Brown reportedly fired a shotgun into the ceiling of one of his
buildings, allegedly upset about folks using his bathroom. It then proceeds to mosey on down
memory lane by taking us on a journey through Brown’s impoverished childhood
and through his rise to stardom as one of the most influential artists in the
20th century. But the
movie doesn’t present his life in order, which sometimes feels like the movie
is rambling.
Some of the
comedy arrives in Boseman’s deadpan looks in the camera. He also, occasionally,
speaks straight into the camera. It’s rather comical.
Still, there are
some amazing performances. Boseman is brilliant and will surely get a nod
during awards season. Other standouts include the always impressive Viola Davis
and Nelsan Ellis who plays Brown’s right hand man and best friend, Bobby Byrd.
Aside from
Boseman, who shows up and shows out, the star of this movie is the music!!! You
can’t sit still while watching it. You literally want to Get Up Off Of That Thing.
Get On Up stars Boseman, Davis, Ellis, Jill Scott,
Octavia Spencer, Craig Robinson and Dan Aykroyd.
On the DONLOE
SCALE: D (don’t bother), O (oh, no), N (needs work), L (likeable), O (OK) and E
(excellent), Get On Up gets an O
(OK).
Get On Up, in theaters nationwide Aug. 1, is
directed by Tate Taylor (The Help)
and written by John-Henry Butterworth, Jez Butterworth and Steven Baigelman.
The music is
composed by Thomas Newman. It’s produced by Mick Jagger, Erica Huggins, Brian
Grazer and Victoria Pearman.
There is also a soundtrack in support of the film.
It’s Rated
PG-13, Running Time: 2h 18 min.
Go see Get On Up because The Funk Don’t Quit.
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