By Darlene Donloe
Nearly 80 years
ago something extraordinary happened.
What that was is
chronicled in Olympic Pride, American Prejudice, a documentary film directed by Atlanta filmmaker Deborah Riley
Draper and narrated
by Blair Underwood. The world premiere
of the film debuted at the LA Film Festival today, amidst an elevated buzz.
Deborah Riley Draper and Blair Underwood
The feature
length doc uncovers a barely known fact about Jesse Owens not being the only
“Negro” to participate in the 1936 Olympics.
Huh? What? Yep!
In fact, the doc
reveals that there were actually 17 other “Negroes” who actually participated
in the games.
The riveting and
eye-opening film is set against the backdrop of a racist America and an even
more devious Germany ruled by a ruthless Adolf Hitler regime. And it wasn’t
only “Negroes” who suffered the indignation of racism. As history would prove,
it also included Jews, who were also discriminated against.
July 1936-Onboard the SS Manhattan: L-R, standing: Dave Albritton (High Jump Silver Medalist; Cornelius Johnson (High Jump Gold Medalist); Tidye Pickett (80m Hurdles); Ralph Metcalfe (100m Silver Medalist, 4x100m Gold Medalist); Jimmy Clark (Boxing); Mack Robinson (200m Silver Medalist). Background, between Clark & Robinson: Willis Johnson (Boxing). Kneeling: John Terry (Weightlifting); John Brooks (Broad Jump). Photo credit: Olympic Pride, American Prejudice LLC.
During that time
America was torn between sending its best athletes to Berlin to compete against
the Third Reich in its own backyard - and boycotting the games to prove its
resistance to and disregard for Hitler, Aryan superiority and anti-Semitism.
But, don’t get
it twisted! During that time America had
its own problems. Negroes were treated as second-class citizens, or worse, in
their own country. Still, undaunted, they wanted to represent their country on
the world stage, and as this documentary highlights - they did it with enormous
panache, pride, poise and self-respect.
Surprisingly, during
the games, Hitler called for calm. He wanted the Negroes to be treated with
respect while in the country. To the
surprise of the Negro athletes, Hitler’s nation obliged. The athletes, who worried whether they would
be killed, insulted, disregarded or all of the above, were welcomed with open
arms and applause and even received enormous reverence from their
competitors. There were integrated
Olympic villages, social affairs that were inclusive – something the athletes
did not expect.
July, 1936 on the SS Manhattan. L-R: James LuValle, 400m Bronze Medalist; Archie Williams, 400m Gold Medalist; John Woodruff, 800m Gold Medalist; Cornelius Johnson, High Jump Gold Medalist; Mack Robinson, 200m Silver Medalist. The photo was taken on July, 1936 on the SS Manhattan. Photo credit: Olympic Pride, American Prejudice LLC.
How ironic is it
that they were respected in the most unexpected place on earth, but did not
receive the same amount of regard in America from their own countrymen. The heroic air that surrounded them in Berlin
was all but blown away once they returned home.
Still the
mystery remains - why were the other 17 “Negroes” almost ignored completely in
the press? Why was Jesse Owens the lone
highlighted athlete? Why did it take 80
years for someone to reveal what actually happened during the Berlin Summer
Games? Why has it taken 80 years for someone to tell their story and give them their
due.
August 1936-In the Olympic Stadium, Berlin, Germany: Leni Riefenstahl (on ground, third from left), Olympic cinematographer, directs filming of Archie Williams (far right) after he wins the gold medal in the 400 meter dash. Photo credit: Olympic Pride, American Prejudice LLC.
Director Deborah
Riley Draper, the writer and director of the award-winning and
critically-acclaimed documentary, Versailles
’73: American Runway Revolution, has done just that. In her research for
the doc, Draper traveled to Berlin where she spent eight days researching and
interviewing former athletes and some of their relatives.
For four years Draper
did her research to reveal a story that is unknown, yet an intimate part of
American and world history.
The story of the
18 brave and mostly unsung athletes is told through a plethora of
well-documented, archived materials Draper poured through including yearbooks,
photographs, interviews, newsreel film, newspaper articles and
never-before-seen footage. There is also
material from the personal archival collections of Olympians and
Foundations in both the U.S. and Germany.
The film
features interviews with Isiah Thomas (1980 Olympian, 3-time NBA Champion),
Carl Lewis (nine-time Olympic gold medalist and assistant coach of Univ. of
Houston), Joanna Jayes (2004 Gold medalist and UCLA assistant track coach) and
more.
Deborah Riley Draper
Draper has put
together a wondrous, impressive, eye-opening, emotional and intriguing
documentary.
Blair Underwood's luscious, full and earthy voice adds texture, while pushing the story forward emotionally.
Blair Underwood's luscious, full and earthy voice adds texture, while pushing the story forward emotionally.
They may not
have received their flowers 80 years ago, but through this documentary they are
receiving their long overdue applause.
Olympic
Pride, American Prejudice is a must see!
Olympic Pride,
American Prejudice, directed by Deborah
Riley Draper, is produced by Coffee
Bluff Pictures (www.coffeebluffpictures). It’s narrated by Blair Underwood, who is also an executive
producer along with Dr. Amy Tiemann and Michael A. Draper.
On the DONLOE SCALE: D (don’t bother), O (oh, no), N (needs
work), L (likeable), O (oh, yeah) and E (excellent), Olympic Pride, American Prejudice gets an E (excellent).
#LAFilmFestival
#LAFilmFestival
Ms. Donloe, thank you for your review of this film! It has not been picked up by a streaming service like Netflix to your knowledge, has it? The NY Times posted on Instagram today about the Olympians' travel on the SS Manhattan and mentioned that only 334 of 382 Olympians took the steamship. I assume some simply had the money for better transportation, but I was wondering if the film happened to find any white athletes who were unwillingly to share transportation with the great African-American Olympians such as Jesse Owens and Tidye Pickens. Additionally, were the African Americans forced into segregated quarters & facilities? I've seen pictures of whites gawking at Jesse Owens' practice on board, but was there actually interaction between the white and black athletes? Does the film touch on this?
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