TARAJI P. HENSON
By Darlene Donloe
Taraji P. Henson is
spreading her wings. The Academy Award and Emmy nominee has appeared in films (The Curious Case of Benjamin Button and No Good Deed) and television (Boston Legal, Eli Stone). She recently
completed a stint on the hit CBS television drama, Person Of Interest.
Now, she brings her
versatile talent to the stage, starring in the world premiere of Above The Fold, written by Bernard
Weinraub and directed by Steven Robman.
The show, currently
running at the Pasadena Playhouse through Feb. 23, tells the story of Jane, an
African American newspaper reporter from New York, who flies to a Southern
university where three white fraternity boys have been accused of raping a
young African American woman.
But, what the show
is really about is a particular depiction of the world of journalism. Whether
one is on the outside looking in or in the inside looking in, the result isn’t
pretty. There are some blurred
lines that question just how a story can be manipulated, especially when it’s
written before all of the facts have been presented and investigated.
This story shows
how, in her pursuit of getting the story and getting it first, this reporter walks
a moral and professional tightrope.
TARAJI P. HENSON and MARK HILDRETH
Jane wants to move
forward in her career, and feels this juicy story just might be her ticket to
bigger and better assignments, including one in Afghanistan.
But first, she has
to figure out who is telling the truth. Is it the three, white college boys or
is it Monique (Kristy Johnson), an African American mother of two who works as
a stripper.
The show, based on
the notorious 2006 Duke lacrosse rape case, began as a HOTHOUSE at the
Playhouse stage reading.
The title, Above The Fold, refers to the placement of
a story on the front page of a newspaper – that is literally above the fold,
thereby receiving a lot of attention.
Kudos to Robman who
directed a tight, vivid, creative and sometimes intense production. The use of
video and other technology helps to bring the production to life.
TARAJI P. HENSON and KRISTY JOHNSON
Good performances
all around. Henson knows her way around the stage. Her acting is bright and
fluid. Kristy Johnson, who plays Monique, the rape victim, nearly steals the
show from Henson with a riveting portrayal. Joe Massingill, Kristopher Higgins and Seamus Mulchay, give
solid performances as the three accused college students. Arye Gross, who plays
Jane’s editor and Mark Hildreth, who plays a politician in the southern town
running for re-election, are smart actors who kick their characters into second
gear.
Overall Above The Fold is a fully enjoyable
theatrical experience. The production is presented at a brisk pace and is
peppered with interesting multi-media projections.
(l-r) TARAJI P. HENSON, SEAMUS MULCAHY, JOE
MASSINGILL and KRISTOPHER HIGGINS (seated)
Above The Fold, a World Premiere written by
Bernard Weinraub and directed by Steven Robman, stars Academy Award-nominee Taraji
P. Henson, Arye Gross, Kristopher Higgins, Mark Hildreth, Kristy Johnson, Joe
Massingill and Seamus Mulcahy.
The Pasadena Playhouse, 39 S. El Molino Ave., Pasadena, CA 91101; through Feb. 23; Tickets start at $38; For information: PasadenaPlayhouse.org or (626) 356-7529. Running time: 2 hours, 20 minutes.
On the DONLOE SCALE: D (don’t bother), O (oh, no), N (needs work), L (likeable), O (OK) and E (excellent), Above the Fold get an E (excellent).
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