Offiong Bassey
isn’t a household name - yet! But after the Feb. 4 release of her
self-titled, debut CD, Offiong Bassey,
her name will roll off the tongue of music enthusiasts.
That’s because
her 12-song original compilation is refreshing, unique and stands out amongst
the cookie-cutter offerings.
Bassey, a first
generation Nigerian American, grew up in Boston. Music has been an integral
part of her life. “It has always been a part of me,” she says.
Her grandmother,
whom she is named after, used to sing to her. And, like most powerful singers,
Bassey grew up singing in her church.
The CD, debuting on the CMJ New World Music
charted at number two and vaulted up to number four on the SoulTracks album
chart.
The songs
contained on the Offiong Bassey CD include:
Legitimate Child, Edidem,Weatherman, Full
Moon, Mistaking Chivalry for Chauvinism, Conclusion, Chasing After the Wind, Owo Iba Me Ita,
Wild Oats, It Might Be Hard, Efik Praise Medley and Edidem (Traditional Mix).
This
year, Bassey, along with her nine-piece band, plans to record an unplugged
session some time in the spring.
I caught up with
Bassey recently to talk about her entry into the music industry and what the
future holds.
DD: You are a
Nigerian American. There is a definite Nigerian influence in your music.
OB: Oh,
definitely. Nigeria, is definitely
a part of my music.
DD: Your debut
CD dropped Feb. 4. How long did it take to complete?
OB: It was three
years in the making. It’s so exciting. The oldest song on the CD I wrote in
2005. The anticipation is high. On Feb. 4 it all became very, very real. It’s a
dream come true.
DD: Is it more
exciting or more scary?
OB: It’s more
exciting. The only scary part was during the process. You have all these
collaborations. I had to think about all it takes and how it helps to build
character. The beautiful thing in the end is the process it took to get here.
DD: These are all original songs?
OB: All of the
songs are originals. Some are adaptations, you know, epic choruses. I’m a poet first. I respond to
the world around me. I ponder life. I receive messages. I build songs around
those messages. I want the songs to be empowering. It’s important that music be
a thing to bring positivity and wholeness. I want to do music in unique ways, with
unique rhythms. I want to open people’s minds.
DD: What is the
oldest song on the CD?
OB: It’s Legitimate Child. I wrote it in 2005. I
was in college at the time.
DD: Talk about
what it’s like to perform.
OB: Wow, I
performed a senior showcase at Yale. That was in 2007. It was called, A Moonlit Evening. Tonight I’m doing a
show at the Regatta Bar in Cambridge (www.regattabarjazz.com). It’s also called, A Moonlit Evening. This is going to be special.
DD: Your music is described as Afro-Peruvian, Nigerian Ekombi,
R&B, jazz, gospel, funk, soul and hip hop. How do you personally describe
it?
OB: The most difficult thing for me to do
is box my music into a genre. All of those that you mentioned are true. When I
introduce myself, I say African, soul jazz and gospel. Depending on the audience and the set
list, I might emphasize one over the other. I have to represent all facets of
who I am.
DD: Talk
about your writing process. Do you carry around a recorder, or take notes?
OB: Anyone who knows me knows that I can be
having a conversation and I’ll go to my notebook or sing something into my
phone. If I don’t’ make a record of it, it will go away and not come back. It’s
all about that moment in time. Wherever I am, whether it’s in bed or in the
shower, I have to make a record of it. It’s a gift to receive words and
melodies.
DD: What
were you trying to say with your music?
OB: My name is an epic name. It means
“God’s Moon.” I feel that with my music it’s a reflection of my creative way.
Life illuminates and brings love and correction, it’s something I want to
embody in everything I do. I think of myself as a moon. How can I reflect that
light. It’s about illumination and creation. It’s about the lyrics and the
message. That’s my message.
DD: Who
are some of your musical influences?
OB: That’s
hard because there are so many. Some of my influences include: Miriam Makeba,
Anjelique (Kidjo), Jonathan Butler, Donny Hathaway, Rachel Farrell, Fela Kuti,
Michael Jackson, Mahalia Jackson and many more. I grew up in a house with many
types of music playing. I always
wanted to move and create.
DD: What
did you expect from the biz, what did you get?
OB: I expected
it to be more straightforward and methodical. I come from a business
background. I started in 2010 and
thought the CD would be finished in early 2011. I used to always wonder, ‘How can it take two or three
years?’ I always wondered that. I was quickly silenced. It didn’t’ work that
way for me. It was a humbling experience.
DD:
Tuesday, Feb. 4, 2014 is the day your CD dropped. Describe the day.
OB: I opened my
eyes at 5 a.m. I had a full day of media appearances. I went to an ABC news
affiliate in Boston to film a full-length concert that is airing on the Feb. 9th
at 12 noon ET. I also filmed an
interview with the ABC affiliate, the Chronicle. Then it was NPR in Boston, then
rehearsal for the show I’m doing tonight. This is the life I prayed for and
prepared. I’m getting a taste of what I’m in for. It sure takes a lot of energy
to show up, smile and perform.
As seen
in the first video (http://tinyurl.com/kch3w8o)
from the disc, Edidem, a song
inspired by a traditional Efik prayer as passed down by her grandmother, Bassey
not only incorporates authentic cultural elements from her Nigerian-born
parents and grandparents into her colorfully textured aural mosaics, she also
invites family into the experience. Her brother, percussionist Eniang Bassey,
performs on one track on the album.
FOR MORE
INFORMATION: www.offiongbassey.com
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