By
Darlene Donloe
Sting’s
The Last Ship finally made port when
it anchored itself at the Ahmanson Theatre in Los Angeles on Wednesday, Jan. 22
for a four-week run.
There
has been much anticipation behind the show with music and lyrics by Sting.
With
Sting at the helm, what could go wrong?
Well, the story lacked umph. When
you don’t care about any of the characters in a cast of just under 20,
something is wrong.
The Last Ship is a dark, moody
musical about a struggling Northern England shipbuilding town that is about to
lose its generational livelihood with the closing of its shipyard.
The
show, set in 1986, is a reboot of Sting’s 2014 Broadway show, which was a bust.
The
men and women who have made a living at the shipyard are not about to go down
without a fight. Their fathers worked there, their father’s father worked there
and so on. The thought of the shipyard
closing causes anger and panic, which is too much for some of them to handle. Essentially
overnight their livelihoods would vanish.
Sting (c) and the cast of The Last Ship |
It’s a story about unions and the working man standing his ground. There are several B and C stories intertwined in the tome. Jackie White, the foreman of the yard, played by Sting, is battling an illness. A female shipbuilder is thrown a curveball when a boyfriend from 17 years ago – suddenly returns.
There’s
a lot going on in the show buoyed by incredible musical and worthy
performances, which is why it’s so puzzling why the show doesn’t glow.
First
things first –it was difficult to decipher a lot of the dialogue that was
spoken or sung due to the thick English dialogue. Second, the show took too long to
get started in terms of the meat of the story – and once it had, interest had waned. The second act didn’t
advance the narrative any more than the first act.
That
being said, the singing/songs are spectacular. Such powerhouse voices. Standout
songs include Dead Man’s Boots, And Yet, If You Ever See Me Talking To A Sailor, All This Time, What
Say You, Meg and, of course, The Last
Ship.
Sting |
The show is visually stunning! The set design is beyond fantastic and scarily realistic. It’s a maze and amazing. The stage is a series of catwalks stretching from one side of the stage to the other. The projection screens change scenes and enhance them with ease. With just the push of a button a screen comes down and it's the shipyard, push it again and it’s a pub, then a living room and more. The sky actually moves changing from clear, to cloudy, to red, to stormy.
On
opening night the theater was speckled with celebrities including Laurence
Fishburne, Dustin Hoffman, Pierce Brosnan, Annie Lenox and, of course, Sting’s
Police bandmates Stewart Copeland and Andy Summers.
The Last Ship, directed by Lorne
Campbell, new book by Lorne Campbell, original book by John Logan and Brian
Yorkey, music, and lyrics by Sting.
The Last Ship, Center Theatre Group -
Ahmanson Theatre, 135 N. Grand Ave., Los Angeles; 8 p.m. Tues.-Fri., 2 and 8
p.m. Sat., 1 and 6:30 p.m. Sun., no Monday performances. Exceptions: added 2
p.m. performance on Thursday, Feb. 13. No 6:30 p.m. performance on Sunday, Feb.
16, through Feb. 16, 2020, 213 972-7231, $35-$199, www.CenterTheatreGroup.org
Running
time: 2h 45m
On
the DONLOE SCALE: D (don’t bother), O (oh, no), N (needs work), L (likable), O
(oh, yeah) and E (excellent), The Last
Ship gets an L (likable).
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