ROBERT DENIRO and MICHELLE PFEIFFER
By Darlene Donloe
Robert Deniro is known for playing bad-ass mafia
types on screen.
In his latest film, The Family, Deniro, once again takes on the role of a Mafioso,
except this time he really has some anger management issues and puts a bit of a
comic twist it.
Michelle Pfeiffer has also played her share of
roles in mob-based movies. This time around, she, too, adds a different spice
to the role.
Together, Deniro and Pfeiffer, who appeared
together in the films Stardust and New Year’s Eve, but never actually
appeared in a scene together, strike a harmonic chord playing husband and wife
in this comedy/drama.
As the story goes, a Mafia boss and his family
are relocated to a sleepy town in France under the Witness Protection Program
after snitching on the mob. Despite Agent Stansfield’s (Tommy Lee Jones) best
efforts to keep them in line, Fred Blake (Deniro), his wife Maggie (Pfeiffer)
and their two children, Belle (Dianna Agron) and Warren (John D’Leo) can’t help
resorting to old habits by handling their problems the “family” way. One thing
leads to another and soon Blake’s former Mafia cronies track him down to even
the score.
DIANNA AGRON and JOHN D'LEO
Blake, whose real name is Giovanni Manzoni, has
attempted to go straight and start over in the various locations in which he’s
been placed. A Brooklyn hood whose grandfather was a driver for Vito
Genovese and whose father was at the Apalachin Meeting in 1957, to
pass the time, he begins to write his memoirs, much to the chagrin of his FBI
handlers. The agency also recognizes that Manzoni’s anger and violence could be
a problem.
The violence gene has been passed to his wife,
as well as his kids, who have a low tolerance for irritation.
There are some quirky, yet satisfying
performances in The Family, an action
satire that pays homage to the
mobster movie genre. The movie
feels familiar – and is predictable. At times it feels as if it’s making fun of
the mob genre.
Deniro is, of course, Deniro. He knows how to
handle a gangster role like no one else. He’s a softy when it comes to his
family and even manages to delivers solid humor, accompanied by thuggish
qualities.
Pfeiffer brings just the right amount of
flighty, while making it quite clear she is in charge. She, too, is like a
momma bear when it comes to her children, but will blow up a store at even the
hint that she’s being disrespected.
ROBERT DENIRO and TOMMY LEE JONES
Jones manages to deliver some very funny lines
with, of course, a straight, sleepy face.
Argon is wickedly, deliciously, saucy as
Blake/Manzoni’s teenage daughter and D’Leo is cool as a typical teen trying to
find an angle in every scenario.
The Blake/Mazoni’s, who can’t seem to keep a low
profile, are a brilliantly funny, violent, loving, dysfunctional family on the
run.
And, although there is enough violence in this
movie to rival Private Ryan, it is
actually funny.
Director Luc Besson (“The Fifth Element,” “Arthur”
and “The Invisibles”) has put together a first rate cast. His
direction helps to make the film dark, sexy and even eerie.
The
Family, directed by Luc Besson, written by Michael
Caleo, executive produced by Martin Scorsese and produced by Virginie
Besson-Silla, stars Academy Award® winners Robert Deniro and Tommy Lee Jones,
Academy Award nominee Michele Pfeiffer, Dianna Agron, John D’Leo, Domenick
Lombardozzi and Jimmy Palumbo.
On the DONLOE SCALE: D (don’t bother), O (oh,
no), N (needs work), L (likeable), O (OK) and E (excellent), The Family gets an O (OK)
The
Family, (Relativity Media) is Rated R; running time:
111 minutes.
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